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DigiCat Publishing presents to you this special edition of "The Divine Comedy by Dante, Illustrated, Purgatory, Complete" by Dante Alighieri. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This edition of the complete Divine comedy in English features Longfellow's translation and engravings by Gustave Doré.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The second volume of the Divine Comedy presents the Purgatory. Continuing the story of the poet's journey through the medieval Other World under the guidance of the Roman poet Virgil, the Purgatory culminates in the regaining of the Garden of Eden and the reunion there with the poet's long-lost love Beatrice.O'er better waves to speed her rapid courseThe light bark of my genius lifts the sail, Well pleas'd to leave so cruel sea behind;And of that second region will I sing, In which the human spirit from sinful blotIs purg'd, and for ascent to Heaven prepares.Here, O ye hallow'd Nine! for in your trainI follow, here the deadened strain revive;Nor let Calliope refuse to soundA somewhat higher song, of that loud tone, Which when the wretched birds of chattering noteHad heard, they of forgiveness lost all hope.Sweet hue of eastern sapphire, that was spreadO'er the serene aspect of the pure air, High up as the first circle, to mine eyesUnwonted joy renew'd, soon as I 'scap'dForth from the atmosphere of deadly gloom, That had mine eyes and bosom fill'd with grief.The radiant planet, that to love invites, Made all the orient laugh, and veil'd beneathThe Pisces' light, that in his escort came.To the right hand I turn'd, and fix'd my mindOn the' other pole attentive, where I sawFour stars ne'er seen before save by the kenOf our first parents. Heaven of their raysSeem'd joyous. O thou northern site, bereftIndeed, and widow'd, since of these depriv'd!As from this view I had desisted, straightTurning a little tow'rds the other pole, There from whence now the wain had disappear'd, I saw an old man standing by my sideAlone, so worthy of rev'rence in his look, That ne'er from son to father more was ow'd.Low down his beard and mix'd with hoary whiteDescended, like his locks, which parting fellUpon his breast in double fold. The beamsOf those four luminaries on his faceSo brightly shone, and with such radiance clearDeck'd it, that I beheld him as the sun."Say who are ye, that stemming the blind stream, Forth from th' eternal prison-house have fled?"He spoke and moved those venerable plumes."Who hath conducted, or with lantern sureLights you emerging from the depth of night, That makes the infernal valley ever black?Are the firm statutes of the dread abyssBroken, or in high heaven new laws ordain'd, That thus, condemn'd, ye to my caves approach?"My guide, then laying hold on me, by wordsAnd intimations given with hand and head, Made my bent knees and eye submissive payDue reverence; then thus to hi
These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.
This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
'Purgatory' is the second part of Dante's Divine Comedy, following the 'Inferno' and preceding the 'Paradiso'. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil—except for the last four cantos, at which point Beatrice takes over as Dante's guide.
The second volume of the Divine Comedy presents the Purgatory. Continuing the story of the poet's journey through the medieval Other World under the guidance of the Roman poet Virgil, the Purgatory culminates in the regaining of the Garden of Eden and the reunion there with the poet's long-lost love Beatrice.O'er better waves to speed her rapid courseThe light bark of my genius lifts the sail, Well pleas'd to leave so cruel sea behind;And of that second region will I sing, In which the human spirit from sinful blotIs purg'd, and for ascent to Heaven prepares.Here, O ye hallow'd Nine! for in your trainI follow, here the deadened strain revive;Nor let Calliope refuse to soundA somewhat higher song, of that loud tone, Which when the wretched birds of chattering noteHad heard, they of forgiveness lost all hope.Sweet hue of eastern sapphire, that was spreadO'er the serene aspect of the pure air, High up as the first circle, to mine eyesUnwonted joy renew'd, soon as I 'scap'dForth from the atmosphere of deadly gloom, That had mine eyes and bosom fill'd with grief.The radiant planet, that to love invites, Made all the orient laugh, and veil'd beneathThe Pisces' light, that in his escort came.To the right hand I turn'd, and fix'd my mindOn the' other pole attentive, where I sawFour stars ne'er seen before save by the kenOf our first parents. Heaven of their raysSeem'd joyous. O thou northern site, bereftIndeed, and widow'd, since of these depriv'd!As from this view I had desisted, straightTurning a little tow'rds the other pole, There from whence now the wain had disappear'd, I saw an old man standing by my sideAlone, so worthy of rev'rence in his look, That ne'er from son to father more was ow'd.Low down his beard and mix'd with hoary whiteDescended, like his locks, which parting fellUpon his breast in double fold. The beamsOf those four luminaries on his faceSo brightly shone, and with such radiance clearDeck'd it, that I beheld him as the sun."Say who are ye, that stemming the blind stream, Forth from th' eternal prison-house have fled?"He spoke and moved those venerable plumes."Who hath conducted, or with lantern sureLights you emerging from the depth of night, That makes the infernal valley ever black?Are the firm statutes of the dread abyssBroken, or in high heaven new laws ordain'd, That thus, condemn'd, ye to my caves approach?"My guide, then laying hold on me, by wordsAnd intimations given with hand and head, Made my bent knees and eye submissive payDue reverence; then thus to hi
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XX features The Divine Comedy, the masterpiece by Italian poet DANTE ALIGHIERI (1265-1321). Written in the vernacular-a groundbreaking step for literature-it is considered the greatest work in the Italian language and an important explication of the medieval mindset, particularly regarding religion. The journey of Dante, as his own fictional protagonist, through the afterlife has inspired writers from Geoffrey Chaucer to T.S. Eliot to today's popular novelists, filmmakers and videogame designers, and continues to profoundly influence modern ideas of heaven and hell.