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"I started thinking that Grant was right, that we all came from too much money. Not enough to spare us any hardship, but enough to take the edge off. We were never going to really fail or really succeed. Everything was going to be blunted by a buffer of money. There would always be money. We were never going to be destitute or struggling or starving. We would have to break entirely from our parents and their money to get anywhere near an experience that was not lessened by the knowledge that we would always be protected, looked out for, and kept from anything unpleasant or dirty. It was not life at all but something else, something lived walking six inches off the ground. I had never dropped anything that could not be replaced or transgressed in a way that couldn't be corrected." - from THE DISTINCTION OF THE MATURE AND THE HORROR OF THE NAIVE A pair of teenagers live their own version of Hemingway's fiesta in Pamplona; a group of college students spends the weekend at a hotel for a friend's wedding; a young bartender at a Mexican resort flirts with a pretty tourist: the characters in the seven stories that make up Fowler's collection - his "youth in limbo" - share youth, but they also share a palpable uncertainty, a wavering and fragile becoming made all the more perilous by their awareness of it. They are characters on the brink: they are preparing to sacrifice their infinite possible futures for the singular lives they will live. While the anxiety of this phase of life is often forgotten in time, when memory has made the course of one's life seem inevitable, in Fowler's hands it becomes vividly palpable once more: these are characters staring down an impending tragedy, one made all the worse by its intangibility, by their uncertainty about it, by their inability to articulate its character, by the older world's indifference to it. It is a tragedy Fowler captures with due restraint, subtlety, art, and compassion. Written by Ellison Fowler Cover Design by Tom Maven
"The call, arising from the Royal throat of the reclining King, possessed of a great bellow from his Royal lungs, propelled by his Royal vocal chords, passed his Royal lips with such fury as to fill the august and stately bedchamber, traverse the threshold into the hall without and escape, through the open-air congress, even into the central courtyard, where it echoed momentarily among the gilded domes topping the castle's many towers, and disturbed as it did the many birds nesting there and startled the many guards on duty, before it rose, finally, into the blue and cloudless and insensate heavens. 'Bring me the head of Hazaiah the Terrible '" - from Hazaiah's Head A mad king calls for the head of a landed vassal in this novel from the author of I Awoke in a House Afire. The reward offered is so great that nearly every capable man in the kingdom sets off to win it. But their journey is fraught with misadventure, while political infighting, disease, and ambitious enemies threaten the kingdom in their absence. Far from a period drama, Miloshe's second novel rises to the level of metaphor, and for all of its violence and horror remains a sympathetic look at a race of animals gesturing at control while stumbling around in ignorance. Written by Orhan Miloshe Cover design by Tom Maven
It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's being followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls - and their foray into the spiritual world - lead to?
SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD 2015 'Unsettling, deeply moving and very, very readable. I loved it' NATHAN FILER, The Shock of the Fall 'A striking and highly enjoyable debut' SOPHIE HANNAH Yasmin would give anything to have a friend . . . And do anything to keep one. The first time I saw you, you were standing at the far end of the playing field. You were looking down at your brown straggly dog, but then you looked up, your mouth going slack as your eyes clocked her. Alice Taylor. I was no different. I used to catch myself gazing at the back of her head in class, at her silky fair hair swaying between her shoulder blades. If you'd glanced just once across the field you'd have seen me standing in the middle on my own, looking straight at you, and you'd have gone back through the trees to the path quick, tugging your dog after you. You'd have known you'd given yourself away, even if only to me. But you didn't. You only had eyes for Alice.
Explores neurological disorders and their effects upon the minds and lives of those affected with an entertaining voice.
'Her most important book since ALWAYS COMING HOME and her most satisfactory collection since her first, the brilliant THE WIND'S TWELVE QUARTERS. A formidable and rewarding work, a prime candidate for best SF collection of the year. An essential book.' LOCUS Six of the eight piece are set in Le Guin's classic Hainish cycle. The title story, 'The Birthday of the World', stands alone and the final piece, 'Paradises Lost', is a new short novel original to the collection, a major addition to the generation starship subgenre of science fiction.
A "hugely fascinating" (Kirkus), "wonderful" (VOYA) historical novel based on the harrowing true story of Minik, an Eskimo boy seized in the name of exploration and brought to New York in the 1900s. In 1897, famed explorer Robert Peary took six Eskimos from their homes in Greenland to be "presented" to the American Museum of Natural History. Among the six were a father and a son. Soon, four were dead, including the father (whose bones, unbeknownst to the son, were put on display). One returned to Greenland. And the other -- the young boy -- remained, the only Eskimo in New York for twelve years. His name was Minik. This is his story. A story of lies and deceptions. A story about the price of exploration. A story about discovering the truth of a culture.
The classic manifesto of the liberated woman, this book explores every facet of a woman's life.
From New York Times bestseller and Hugo Award-winner, John Scalzi, a gleeful mash-up of science fiction and Hollywood satire The space-faring Yherajk have come to Earth to meet us and to begin humanity's first interstellar friendship. There's just one problem: They're hideously ugly and they smell like rotting fish. So getting humanity's trust is a challenge. The Yherajk need someone who can help them close the deal. Enter Thomas Stein, who knows something about closing deals. He's one of Hollywood's hottest young agents. But although Stein may have just concluded the biggest deal of his career, it's quite another thing to negotiate for an entire alien race. To earn his percentage this time, he's going to need all the smarts, skills, and wits he can muster. Other Tor Books The Android’s Dream Agent to the Stars Your Hate Mail Will Be Graded Fuzzy Nation Redshirts 1. Lock In 2. Head On The Interdepency Sequence 1. The Collapsing Empire 2. The Consuming Fire Old Man's War Series 1. Old Man’s War 2. The Ghost Brigades 3. The Last Colony 4. Zoe’s Tale 5. The Human Division 6. The End of All Things At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Gerald Graff argues that our schools and colleges make the intellectual life seem more opaque, narrowly specialized, and beyond normal learning capacities than it is or needs to be. Left clueless in the academic world, many students view the life of the mind as a secret society for which only an elite few qualify. In a refreshing departure from standard diatribes against academia, Graff shows how academic unintelligibility is unwittingly reinforced not only by academic jargon and obscure writing, but by the disconnection of the curriculum and the failure to exploit the many connections between academia and popular culture. Finally, Graff offers a wealth of practical suggestions for making the culture of ideas and arguments more accessible to students, showing how students can enter the public debates that permeate their lives.