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LONGLISTED FOR THE 2018 MAN BOOKER INTERNATIONAL PRIZE The Dinner Guest is Gabriela Ybarra’s prizewinning literary debut: a singular autobiographical novel piecing together the kidnap and murder of her grandfather by terrorists, reflecting on the personal impact of private pain and public tragedy. The story goes that in my family there’s an extra dinner guest at every meal. He’s invisible, but always there. He has a plate, glass, knife and fork. Every so often he appears, casts his shadow over the table, and erases one of those present. The first to vanish was my grandfather. In 1977, three terrorists broke into Gabriela Ybarra’s grandfather’s home, and pointed a gun at him in the shower. This was the last time his family saw him alive, and his kidnapping played out in the press, culminating in his murder. Ybarra first heard the story when she was eight, but it was only after her mother’s death, years later, that she felt the need to go deeper and discover more about her family’s past. The Dinner Guest is a novel, with the feel of documentary non-fiction. It connects two life-changing events – the very public death of Ybarra’s grandfather, and the more private pain as her mother dies from cancer and Gabriela cares for her. Devastating yet luminous, the book is an investigation, marking the arrival of a talented new voice in international fiction.
THE SUNDAY TIMES BESTSELLER ‘Immensely gripping...Stayed up till past 2am to finish this’ Sophie Hannah Four people walked into the dining room that night. One would never leave.
Original, dazzling and unconventional, this brilliant first solo collection has a surprise on every page. Go on a night flight, have a monster's lunch, immerse yourself in birdsong. Shout out an Apatosaurus rap before checking out Alexander Fleming's petri dish. Find fairy tales with a twist, poems to make you laugh - and reflective poems to think about. Full of variety, wit and warmth, this is a spectacular debut from a poet to watch!
“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.
‘Funny but serious, accessible but rich in meaning, consistently surprising – the world looks slightly different after reading a Billy Collins poem. He’s a one-off, an American treasure’ Nick Laird These are poems of whimsy and imaginative acrobatics, but they are grounded in the familiar, common things of everyday experience. Collins takes us for a walk with an impossibly ancient dog, discovers the proper way to eat a banana, meets an Irish spider, and invites us to his own funeral. Facing both the wonders of being alive and the thrill of mortality, these new poems can only solidify Collins’s reputation as one of America’s most durable and interesting poets.
Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
In praise of the greatest job in the world... The right book at the right time: an impassioned defense of teachers and why we need them now more than ever. Teacher turned teacher’s advocate Taylor Mali inspired millions with his original poem “What Teachers Make,” a passionate and unforgettable response to a rich man at a dinner party who sneeringly asked him what teachers make. Mali’s sharp, funny, perceptive look at life in the classroom pays tribute to the joys of teaching…and explains why teachers are so vital to our society. What Teachers Make is a book that will be treasured and shared by every teacher in America—and everybody who’s ever loved or learned from one.
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 Excerpt: ... At non effugies meos iambos. II Hunc lucum tibi dedico Consecroque Priape, Qua domus tua Lampsacist Quaque lege Priapi. Nam te praecipue in suis Urbibus colit ora Hellespontia ceteris Ostriosior oris. NOTES i The dedication is to Cornelius Nepos, an amiable man but dull historian. It was probably intended as a preface to some only of the poems. 1. dorw, am I giving? more vivid than am I to give? though the latter is of course possible; cf. the well-known in qua te quaero proseucha? (Juv. iii. 296). 2. pumice. Cf. xxii. 8. 6. iam turn cum. Emphatic. Nepos found time to praise him even when engaged on his own great work. 7. Onme aevum, i.e. the Chronica of Nepos, a history of all time. 8. laboriosis, full of research. 9. quidquid hoc libelli, qualecunque. Self-depreciatory; whatever its worth, whatever its kind. 10. patrona virgo, Le. the Muse. The sudden invocation is not unnatural. Bergk's correction, patroni tit ergo, that for its patron's sake, is ingenious and gives additional point, but it is not necessary. 11. perenne, through the years; or perhaps unaging, an intentional surprise after plus uno. II To Lesbia's sparrow. 3. primum digitum, finger-tip. 5,6. When the bright lady of my longing love is minded to try some charming play (Munro). 8, 9. dolor, grief; e.g. at being parted from her lover, ardor, the passion of love. 9. credo, ah yes lit. I believe it, for Catullus has felt the same grief. Iia A fragment, or possibly complete in itself. Lesbia may have sent him an apple, a common lover's gift (cf. lxv. 19), and this may be his acknowledgment. puellae, Atalanta, who stopped to pick up the go...
“In Flanders Fields,” the iconic poem which gives its title to this collection of poems and selected prose, is one of Canada’s — and the world’s — best known poems of the Great War. It was written in 1915 by Canadian John McCrae, an artillery man, poet, and medical doctor, upon the death of a friend and fellow soldier during the Second Battle of Ypres in 1915. This is a faithful reissue of the Canadian first edition of McCrae’s writings, originally issued by his friends in 1919 in his honour and memory. It includes the best of his poetry and selections of his letters from the front lines together with a thoughtful essay of appreciation by his friend and fellow medical officer, Sir Andrew Macphail.