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The elephant is abundantly represented in African culture. In this lavishly illustrated anthology, eighteen scholars pay homage to both the African elephant and African creativity. The elephant's natural history is the starting point for this collection. Other essays discuss the animal's place in religious imagery, local economies, and regional cultures. The global appetite for ivory and the consequences of the ivory trade are the focus of two essays and of the epilogue, which also discusses the elephant as an endangered species. This volume bridges the gap that often separates the scholar from the general reader. Its visual mini-essays are entertaining and also broaden the scope of the book, and the spectacular photographs invite hours of pleasurable exploration.
On moving into a new apartment abroad in his Bavarian hometown, the narrator realises that some of his possessions and elements of his new neighbourhood open a window into a flurry of memories, serving as allegorical threads to his childhood, self-consciousness and discovery of the world. What begins as a personal narrative quickly cedes to a social archaeology, inviting the reader/listener on a homegoing journey in the backdrop of Cameroon’s tottering democratic trajectory. Modulated with poetry and music, The Radio tunes in to diaspora, home, nation, education, existence, religion as well as Mbum popular culture, showcasing creative re-appropriation and re-mixing of global trends and icons in specific communities.
Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.
This study examines the way Americans of Chinese descent were portrayed in American literature between 1850 and 1940. Their depictions are compared to historical events that were occurring at the time the works of literature were published. This edition has additions and corrections compared to the original hardback edition published in 1982. ~~~~~ Excerpt ~~~~~ My purpose in writing this work has been to explore the depiction of Chinese immigrants and their descendants in American fiction, from the mid-nineteenth century entry of the first Chinese immigrants in significant numbers, to the eve of World War II. I consider both the immigrant Chinese and the American-born generations that followed them to be Chinese Americans, but will sometimes identify the groups separately in recognition of the fact that the historical experience and treatment of the immigrants in fiction has been different from that of their descendants. The fiction treated in this study includes short stories and novels both by white Americans and Asian Americans. I am defining the term Yellow Peril as the threat to the United States that some white American authors believed was posed by the people of East Asia. As a literary theme, the fear of this threat focuses on specific issues, including possible military invasion from Asia, perceived competition to the white labor force from Asian workers, the alleged moral degeneracy of Asian people, and the potential genetic mixing of Anglo-Saxons with Asians, who were considered a biologically inferior race by some intellectuals of the nineteenth century. The Chinese immigrants were the first target of this attention, since they were the first Asian immigrants to reach the United States in large numbers. This study will focus on American fiction about Chinese Americans in an attempt to analyze the growth and development of attitudes about them. My thesis is that the Yellow Peril is the overwhelmingly dominant theme in American fiction about Chinese Americans in the years with which this study is concerned. It is expressed through the variety of images of the Chinese Americans that appear, especially in their relation to, and their role as part of, the United States. The historical causes and literary subject matter change, but the theme neither disappears nor abates. Each work of fiction has been studied individually for the images it contains. Prior to the turn of the century, the Yellow Peril is perceived only as stemming from the Chinese. In the twentieth century, especially in the pulps, the Japanese joined the Chinese as a perceived menace to Europe and North America. The overall process of evaluation relies primarily on detailed analyses of the characters under consideration. This has been done with an awareness that the American public as a whole sometimes did not distinguish carefully among Asian ethnic groups, so that events involving one Asian ethnic group often affected the image of another. Some works are obscure and these have been quoted at greater length than more available ones. Relatively few critical sources have been cited; this is due to a dearth of relevant studies. The less important works of fiction have naturally received little critical attention and, often, when such attention was concerned with pertinent stories, the authors had little or nothing to say about the depiction of Chinese Americans. This observation is intended only as an explanation, and not as a value judgement of earlier scholarship with different goals.
In this fourth volume of the Jedi Quest series, Anakin Skywalker and Obi-Wan Kenobi face a very elusive adversary, one who is as cunning as he is evil. After all, how do you defeat an enemy whose riches buy unlimited power, who is a master of disguise, and whom you cannot find? Their foe will stop at nothing to undermine the Republic and draw others to the dark side. And if the Jedi do not stop him, the whole galaxy will be in danger.