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Her late-nineteenth-century marriage strained by a clash between her husband's conservative views and her own free-spirited and feminist personality, Ada is victimized by her husband's dark side and flees to Brazil with the aid of orchid hunters. A first novel. 30,000 first printing.
When her husband arrives home carrying a crate of colorful orchids, Ada Caswell Pryce thinks he is bringing her a gift, a peace offering during an unhappy time in their marriage; little does she know how much these strange looking flowers are going to change her life. By Boston standards of the 1890’s, Ada is not a good wife. Strong-willed and beautiful, she longs for the days at university when she was free to be herself. Her husband Edward is intent on curbing her wild behavior, but she thwarts him at every turn -- she drinks wine with the housekeepers, gives feminist books to her maid, and sneaks out for midnight horseback rides along the Charles River. To treat Ada’s “hysteria,” Edward restricts her daily activities and her relationships, then carefully choreographs her sexuality. Unable to bear another day of her stultifying and demeaning existence, Ada secretly plots ways to leave. Ultimately, it is her husband’s all-consuming passion for collecting rare orchids that provides Ada with a daring opportunity for escape. Once free, Ada’s lust for adventure takes her through the dangerous slums of New York, across the high seas of the Atlantic, and finally deep into the lush jungles of Brazil.
Everyone wants to belong. Shelly Christensen, an international leader in faith community disability inclusion, gives step-by-step guidance to any faith-based organization committed to welcoming and including people with disabilities and mental health conditions. An essential and practical tool for your journey of inclusion.
Winner of the Northeast Popular Culture Association's Peter C. Rollins Book Award (2012) Winner of the ASCAP Deems Taylor Award (2012) Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value of listening to music. In a series of interconnected stories, American studies scholar Daniel Cavicchi focuses on the impact of industrialization, urbanization, and commercialization in shaping practices of music audiences in America. Grounding our contemporary culture of listening in its seminal historical moment—before the iPod, stereo system, or phonograph—Cavicchi offers a fresh understanding of the role of listening in the history of music.
Loss and impermanence are inescapable, part of the warp and weft of our lives. They are essential to love, to growth, and to art. And yet, too often, we do not acknowledge loss, let alone honour the experience of it. Illuminating, thoughtful, and deeply necessary, Susan Cain's new book will help us to name and value the experience of loss, pointing the way toward ways of being and rituals that help us to accept it rather than bury it. Blending memoir, reportage, and social science, it will reveal that joy and loss exist in equilibrium; that vulnerability, or even a melancholy temperament, can be a strength; and that embracing our inevitable losses makes us more human and more whole.
Half a world away from her home in Manitoulin Island, Ethel Mulvany is starving in Singapore’s infamous Changi Prison, along with hundreds of other women jailed there as POWs during the Second World War. They beat back pangs of hunger by playing decadent games of make-believe and writing down recipes filled with cream, raisins, chocolate, butter, cinnamon, ripe fruit – the unattainable ingredients of peacetime, of home, of memory. In this novelistic, immersive biography, Suzanne Evans presents a truly individual account of WWII through the eyes of Ethel – mercurial, enterprising, combative, stubborn, and wholly herself. The Taste of Longing follows Ethel through the fall of Singapore in 1942, the years of her internment, and beyond. As a prisoner, she devours dog biscuits and book spines, befriends spiders and smugglers, and endures torture and solitary confinement. As a free woman back in Canada, she fights to build a life for herself in the midst of trauma and burgeoning mental illness. Woven with vintage recipes and transcribed tape recordings, the story of Ethel and her fantastical POW Cookbook is a testament to the often-overlooked strength of women in wartime. It’s a story of the unbreakable power of imagination, generosity, and pure heart.
“I’m reading this book right now and loving it!”—Cheryl Strayed, #1 New York Times bestselling author of Wild How can a mother and daughter who love (but don’t always like) each other coexist without driving each other crazy? “Vibrating with emotion, this deeply honest account strikes a chord.”—People “A wry and moving meditation on aging and the different kinds of love between women.”—O: The Oprah Magazine After surviving a traumatic childhood in nineteen-seventies New York and young adulthood living in the shadow of her flamboyant mother, Rita, a makeup-addicted former television singer, Elissa Altman has managed to build a very different life, settling in Connecticut with her wife of nearly twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, still orbiting around her mother but keeping far enough away to preserve the stable, independent world she has built as a writer and editor. Then Elissa is confronted with the unthinkable: Rita, whose days are spent as a flâneur, traversing Manhattan from the Clinique counters at Bergdorf to Bloomingdale’s and back again, suffers an incapacitating fall, leaving her completely dependent upon her daughter. Now Elissa is forced to finally confront their profound differences, Rita’s yearning for beauty and glamour, her view of the world through her days in the spotlight, and the money that has mysteriously disappeared in the name of preserving youth. To sustain their fragile mother-daughter bond, Elissa must navigate the turbulent waters of their shared lives, the practical challenges of caregiving for someone who refuses to accept it, the tentacles of narcissism, and the mutual, frenetic obsession that has defined their relationship. Motherland is a story that touches every home and every life, mapping the ferocity of maternal love, moral obligation, the choices women make about motherhood, and the possibility of healing. Filled with tenderness, wry irreverence, and unforgettable characters, it is an exploration of what it means to escape from the shackles of the past only to have to face them all over again. Praise for Motherland “Rarely has a mother-daughter relationship been excavated with such honesty. Elissa Altman is a beautiful, big-hearted writer who mines her most central subject: her gorgeous, tempestuous, difficult mother, and the terrain of their shared life. The result is a testament to the power of love and family.”—Dani Shapiro, author of Inheritance
Set in the Pacific Northwest in the jittery, jacked-up early 90s, from one of America's most thrillingly defiant contemporary storytellers, Shelter in Place is a stylish literary novel about the hereditary nature of mental illness, the fleeting intensity of youth, the obligations of family, and the consequences of all-consuming love. Joseph March, a twenty-one-year-old working class kid from Seattle, is on top of the world. He has just graduated college, his future beckons, unencumbered. Joe's life implodes when he starts to suffer the symptoms of severe bipolar disorder, and, shortly after, his mother kills a man she's never met with a hammer. Joe moves to White Pine, Oregon, where his mother is in jail and his father has set up house to be near her. He is joined by Tess Wolff, a fiercely independent woman with whom he has fallen passionately in love. The lives of Joe, Tess, and Joe's father fall into the slow rhythm of daily prison visits and beer and pizza at a local bar. Meanwhile, Anne-Marie March, Joe's mother, is gradually becoming a local heroine as many begin to see her crime as a furious, exasperated act of righteous rebellion. Tess, too, has fallen under her spell. Spurred on by Anne-Marie's example, Tess enlists Joe in a secret, violent plan that will forever change their lives.
Harrow the Ninth, an Amazon pick for Best SFF of 2020 and the New York Times and USA Today bestselling sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. The Locked Tomb is a 2023 Hugo Award Finalist for Best Series! “Lesbian necromancers explore a haunted gothic palace in space! Decadent nobles vie to serve the deathless emperor! Skeletons!” —Charles Stross on Gideon the Ninth “Unlike anything I've ever read.” —V.E. Schwab on Gideon the Ninth “Deft, tense and atmospheric, compellingly immersive and wildly original.” —The New York Times on Gideon the Ninth She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off? THE LOCKED TOMB SERIES BOOK 1: Gideon the Ninth BOOK 2: Harrow the Ninth BOOK 3: Nona the Ninth BOOK 4: Alecto the Ninth At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"Alastair Bonnett persuades us that the left can come to terms with nostalgia, because nostalgia---if the left did but realize it---is both a fact and an underutilized quality of leftist thought, and to prove it, Left in the Past conspires an unexpected rendezvous between early socialism, post-colonialism, and situationism. The book's novel readings of renowned cultural theories on the one hand, and exposes of arcane psycogeography on the other, will intrigue scholars, activists and students alike in virtually any area of politics, the arts, the humanities and social sciences." Simon Sadler, Professor of Architectural and Urban History, University of California, Davis In Left in the Past, Alastair Bonnett re-assesses the place of nostalgia within radical politics and, in doing so, provides a new introduction to the history and politics of the left. Left in the Past argues that nostalgia has been an important, but repressed, aspect of the socialist imagination. The book begins by showing the centrality and repression of nostalgia in both 19th-century radicalism and anti-colonial radicalism. This is followed by an examination of the consequences of this inheritance amongst revolutionary intellectuals in the twentieth century. Bonnett shows that, today, in our "post-socialist era", the relationship between radicalism and a sense of loss, and the ambivalent position of socialism in and against modernity, can and must be re-examined. Bonnett's unique approach to the left makes Left in the Past a provocative but necessary resource for anyone interested in the history and politics of the left and radicalism.