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Divine Renaissance Volume II opens with a call to the Soul to take flight from the world's clamour, reach the Sanctuary of Being, and stand in the Great Silence of the Presence within.It goes on to reveal riches upon riches concerning the Mystery of Prayer, the Ascent of the Soul, its path to Angelic realms and its ultimate union with the Gods. The true path of the healer is revealed, the zodiacal ministry of the celestial hierarchy of Gods, the mysterious ministry of the one known as the Master and also many aspects of Christian Church Offices and truths long veiled by its Doctrine. This is the day of the Divine Renaissance when the Truth is re-revealed that will set every Soul free. Free to take flight and stand in the Presence of the Divine within and to be led by Him, and Him alone, to a life of Peace, spirituality and Divine Love.
This unique collection of excerpts from Lutheran historical documents--many translated here for the first time--presents readers with a full picture of how the Lutheran movement developed in its thought and practice. Covering not only theology but also church life, popular piety, and influential historical events, the primary documents include theological treatises, confessional statements, liturgical texts, devotional writings, hymns, letters and diaries, satirical polemics, political documents, woodcuts, and pamphlet literature. This first volume covers the chronological period from Luther‘s first calls for reform to the development of Lutheran Orthodoxy and Pietism during the seventeenth century. The judiciously selected and carefully translated texts as well as the contextualizing information provided in each chapter‘s introductory essay acquaint readers with the turbulence and fervor of this revolutionary Christian movement, its struggles for survival and consolidation, and its further evolution up to the dawn of the Enlightenment.
"Renaissance in Italy" is one of the best-known works by John Addington Symonds. This carefully crafted DigiCat ebook is formatted for your eReader with a functional and detailed table of contents. Volume 1: The Spirit of the Renaissance Italian History The Age of the Despots The Republics The Florentine Historians 'The Prince' of Machiavelli The Popes of the Renaissance The Church and Morality Savonarola Charles VIII... Volume 2: The Men of the Renaissance First Period of Humanism Second Period of Humanism Third Period of Humanism Fourth Period of Humanism Latin Poetry... Volume 3: The Problem for the Fine Arts Architecture Painting Venetian Painting Life of Michael Angelo Life of Benvenuto Cellini The Epigoni... Volume 4: The Origins The Triumvirate The Transition Popular Secular Poetry Popular Religious Poetry Lorenzo De' Medici and Poliziano Pulci and Boiardo Ariosto... Volume 5: The Orlando Furioso The Novellieri The Drama Pastoral and Didactic Poetry The Purists Burlesque Poetry and Satire Pietro Aretino History and Philosophy... Volume 6-7: The Spanish Hegemony The Papacy and the Tridentine Council The Inquisition and the Index The Company of Jesus Social and Domestic Morals Torquato Tasso The "Gerusalemme Liberata" Giordano Bruno Fra Paolo Sarpi Guarini, Marino, Chiabrera, Tassoni Palestrina and the Origins of Modern Music The Bolognese School of Painters...
Reversing the predominant critical interpretation of La Ceppède and the Théorèmes, this study claims that literary contexts and avatars act as a point of entry into devotion. The book reads La Ceppède from the inside out, asking principal question: How does the literary initiate an exploration of the theological? Focusing on the ways in which the Théorèmes transform literature into a potential instrument of salvation, the text looks at La Ceppède's adaptation of different Renaissance lyric types. Modulation of the formal and thematic traits of lyric subgenres such as the blason, the baiser, the pastoral and pastourelle, as well as the emblem allow La Ceppède to develop and exploit literature as a contemplative framework. The goals in taking this approach are to emphasize La Ceppède's originality in terms of representing the Christian body and spiritually erotic imagery. This methodology also highlights La Ceppède's use of lyric subgenre as a means of unifying the first and second volumes of the Théorèmes. In its final chapter, the book compares and contrasts La Ceppède's appropriation of lyric forms with that of other Renaissance poets such as Lazare de Selve, Jean de Sponde, and Marguerite de Navarre. The work concludes by arguing that the contribution of La Ceppède's text lies in the singularity of its narrative structure, its poetic mission, and its depiction of Christ's humanity. Literary structure becomes meditative structure, as lyric form becomes a vehicle toward redemption.
This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models’ for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts. These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields. This book is key reading for all students of architecture and architectural theory.