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Investigating war crimes isn't Assistant Commissioner Caelin Morrow's usual sort of case. She normally hunts down corrupt Commonwealth officials. But with the reorganization of the Professional Compliance Bureau's Anti-Corruption Division, Morrow inherits primary responsibility for military crimes requiring outside scrutiny. And for her first case as the new head of Anti-Corruption Unit 12 (Military Crimes), she's heading for the Novaya Sibir star system with her team to look into allegations the elite 212th Pathfinder Squadron committed atrocities on a Protectorate Zone rogue colony. But all is not as it seems, and dirty politics soon rear their ugly head. Unfortunately for those who play fast and loose with the truth, Caelin Morrow is not only a superb investigator. She’ll also do whatever is necessary to take out the garbage.
Dirty, Rotten, Dead? is about how things die and what happens when they do.
When Warren Zevon died in 2003, he left behind a rich catalog of dark, witty rock 'n' roll classics, including "Lawyers, Guns and Money," "Excitable Boy," and the immortal "Werewolves of London." He also left behind a fanatical cult following and veritable rock opera of drugs, women, celebrity, genius, and epic bad behavior. As Warren once said, "I got to be Jim Morrison a lot longer than he did." Narrated by his former wife and longtime co-conspirator, Crystal Zevon, this intimate and unusual oral history draws on interviews with Bruce Springsteen, Stephen King, Bonnie Raitt, and numerous others who fell under Warren's mischievous spell. Told in the words and images of the friends, lovers, and legends who knew him best, I'll Sleep When I'm Dead captures Warren Zevon in all his turbulent glory.
Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.
A story about surfers and a dominatrix, set in the fictional town of Winnipeg, California.
Charlie Asher is a pretty normal guy with a normal life, married to a bright and pretty woman who actually loves him for his normalcy. They're even about to have their first child. Yes, Charlie's doing okay—until people start dropping dead around him, and everywhere he goes a dark presence whispers to him from under the streets. Charlie Asher, it seems, has been recruited for a new position: as Death. It's a dirty job. But, hey! Somebody's gotta do it.
When irascible farmer Guy Beardon meets a very dirty death in his own farmyard, at first it seems like an accident - despite the fact that he was widely disliked. Only his daughter Lilah is prepared to defend his memory. And when, slowly, Lilah begins to suspect foul play, no one is eager to help her investigate. Suspicion becomes certainty when two more deaths occur - and both of them are unmistakably murder. The difficulty lies in discovering who, among Guy's many enemies, hated him enough to want him dead - and who went on killing to conceal the truth. There is certainly no shortage of suspects and it falls to local policeman Den Cooper to investigate the mysterious deaths.
In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.
** SHORTLISTED FOR THE CWA'S ALCS GOLD DAGGER FOR NON-FICTION ** In 1985, Peter Everett landed the job as Superintendent of Southwark Mortuary. In just six years he'd gone from lowly assistant to running the UK's busiest murder morgue. He couldn't believe his luck. What he didn't know was that Southwark, operating in near-Victorian conditions, was a hotbed of corruption. Attendants stole from the dead, funeral homes paid bribes, and there was a lively trade in stolen body parts and recycled coffins. Set in the fascinating pre-DNA and psychological profiling years of 1985-87, this memoir tells a gripping and gruesome tale, with a unique insight into a world of death most of us don't ever see. Peter managed pathologists, oversaw post mortems and worked alongside Scotland Yard's Murder Squad - including on the case of the serial killer, the Stockwell Strangler. This is a thrilling tale of murder and corruption in the mid-1980s, told with insight and compassion.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.