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This seminal study addresses one of the most beautifully decorated 15th-century copies of the New Statutes of England, uncovering how the manuscript's unique interweaving of legal, religious, and literary discourses frames the reader's perception of the work. Taking internal and external evidence into account, Rosemarie McGerr suggests that the manuscript was made for Prince Edward of Lancaster, transforming a legal reference work into a book of instruction in kingship, as well as a means of celebrating the Lancastrians' rightful claim to the English throne during the Wars of the Roses. A Lancastrian Mirror for Princes also explores the role played by the manuscript as a commentary on royal justice and grace for its later owners and offers modern readers a fascinating example of the long-lasting influence of medieval manuscripts on subsequent readers.
Wakelin uses new methods and theories in the history of reading to uncover fresh information about the design, ownership, and marginalia of books in a neglected period in English literary history. This is the first book to identify the origins of the humanist tradition in England in the 15th century.
With the novelistic vividness that made his National Book Critics Circle Award finalist Queen of Scots "a pure pleasure to read" (Washington Post BookWorld), John Guy brings to life Thomas More and his daughter Margaret-- his confidante and collaborator who played a critical role in safeguarding his legacy. Sir Thomas More's life is well known: his opposition to Henry VIII's marriage to Anne Boleyn, his arrest for treason, his execution and martyrdom. Yet Margaret has been largely airbrushed out of the story in which she played so important a role. John Guy restores her to her rightful place in this captivating account of their relationship. Always her father's favorite child, Margaret was such an accomplished scholar by age eighteen that her work earned praise from Erasmus. She remained devoted to her father after her marriage--and paid the price in estrangement from her husband.When More was thrown into the Tower of London, Margaret collaborated with him on his most famous letters from prison, smuggled them out at great personal risk, even rescued his head after his execution. John Guy returns to original sources that have been ignored by generations of historians to create a dramatic new portrait of both Thomas More and the daughter whose devotion secured his place in history.
This collection of essays opens a new discussion about the mind, body, and spirit of the mad in medieval Europe. The authors examine a broad spectrum of mental and emotional issues, which medieval authors point out as ‘unusual’ behavior. With the emerging field of medieval disability studies in mind, the authors have carefully considered legal and cultural descriptions for insight into the perception and understanding of mental impairment. These essays on madness in the Middle Ages elucidate how medieval society conceptualized mental afflictions. Individually, the essays cover aspects of mental impairment from a variety of angles to unearth collectively medieval perspectives on mental affliction. Contributors are James R. King, Kate McGrath, Irina Metzler, Aleksandra Pfau, Cory James Rushton, Margaret Trenchard-Smith, and Wendy J. Turner.
This title was first published in 2001. For the English people, the image of the monarchy is deeply bound up with the idea of nationhood. This book surveys aspects of England's royal heritage dialogue from the late middle ages to the 19th century. It concentrates on monumental sculpted portraits because that was the way in which the image of the monarchy was customarily presented in the most immediate and permanent form at large scale in the public arena. The aim of such memorials was to consolidate and commemorate shared loyalties and beliefs, focusing on the monarchs. They were sometimes protected by railings, more often than just by their talismanic value. There was widespread resistance to the idea that Oliver Cromwell should be commemorated by public memorial. The English generally remained uncomfortable with the idea of republicanism. The monarchial government of the middle ages, thought to be sanctioned by God, was very different from the figurehead the monarchy has become.
In The Hundred Years War: Further Considerations, sixteen essays consider various economic, legal, military, and psychological aspects of the long conflict that touched much of late-medieval Europe.
For the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the "performed" life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances.
A Distinct Judicial Power: The Origins of an Independent Judiciary, 1606-1787, by Scott Douglas Gerber, provides the first comprehensive critical analysis of the origins of judicial independence in the United States. Part I examines the political theory of an independent judiciary. Gerber begins chapter 1 by tracing the intellectual origins of a distinct judicial power from Aristotle's theory of a mixed constitution to John Adams's modifications of Montesquieu. Chapter 2 describes the debates during the framing and ratification of the federal Constitution regarding the independence of the federal judiciary. Part II, the bulk of the book, chronicles how each of the original thirteen states and their colonial antecedents treated their respective judiciaries. This portion, presented in thirteen separate chapters, brings together a wealth of information (charters, instructions, statutes, etc.) about the judicial power between 1606 and 1787, and sometimes beyond. Part III, the concluding segment, explores the influence the colonial and early state experiences had on the federal model that followed and on the nature of the regime itself. It explains how the political theory of an independent judiciary examined in Part I, and the various experiences of the original thirteen states and their colonial antecedents chronicled in Part II, culminated in Article III of the U.S. Constitution. It also explains how the principle of judicial independence embodied by Article III made the doctrine of judicial review possible, and committed that doctrine to the protection of individual rights.