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This volume, one of a series of sixteen, catalogues the eighteenth-century Italian drawings in The Robert Lehman Collection at The Metropolitan Museum. -- Metropolitan Museum of Art website.
A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love
Spotlights the graphic abilities of Giambattista Tiepolo's most famous son and closest collaborator. The catalogue accompanied an exhibition arranged in collaboration with the Indiana University Art Museum. Four essays pertaining to the artist and his work are followed by color and bandw reproductions and commentary. No index. Annotation copyrighted by Book News, Inc., Portland, OR
‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.
In this major new work of art history, Adelheid M. Gealt and George Knox assemble, present, and document for the first time a cycle of 313 drawings of scenes from the New Testament by the 18th-century Venetian draftsman Domenico Tiepolo (1727-1804). When Domenico died in 1804, the drawings were dispersed among various purchasers. Locating, identifying, and documenting them required years of detective work by Gealt and Knox. This book presents the fruit of their labours and is a treasure that any art lover will wish to own. The book will accompany an exhibition to open October 2006 at The Frick Museum in New York.Introductory chapters by Knox and Gealt provide a history of the drawings and a discussion of the literary and pictorial traditions in which Domenico worked and the complexities of his narrative approach. The heart of the book is a catalog of full-colour reproductions of the drawings, arranged to follow the New Testament narrative from the lives of Joachim and Anna (Christ's grandparents) through the acts of Peter and Paul. The accompanying text includes the biblical passages depicted in each drawing, synopses of the stories that Domenico tells, and commentaries. A reference section provides further information on the traditions of iconography and on the biblical and historical sources reflected in Domenico Tiepolo's work.Adelheid M. Gealt has been Director of the Indiana University Art Museum since 1989. An internationally recognized expert on Domenico, she is the author of Domenico Tiepolo: The Punchinello Drawings (Braziller, 1986).George Knox, Professor Emeritus at the University of British Columbia, is an authority on Venetian art and has published on the works of both Gimabattista and Domenico Tiepolo.Gealt and Knox are coauthors of Domenico Tiepolo: Master Draftsman (IUP, 1997).
To uphold family honor and tradition, Sheetal Prasad is forced to forsake the man she loves and marry playboy millionaire Rakesh Dhanraj while the citizens of Raigun, India, watch in envy. On her wedding night, however, Sheetal quickly learns that the stranger she married is as cold as the marble floors of the Dhanraj mansion. Forced to smile at family members and cameras and pretend there's nothing wrong with her marriage, Sheetal begins to discover that the family she married into harbors secrets, lies and deceptions powerful enough to tear apart her world. With no one to rely on and no escape, Sheetal must ally with her husband in an attempt to protect her infant son from the tyranny of his family.sion.
"Affective Health and Masculinities in South Africa explores how different masculinities modulate substance use, interpersonal violence, suicidality, and AIDS as well as recovery cross-culturally. With a focus on three male protagonists living in very distinct urban areas of Cape Town, this comparative ethnography shows that men's struggles to become invulnerable increase vulnerability. Through an analysis of masculinities as social assemblages, the study shows how affective health problems are tied to modern individualism rather than African 'tradition' that has become a clichâe in Eurocentric gender studies. Affective health is conceptualized as a balancing act between autonomy and connectivity that after colonialism and apartheid has become compromised through the imperative of self-reliance. This book provides a rare perspective on young men's vulnerability in everyday life that may affect the reader and spark discussion about how masculinities in relationships shape physical and psychological health. Moreover, it shows how men change in the face of distress in ways that may look different than global health and gender transformative approaches envision. Thick descriptions of actual events over the life course make the study accessible to both graduate and undergraduate students in the social sciences. Contributing to current debates on mental health and masculinity, the volume will be of interest to scholars from a number of disciplines including anthropology, gender studies, African studies, psychology and global health"--