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Originally released in a 6-part serial, now you can have The Discovery–A Lancaster County Saga all in one book. Meredith and Luke Stoltzfus, an Amish couple who are faced with the greatest challenge of their young lives. Financial struggles. Arguments. A suspected pregnancy. A last-minute trip to Middlebury, Indiana. A drug addict on the run. A deadly encounter at a Philadelphia bus station. Will their love and faith be enough to bring them back together again, against all odds?
Beginning with the 1979 publication of Alejo Carpentier's El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works. Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel. Individual chapters delve deeply into such major works as Mario Vargas Llosa's La guerra del fin del mundo, Abel Posse's Los perros del paraíso, Gabriel García Márquez's El general en su laberinto, and Carlos Fuentes' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide's Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar's A estranha nação de Rafael Mendes, and Angelina Muñiz's Tierra adentro.
Book 4 of an exclusive 6-consecutive-month release Amish serial novel. In The Pieces of Summer, part four of New York Times Bestselling author, Wanda E. Brunsetter’s The Discovery--A Lancaster County Saga, it’s only been a few months since Meredith Stoltzfus lost her husband, Luke, and deep down, she feels uncomfortable when Jonah Miller comes by often, so willing to help her with things around the house. Meanwhile, as a young, nameless man heals and regains strength in his body, his mind grasps at every image that flits across his memory, desperately trying to recall his former life. . . . The Discovery--A Lancaster County Saga Book 1 - Goodbye to Yesterday Book 2 - The Silence of Winter Book 3 - The Hope of Spring Book 4 - The Pieces of Summer Book 5 - A Revelation in Autumn Book 6 - A Vow for Always
The United States of Medievalism contemplates the desires, dreams, and contradictions inherent in experiencing the Middle Ages in a nation that is so temporally, spatially, and at times politically removed from them. The European Middle Ages have long influenced the national landscape of the United States through the medieval sites that permeate its self-announced republican landscapes and cities. Today, American-built medievalisms continue to shape the nation’s communities, collapsing the binaries between past and present, medieval and modern, European and American. The volume’s chapters visit the nation’s many medieval-inspired spaces, from Sherwood Forest in Texas to California’s San Andreas Fault. Stops are made in New York City’s churches, Boston’s gardens, Philadelphia’s Bryn Athyn Cathedral, Orlando’s Magic Kingdom, Appalachian highways, Minnesota’s Viking Villages, New Orleans’s Mardi Gras, and the Las Vegas Strip. As the editors and their fellow essayists take the reader on this cross-country trip across the United States, they ponder the cultural work done by the nation’s medievalized spaces. In its exploration of a seemingly distant period, this collection challenges the underexamined legacy of medievalism on the western side of the Atlantic. Full of intriguing case studies and reflections, this book is informative reading for anyone interested in the contemporary vestiges of the Middle Ages.
Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade real explanations. The more we learn about the culture of death, the more we can comprehend the culture of life. As this volume demonstrates, the approaches to death varied widely, also in the Middle Ages and the early modern age. This volume hence adds a significant number of new facets to the critical examination of this ever-present phenomenon of death, exploring poetic responses to the Black Death, types of execution of a female murderess, death as the springboard for major political changes, and death reflected in morality plays and art.
Faced with harsh conditions in their Greenland home, a group of Vikings took the reins of fate into their own hands. With incredible luck, skill and fortitude, they discovered lands filled with a profusion of wood, wild game and fertile land. In the sagas that grew from this discovery, the lands were given names that resonated with hope and promise. Almost 1000 years later, a husband and wife team united their talents. Intrigued by allusions in the ancient sagas to fabled Vinland, they considered the scholarship on Viking culture and technology; they studied maps and they researched intensively the prominent theories on Vinland's location. And finally their efforts bore fruit when a remote Newfoundland peninsula yielded up a soapstone spindle-whorl, a Viking ring pin, and what had to be the overgrown remnants of over a dozen Viking buildings.
Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism. He then presents readings of select individual sagas, pointing out how the genre’s various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh