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The Description for this book, Dante, Poet of the Desert: History and Allegory in the DIVINE COMEDY, will be forthcoming.
In the town of Status, across the river from Quo, nothing ever changes. Children are taught to memorize facts, but not to think for themselves. Adults live by the motto, "Work, produce, stay the same." And as long as everyone follows the rules, there is harmony. The past is revered and the future seems secure. Then the Stranger comes to town--and gives one young girl the courage to risk everything. The Divine Spark is a work of visionary fiction for anyone who feels called to abandon comfort in search of the unknown.
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
Western literary, philosophical, and religious traditions from Plato and Paul to Augustine and Avicenna have utilized, exploited, or been subjected to allegorical interpretation. Naturally developing a composite picture of interpretive allegory from such a large landscape faces numerous difficulties. As the editor puts it, “to imagine a ‘definitive’ account of the theory and practice of allegorical interpretation in the West would require something of an allegorical vision in its own right.” With that caveat in mind, however, the international team of contributors—from a variety of disciplines—offers a “historical and conceptual framework” for understanding interpretive allegory in the West, from antiquity through the early and late medieval and renaissance periods, and from the eighteenth through the twentieth centuries. This publication has also been published in hardback, please click here for details.
The Fiction of Truth offers a rigorous reexamination of allegory. Rejecting the traditional notion that allegory says thing and means another, Carolynn Van Dyke proposes a new definition of the genre, derived both from contemporary critical theory and from the practice of medieval and Renaissance allegorists. Allegories, Van Dyke asserts, differ from other kinds of narrative in the syntactic rules that seem to generate their plots. Through a reading of Prudentius' Psychomachia, the earliest allegory, Van Dyke formulates a semiotic code that she finds implicit in allegorical works. She shows how allegorists adopted and altered that code in such works as The Romance of the Rose, medieval morality plays, The Pilgrim's Progress, The Divine Comedy, and The Faerie Queene. Her book is both a bold theoretical examination of allegory and a history of its evolution over the twelve centuries during which it played a major—even a dominant—role in Western literature.