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What the audience sees is only half the drama... A lost wager leads to a smoldering night of passion...but when the two men meet in the light of day and have to work together, disaster strikes. Florizel Holland was born and raised in the Theatre and has spent his entire life surrounded by "colorful" people. His devotion to those people shows not only in his position as stage manager for the Drury Lane Theater and his dedication to its current production, but in the way he gives everything he has to the home for retired actors he helped to establish. But endeavors such as the home need funding, and gambling for high stakes at a club called Perdition is how Flory intends to get them. But losing himself for the night to a mysterious newcomer to town changes everything... Librarian Oliver Penhurst has been on the back foot ever since inheriting the title Earl of Headington. His venture into London was supposed to be so that he could learn from his old university friends how to be a nobleman. Patronizing the Drury Lane Theater seemed like a good idea, but when Oliver comes face to face with the man he just spent a wicked night with, Oliver doesn't know whether to run and hide or to throw himself at the man. There is more to both Flory and Oliver than meets the eye, and as the two men work together for the good of the show-especially when everything seems to go wrong with the play at the very last minute-they discover that it is the unexpected blessings in life that make it so much fun. The Disaster of Drury Lane is an MM love story with very steamy bits that take place at The Perdition Club, and it involves masks and disguises, old actors who are young at heart, risks that are worth taking, bad eels, painting catastrophes, and fires both inside and outside.
The first night of Richard Brinsley Sheridan's The School for Scandal, on 8 May 1777, was one of the great dates in theatrical history. From then on, Sheridan was launched into eighteenth-century society, as much at home in the salons of the Duchess of Devonshire and the Prince of Wales as in the taverns and coffee-houses around Drury Lane. Sheridan's comedies were all written by the time he was twenty-eight. For the next thirty years he was wholly involved in his twin careers as manager of the Drury Lane theatre and Member of Parliament. At a time when politics were dominated by a few aristocratic families, he rose above his poverty to become one of the greatest parliamentary figures of the age. In the theatre, he presided over one of the most brilliant periods in the history of the English stage. Drawing on a wide variety of sources, Kelly gives a comprehensive picture of Sheridan's tempestuous career and chaotic private life. For all his faults, his charm was irresistible - 'there has been nothing like it since the days of Orpheus,' wrote Byron. It is charm that illuminates her narrative, bringing Sheridan to life. 'I can imagine no better biography of this talented, dynamic, impossibly unreliable firework of a man.' Victoria Glendinning, Daily Telegraph
Cat Royal has long red hair, green eyes, and not a penny of her own. But she does know where a treasure is hidden in the theater that is her home. The problem is, she isn't the only one looking for it, in this mystery set in 18th-century London.
The great Shakespeare Jubilee festival was held at Stratford, under the direction of David Garrick. The occasion was the dedication of the new town hall and the presentation by Garrick of a statue of Shakespeare. Immense interest, enthusiasm, and controversy were aroused by the plans, which involved not only theatrical and rhetorical festivities but fireworks, processions and a horserace. This book was originally published in 1964 to coincide with the 400th anniversary of Shakespeare’s birth. It describes the festival, which touched heights of success and depths of disaster, its impact on Stratford, its after effects in London, especially theatrical London, where rival managers tried to cash in on Garrick’s idea and where Garrick turned the Stratford failure into resounding success at Drury Lane. The author quotes entertainingly from newspapers, memoirs, and plays, and illustrates her book with contemporary engravings and portraits.