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Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: as it didime no fort of fervice. Mr. Frankland, faid J, is going to be married, I hear. ..: -;.o, Kf .. Is he ? replied Harriot, without taking her eyes from her tambour; to whom ? eTo a Mifc Price' sin- fwered I; though I do not know any thing about her. ? w. Did you ever fee her ? cried fhe, coolly ? and then turned the coaverfoaoa to a quite different fubject. .1-1 if: i-;.: Eager to refume that in which I was fo much interefted myfeif, I thus pro-- ceeded ? I want to fee this Mifs Prkp .f I wonder whether fhe is pretty. 1 know nothing aboirt: her, Ha/riot, with rather a fretful tone, as if flic was tired of hearing of her. - - - ' ' C 4 I I am fure fomebody mentione-cJ her in this houfe, replied I. My brother, I fuppofe?He kno ws her. Where is your brother ?' Out of town.; Pfhaw anfwered I, peevifhly?I was actually in a pet.: . Juft when I was thinking of taking leave, who mould come in but Frank- land himfelf ? / Is Mr. Swymmer at home, Ma- dam ? faid he to Harriot. Then, bowing to me, he added, Your Ladylhip's ? moft obedient.'' My heart began to thump ftrangely: at firft I thought to look cool, in order to fhew that I refented his indifference: but fhould I not, by fuch a behaviour, have fhewn him alfo that I was hurt by it I acted in another manner: with a fmile I told him, that I was come to enquire after a Lady of his acquaintance, a Mifs Price. She is a moft agreeable girl, faid he, with a franknefs that charmed me. Your Ladyfhip would, I believe, be pleafed with her. Very probably, replied I: pray tell me, Mr. Frankland, what fort of a perfon has fhe ? She is tall and flender, yet genteelly made, anfwered he: fhe is fair; C 5 ...
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This index provides valuable information on the vast majority of reviews of poetry, fiction, and drama during the first 25 years of modern, formalized book reviewing in England. Forster introduces readers to the wealth of material in the two major review journals (Monthly Review and Critical Review), the two major magazines (Gentleman’s and London), and 11 other periodicals. She includes in her 3,023 entries information on format, price, and bookseller’s name taken from the books themselves. In her Introduction, Forster surveys some material concerning the reviewers’ public attitude to their self-appointed task to provide a background against which the reviewers’ literary judgments can be examined.
This historical bibliography provides an entirely new foundation for the literary history of the late eighteenth century and the Romantic age. Offering a fresh assessment of the work of all novelists of the period, the two volumes address problems faced by generations of literary scholars and historians concerned with the development of the English novel. This first volume records full details of all known prose novels in English first published in the British Isles in the final three decades of the eighteenth century. They include many new discoveries, attributions to an extraordinary range of novelists and the first English translations of much Continental popular fiction. The bibliography firmly establishes publication details for many novels now apparently without any extant copies. A leading feature of the bibliography is its examination of a copy of every identified surviving novel. Research by James Raven, Antonia Forster, and many other international collaborators, has allowed a reconstruction of the full cast of British novelists of the period, their publishers and reviewers. A full transcription of titles and imprint lines is given, together with much other bibliographical and historical information, including contemporary reviews (with generous quotation), dedications, and pricing and printing details. Shelf-mark, microform and other library references assist readers to consult the surviving novels in modern library and research collections all over the world. In an introductory historical essay, James Raven considers the different themes embraced by the novel, profiles of popular authorship, translation, the economics and circumstances of novel production and design, and the scope of literary circulation and reception. By revisiting this history of the novel, identifying rare books now scattered across the world, and reconstructing the history of popular literature now lost, the volume challenges existing literary canons and refines our understanding of the range of imaginative writing and authorship in a critical period of English literature.