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Dante Alighieri's 'The Divine Comedy: Inferno, Purgatorio, Paradiso' is a masterpiece of medieval literature, depicting the author's imaginative journey through Hell, Purgatory, and Heaven. The work is renowned for its intricate allegorical narrative, vivid descriptions of punishment and redemption, and complex moral and theological themes. The three parts of the Divine Comedy offer readers a profound exploration of the nature of sin, repentance, and the ultimate path to salvation. Dante Alighieri, a prominent Italian poet and philosopher of the late Middle Ages, was inspired to write The Divine Comedy as a means of expressing his religious beliefs and political views. His use of vernacular Italian was revolutionary for the time, making the epic poem accessible to a wider audience and solidifying his place in the literary canon. I highly recommend 'The Divine Comedy: Inferno, Purgatorio, Paradiso' to readers interested in epic poetry, medieval literature, and philosophical inquiry. Dante Alighieri's timeless work continues to captivate audiences with its profound insights into the human condition and its enduring exploration of the afterlife.
This epic poem written by Dante Alighieri between c. 1308 and his death in 1321 is widely considered the preeminent work of Italian literature, and is seen as one of the greatest works of world literature. The Divine Comedy serves as the physical (scientific), political, and spiritual guidebook of Dante's Fourteenth Century universe. The poem's imaginative and allegorical vision of the afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. On the surface, the poem describes Dante's travels through Hell, Purgatory, and Heaven; but at a deeper level, it represents allegorically the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". Dante Alighieri (1265 – 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language.
The Divine Comedy, Dante Alighieri's poetic masterpiece, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation.Divine Comedy began as a project in 1308 and ended in 1320, the year before Dante's death. The Divine Comedy is a highly allegorical text and renowned as one of the most influential Italian masterpieces in literature. This classic translation by Henry Wadsworth Longfellow (1807-1882) was the first to be published by an American author and is a staple in every library. With this accurate and eloquent translation, the beauty of Dante's amazing epic poetry can be fully appreciated.
Dante Alighieri ; translated by Henry Wadsworth Longfellow ; with an introduction and notes by Peter Bondanella and Julia Conaway Bondanella ; illustrations by Gustave Dore.
This brilliant new verse translation by Allen Mandelbaum captures the consummate beauty of the third and last part of Dante's Divine Comedy. The Paradiso is a luminous poem of love and light, of optics, angelology, polemics, prayer, prophecy, and transcendent experience. As Dante ascends to the Celestial Rose, in the tenth and final heaven, all the spectacle and splendor of a great poet's vision now becomes accessible to the modern reader in this highly acclaimed, superb dual language edition. With extensive notes and commentary.
THE DIVINE COMEDY: ORIGINAL AND COMPLETE EDITIONBy Dante Alighieri, translated by Henry Wadsworth LonfellowDante Alighieri (1265 - 1321), was an Italian poet. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language.The Divine Comedy is a long Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written (also in most present-day Italian-market editions), as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
A new edition of Henry Wadsworth Longfellow's classic verse translation of Dante Alighieri's The Divine Comedy, including all three volumes of Dante's classic trilogy: Inferno, Purgatorio, and Paradiso. The Divine Comedy (or Divina Commedia) is an epic-length narrative poem, written between 1308 and 1320 in the vernacular Tuscan of the era, that is widely considered to be the pre-eminent work in Italian literature and a foundational work of the literary canon. The poem traces the narrator's journey through the afterlife -- visiting first hell, then purgatory, and then paradise -- and presents an imaginative vision of the afterlife that provides great insight into the medieval Catholic worldview. Longfellow's verse translation was originally published in 1867 and is considered to be a literary masterpiece in its own right.
A new translation by Anthony Esolen Illustrations by Gustave Doré Written in the fourteenth century by Italian poet and philosopher Dante Alighieri, The Divine Comedy is arguably the greatest epic poem of all time—presenting Dante’s brilliant vision of the three realms of Christian afterlife: Inferno, Purgatory, and Paradise. In this second and perhaps most imaginative part of his masterwork, Dante struggles up the terraces of Mount Purgatory, still guided by Virgil, in a continuation of his difficult ascent to purity. Anthony Esolen’s acclaimed translation of Inferno, Princeton professor James Richardson said, “follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. It is living writing.” This edition of Purgatory includes an appendix of key sources and extensive endnotes—an invaluable guide for both general readers and students.
Dante Alighieri was born in Florence, Italy in the middle of the 13th century and what is principally known of him comes from his own writings. One of the world's great literary masterpieces, "The Divine Comedy" is at its heart an allegorical tale regarding man's search for divinity. The work is divided into three sections, "Inferno", "Purgatorio", and "Paradiso", each containing thirty-three cantos. It is the narrative of a journey down through Hell, up the mountain of Purgatory, and through the revolving heavens into the presence of God. In this aspect it belongs to the two familiar medieval literary types of the Journey and the Vision, however Dante intended the work to be more than just simple allegory, layering the narrative with rich historical, moral, political, literal, and anagogical context. In order for the work to be more accessible to the common readers of his day, Dante wrote in the Italian language. This was an uncommon practice at the time for serious literary works, which would traditionally be written in Latin. One of the truly great compositions of all time, "The Divine Comedy" has inspired and influenced readers ever since its original creation. Presented here is the third volume of "The Divine Comedy" translated into English verse by Henry Wadsworth Longfellow. This edition is printed on premium acid-free paper and includes an introduction by Ellen M. Mitchell.