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Innocence Abroad explores the encounter between the Netherlands and the New World in the sixteenth and seventeenth centuries.
Framing nature unlocks it for aesthetic appreciation.
A scientific synthesis of 50 years of archaeological and palaeolandscape research on the prehistory of the Flevoland Polders, the Netherlands.
This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.
A lexicon and guide for discovering the essence of landscape.
"This book contains a comprehensive synthesis of a millennium of spatial development in the Netherlands. Series of maps, photos and paintings clearly illustrate processes of growth, stagnation and decline in Dutch towns and place them in an international perspective. The Atlas of the Dutch Urban Landscape is the first national overview of urbanization and urbanism and as such a potential source of inspiration for other nations in Europe and beyond."--
The topic of this book is the Origin of the Dutch coastal landscape during the Holocene. ­ The landscape evolution is visualized in series of palaeogeographical maps and the driving mechanisms behind the environmental changes are discussed. The practice to make palaeogeographical map reconstructions in the Netherlands developed after the Second World War when a lot of regional geological and soil scientific mapping programs were carried out by government institutions and universities. These maps show when and how the surveyed sediments were formed. The palaeogeographical map reconstructions are subsequently used for the understanding and modeling of the long-term coastal evolution, coastal-management issues, landscape-archaeological purposes and for education and public information reasons. Geoarchaeological investigations play an important role in this study. Geological and palaeo-environmental data from archaeological excavations (‘key sites') provided essential information for the palaeolandscape reconstructions. In the presented regional- and local-case studies of this book, examples of these sites are shown.
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
On November 5, 1688, William of Orange, Protestant ruler of the Dutch Republic, landed at Torbay in Devon with a force of twenty thousand men. Five months later, William and his wife, Mary, were jointly crowned king and queen after forcing James II to abdicate. Yet why has history recorded this bloodless coup as an internal Glorious Revolution rather than what it truly was: a full-scale invasion and conquest by a foreign nation? The remarkable story of the relationship between two of Europe's most important colonial powers at the dawn of the modern age, Lisa Jardine's Going Dutch demonstrates through compelling new research in political and social history how Dutch tolerance, resourcefulness, and commercial acumen had effectively conquered Britain long before William and his English wife arrived in London.