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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Inferno" is the first part of the 14th-century epic poem "Divine Comedy," written by the Italian writer Dante Alighieri. This part preceded the other two - Purgatorio and Paradiso. In the poem, Dante makes a journey through Hell, guided by the ancient Roman poet Virgil. There he sees the sufferings of those who have rejected spiritual values. Hell is depicted as nine concentric circles of torment located within the Earth, with every next circle marked by growing severity of suffering, which also corresponds to the severity of sin undertaken by a soul. The spiritual message of the poem is about the recognition and rejection of sin.
This splendid verse translation by Allen Mandelbaum provides an entirely fresh experience of Dante's great poem of penance and hope. As Dante ascends the Mount of Purgatory toward the Earthly Paradise and his beloved Beatrice, through "that second kingdom in which the human soul is cleansed of sin, " all the passion and suffering, poetry and philosophy are rendered with the immediacy of a poet of our own age. With extensive notes and commentary prepared especially for this edition. "The English Dante of choice."--Hugh Kenner. "Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths."--Robert Fagles, Princeton University. "Tough and supple, tender and violent . . . vigorous, vernacular . . . Mandelbaum's Dante will stand high among modern translations."-- "The Christian Science Monitor"
An invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.