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The dynamic relationship between art and theology continues to fascinate and to challenge, especially when theology addresses art in all of its variety. In Architecture and Theology: The Art of Place, author Murray Rae turns to the spatial arts, especially architecture, to investigate how the art forms engaged in the construction of our built environment relate to Christian faith. Rae does not offer a theology of the spatial arts, but instead engages in a sustained theological conversation with the spatial arts. Because the spatial arts are public, visual, and communal, they wield an immense but easily overlooked influence. Architecture and Theology overcomes this inattention by offering new ways of thinking about the theological importance of space and place in our experience of God, the relation between freedom and law in Christian life, the transformation involved in God's promised new creation, biblical anticipation of the heavenly city, divine presence and absence, the architecture of repentance and remorse, and the relation between space and time. In doing so, Rae finds an ample place for theology amidst the architectural arts.
Why has radical Islam become such a deadly threat, and why does it dominate the Muslim world? Dr. Tawfik Hamid answers these and other questions about this evil movement clearly and accessibly in his groundbreaking work. Dr. Hamid knows about radical Islam firsthand. In the early 1980s, he was recruited into Jamaa Islamiya, a terror group led at the time by Dr. Ayman al-Zawahiri, the man who went on to replace Osama bin Laden as leader of al-Qaeda. Eventually and miraculously, Dr. Hamid recognized the insidious nature of violent jihad and rejected its distortions of the Quran, the holy book of the Muslim faith. Ever since, he has pursued the reformation of Islam. He has written new interpretations of the Quran's key texts and has shared his message in many mosques. Inside Jihad reveals Dr. Hamid's deep insights about and passionate opposition to the Islamic terror movement drawn from his direct personal experiences. As a medical doctor and an expert on the psychology of the jihadist mindset, he explains the roles that sex, fear, petrodollars and the hijab for women have played in its proliferation. And he details his bold plan for Islamic reformation that would eventually change the jihadists minds and end their reign of terror.
From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.
In a wilderness journey of extraordinary joy and suffering, Elise Monet takes readers to realms beyond ordinary human consciousness where forces of good and evil are arresting, undeniable, and more convincing than earthly reality. From an exquisite foretaste of heavenly bliss to the horrifying specter of perdition, Monet is driven along a path of love and terror that shatters her worldview and transforms her understanding of spiritual reality. Faith in the Inferno unravels three decades of seeing visions and hearing voices, which severely test the author’s faith and sanity. In explicit detail, she describes her visions, what voices say, and her struggle to make sense of them. Monet addresses problems with conventional treatment of schizophrenia, which ignores the meaning and reality of spiritual voices. She sheds light on historical accounts of voice-hearers, how and why spiritual forces may intercede in a person’s life, the delight and agony such experiences bring, discerning truth from deceit, and the importance of finding coping mechanisms. Having broad appeal and practical value at the intersection of culture, faith, and psychosis, this memoir offers an inspirational testimony about how God speaks through suffering to save us. After documenting her terrifying dark night of the soul, Monet leads readers to a place of love, hope, and healing.