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'[This] book succeeds in making us see the poetics of disobedience in the utterly illiberal prosaic ethos of our times, in the light of giving Gandhi a new radical and transformative significance.' --Ashok Vajpeyi, from the Foreword In this original and timely book, Ramin Jahanbegloo, one of the world's leading political philosophers, engages with the most pressing question facing all of us today: is it not our duty, as free and autonomous citizens of democracy, to question and speak out against all authority? Should we not take back the power from self-interested political actors in the true spirit of Gandhi, for whom Swaraj was more than mere freedom from oppression? The core idea of Gandhi's philosophy of resistance, Jahanbegloo argues, is his unshakeable conviction that it is no longer possible to organize political action without disobedience. Democracy, to be worthy of obedience, he says, must be structured so that every citizen can question and disobey unjust laws and institutions. This is what Mahatma Gandhi still tells us, more forcefully than any other thinker of the twentieth century. The Disobedient Indian is a compellingly argued, persuasive handbook about the history, philosophy and necessity of disobedience. It is a vital tract for our times.
- Mohandas K. Gandhi has been described as an artist of non-violence, crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, the great soul. Mohandas K. Gandhi has been described as 'an artist of non-violence, ' crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, 'the great soul.' His philosophy and praxis of satyagraha, non-violent civil disobedience, has been analyzed extensively. But is satyagraha also an aesthetic regime, with practices akin to a work of art? Is Gandhi, then, an artist of disobedience? Sumathi Ramaswamy explores these questions with the help of India's modern and contemporary artists who have over the past century sought out the Mahatma as their muse and invested in him across a wide range of media from painting and sculpture to video installation and digital production. At a time when Gandhi is a hallowed but hollow presence, why have they lavished so much attention on him? A hundred and fifty years after his birth, Gandhi is hyper visible across the Indian landscape from tea stalls and government offices to museums and galleries. This is ironical given that the Mahatma appeared to have had little time for the visual arts or for artists for that matter. Yet fascinatingly, the visual artist has emerged as Gandhi's conscience-keeper, reminding others of the meaning of the Mahatma in his own time and today. In so doing, these artists also reveal why this most disobedient of 'modern' icons has grabbed their attention, resulting in a veritable art of disobedience as an homage to one of the twentieth century's great prophets of disobedience.
Thoreau wrote Civil Disobedience in 1849. It argues the superiority of the individual conscience over acquiescence to government. Thoreau was inspired to write in response to slavery and the Mexican-American war. He believed that people could not be made agents of injustice if they were governed by their own consciences.
Charles H. L. Johnston in the book "Famous Indian Chiefs" gives a detailed description and explanation of the life of some of the famous Indian chiefs. This book covers the story of Indian chiefs including Powhatan, Opechancanough, Sassacus and Uncas, Massasoit, and others. It also contains well-described illustrations that give a vivid view of these personalities.
An incisive look at American Indian and Euro-American relations from the 16th century to the present, this book focuses on how such relations have shaped the Native American political identity and tactics in the ongoing struggle for power. Cornell shows how, in the early days of colonization, Indians were able to maintain their nationhood by playing off the competing European powers; and how the American Revolution and westward expansion eventually caused Native Americans to lose their land, social cohesion, and economic independence. The final part of the book recounts the slow, steady reemergence of American Indian political power and identity, evidenced by militant political activism in the 1960s and early 1970s. By paying particular attention to the evolution of Indian groups as collective actors and to changes over time in Indian political opportunities and their capacities to act on those opportunities, Cornell traces the Indian path from power to powerlessness and back to power again.
In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya's modernist poetry of hunger; Mulk Raj Anand's revolutionary home front, and Rabindranath Tagore's critique of civilisation. This vivid book recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the 'good' war.
The first of two volumes, this book examines Gandhi’s contribution to an understanding of the scientific and evolutionary basis of the psychology of nonviolence, through the lens of contemporary researches on human cognition, empathy, morality and self-control. While, psychological science has focused on those participants that delivered electric shocks in Professor Stanley Milgram’s famous experiments, these books begin from the premise that we have neglected to fully explore why the other participants walked away. Building on emergent research in the psychology of self control and wisdom, the authors illustrate what Gandhi’s life and work offers to our understanding of these subjects who disobeyed and defied Milgram. The authors analyze Gandhi’s actions and philosophy, as well as original interviews with his contemporaries, to elaborate a modern scientific psychology of nonviolence from the principles he enunciated and which were followed so successfully in his Satyagrahas. Gandhi, they argue, was a practical psychologist from whom we can derive a science of nonviolence which, as Volume 2 will illustrate, can be applied to almost every subfield of psychology, but particularly to those addressing the most urgent issues of the 21st century. This book is the result of four decades of collaborative work between the authors. It marks a unique contribution to studies of both Gandhi and the current trends in psychological research that will appeal in particular to scholars of social change, peace studies and peace psychology, and, serve as an exemplar in teaching one of modern psychology’s hitherto neglected perspectives.
Pull on the uncanny threads from the legendary tapestry of New Mexico's Native American heritage. Ancient Indian history and present Native American cultures are woven together in the Land of Enchantment. The threads of these tales stretch back to Mimbres burial grounds and prehistoric trade routes. Stories and traditions tie the land to its people, in spite of the cycles of slaughter and theft that have threatened to pluck them apart. Descend into the kivas of Chaco Canyon or seek out the high mountains where the clouds mark the stones. From legends of the Salt Woman to the legacy of the Ghost Dance, Ray John de Aragon examines the mysteries of the mesas.
Surprising observations by one of Americas most acclaimed historians.