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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
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The Amazon -that name was given to the biggest river on earth and is often used for the whole area of its basin too. This geographical region is currently referred to as Amazonia, thus emphasizing the peculiar character of its aquatic and terrestrial reaches. The Amazon embodied the dream of many a naturalist to explore what for a long time was a terra incognita. In recent years, however, Amazonia has emerged as a main centre for 'development' by some of the countries in which it lies and by foreign industrialized nations. The development projects and enterprises have aroused woridwide interest and have given rise to discussions on their aims and their consequences to the Amazonian nature. Limnological and ecological investigations in Amazonia started only about 40 years ago. The editor had the good fortune to partake in them from the very beginning. He spent his decisive years in Amazonia, and dedicated his life's work to that research and to that country and the Amazonian people. Nearing the end of his scicntific activities, hc is gratcful to bc ablc to summarizc in this book most of the knowledge we possess at present of Amazonian limnology and landscape ecology.
Female Amerindians in Early Modern Spanish Theater is a collection of essays that focuses on the female Amerindian characters in comedias based on the discovery, exploration, and conquest of America. This book emerges as a response to the limited number of studies that focus on these characters, and more importantly, on the function of these characters as theatrical artifacts within conquest plays. Conquest plays are about a handful, their heroes are the European male conquerors, yet ‘the Amerindian’ has attracted attention from critics for the value as constructs of cultural discourse. We see this character, the ‘theatrical Indian,’ as a construct, an instrument, in many ways, a spectacular artifact of the baroque tramoya, which emerges from the conversion point of the Counterreformation ideology. It has been our purpose here to advance the study of these characters by adding a gender perspective. Therefore, while sociological and cultural studies are still a fundamental part of the theoretical framework of this project, we use feminism as a critical matrix in our inquiries. Amerindian female characters stand apart from male Amerindians and Spanish women in dramas, which, we believe, make them worthy of individual attention. The articles in this collection delineate different representations of Amerindian women and, as a whole, this book contributes to a better understanding of the dramatic use of these characters.