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The Diwan of Shaykh Muhammad ibn al-Habib, (1290/1871 - 1391/1972), is a masterful transmission of the essential teachings of the tasawwuf based squarely on the Book and the Sunnah, in a clear and accessible classical Arabic, and in this edition accompanied by an uncluttered English translation.
One of the finest poets in post-Biblical Hebrew literature, in a major new translation.
Poems of 'Abid and 'Amir are found in other works but the 11th-century MS in the British Library on which this edition is based is unique. Both are tribal poets of the Jahiliyyah, the period before Islam. 'Abd ibn al-Abras, regarded as one of the best pre-Islamic poets, was contemporary with the greatest of them all, Imru' al-Qais of Kindah, and his poems reflect the events of the first half of the 6th century, such as the attempt and ultimate failure of the Princes of Kindah to impose their hegemony on the nomads of northern Arabia, among them 'Abid's tribe, the Bani Asad, who slew Imru' al-Qais's father, Hujr. 'Amir's tribe, on the other hand, dwelt in Central Arabia, some distance to the West of Mecca and he was a contemporary of the Prophet Muhammad. 'Amir remained pagan but, though he is credited by some accounts with bitter hostility to Islam, his poems are mainly concerned with war and rivalry with neighbouring tribes.
A Selection of Ghalib's Ghazals in Devnagri and English, along with the English Translations
Diwan of Ibn 'Arabi Translation & Introduction Paul Smith In the West he is known as the Doctor Maximus and in the Islamic world as The Great Master. Born in Murcia in Spain in 1165 his family moved to Seville. At thirty-five he left for Mecca where he completed his most influential book of poems The Interpreter of Ardent Desires (Tarjuman al-Ashwaq) and began writing his masterpiece, the vast Meccan Revelations. In 1204 he began further travels. In 1223 he settled in Damascus where he lived the last seventeen years of his life, dying in 1240. His tomb there is still an important place of pilgrimage. A prolific writer, Ibn 'Arabi is generally known as the prime exponent of the idea later known as the 'Unity of Being'. His emphasis was on the true potential of the human being and the path to realizing that potential and becoming the Perfect or complete person. Hundreds of works are attributed to him including a large Divan of poems most of which have yet to be translated. Introduction... on his life and poetry, forms he composed in & Sufism in poetry, Selected Bibliography. Appendix: The Tarjuman al-Ashwaq of Ibn 'Arabi, Translation of Poems & Commentary by Reynold A. Nicholson. The correct rhyme-structure has been kept as well as the beauty and meaning of this selection of his beautiful, mystical poems in the forms of qit'as, ghazals and a memorable qasida. Large Format Paperback 7" x 10" 228 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books). Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Mahsati, Lalla Ded, Abu Nuwas, Ibn al-Farid, Majnun, Iqbal, Ghalib, Baba Farid, Nazir Akbarabadi and many others, as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
“As a bookseller, I loved Shelf Life for the chance to peer behind the curtain of Diwan, Nadia Wassef’s Egyptian bookstore—the way that the personal is inextricable from the professional, the way that failure and success are often lovers, the relationship between neighborhoods and books and life. Nadia’s story is for every business owner who has ever jumped without a net, and for every reader who has found solace in the aisles of a bookstore.” —Emma Straub, author of All Adults Here “Shelf Life is such a unique memoir about career, life, love, friendship, motherhood, and the impossibility of succeeding at all of them at the same time. It is the story of Diwan, the first modern bookstore in Cairo, which was opened by three women, one of whom penned this book. As a bookstore owner I found this fascinating. As a reader I found it fascinating. Blunt, honest, funny.” —Jenny Lawson, author of Broken (in the best possible way) The warm and winning story of opening a modern bookstore where there were none, Shelf Life: Chronicles of a Cairo Bookseller recounts Nadia Wassef’s troubles and triumphs as a founder and manager of Cairo-based Diwan The streets of Cairo make strange music. The echoing calls to prayer; the raging insults hurled between drivers; the steady crescendo of horns honking; the shouts of street vendors; the television sets and radios blaring from every sidewalk. Nadia Wassef knows this song by heart. In 2002, with her sister, Hind, and their friend, Nihal, she founded Diwan, a fiercely independent bookstore. They were three young women with no business degrees, no formal training, and nothing to lose. At the time, nothing like Diwan existed in Egypt. Culture was languishing under government mismanagement, and books were considered a luxury, not a necessity. Ten years later, Diwan had become a rousing success, with ten locations, 150 employees, and a fervent fan base. Frank, fresh, and very funny, Nadia Wassef’s memoir tells the story of this journey. Its eclectic cast of characters features Diwan’s impassioned regulars, like the demanding Dr. Medhat; Samir, the driver with CEO aspirations; meditative and mythical Nihal; silent but deadly Hind; dictatorial and exacting Nadia, a self-proclaimed bitch to work with—and the many people, mostly men, who said Diwan would never work. Shelf Life is a portrait of a country hurtling toward revolution, a feminist rallying cry, and an unapologetic crash course in running a business under the law of entropy. Above all, it is a celebration of the power of words to bring us home.
Captivating, true stories full of intrigue, adventure, desire and romance from the royal households— stories of love and betrayal which have been retold across generations. The descriptions of the harems of these Maharajas in India and Europe, their royal palaces, queens and courtesans, horses and cavalries, Rolls Royce cars, lion-hunting, royal feasts and grand durbaars will keep you glued till the end. These are an insider’s account of a priceless past of extravagance and lavish expenditure.