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The development of modern culture along subjectivist lines has led to an analogue of psychological narcissism--to philosophical narcissism--in the culture. The intrinsic value of human cultural activity has been lost, and the intellectual foundation of the modern world-view has been destroyed. Cahoone carefully develops the idea of subjectivity and narcissism using psychological theory, the dialectical theory of the Frankfurt school, and historians. The core of his interpretive argument is developed through careful analysis of Descartes and Kant as well as of Husserl and Heidegger. Cahoone maintains a carefully controlled continuity between the analysis of philosophic positions and what they reveal about culture. In the conclusion, he moves toward a recreation of culture in non-subjectivist naturalism. Insights are drawn from Freud, Fairbairne, Winnicott, Kohut, Sennett, Lasch, Horkheimer, Adorno, Dewey, Cassirer, Kundera, and Buchler.
The Dilemma of Modernity is a study of the evolution of Ramón Gómez de la Serna's narrative fiction within the context of European Modernism. At a time when Joyce, Kafka, Proust, and Woolfe were experimenting with prose fiction, very little is known about Spain's contribution to the novel. Despite his years in Paris, when it was still considered the cultural capital of Europe, and his championing of the avant-garde in Spain in the 1920s through his literary salon Pombo, which attracted figures such as Borges, Picasso, Huidobro, Buñuel and Lorca, Ramón Gómez de la Serna's work has suffered from critical neglect. The Dilemma of Modernity sets Gómez de la Serna's work within the cultural and historical context of the time and traces his evolution from aesthete to promoter of the avant-garde, modernist, and existentialist.
The development of modern culture along subjectivist lines has led to an analogue of psychological narcissism—to philosophical narcissism—in the culture. The intrinsic value of human cultural activity has been lost, and the intellectual foundation of the modern world-view has been destroyed. Cahoone carefully develops the idea of subjectivity and narcissism using psychological theory, the dialectical theory of the Frankfurt school, and historians. The core of his interpretive argument is developed through careful analysis of Descartes and Kant as well as of Husserl and Heidegger. Cahoone maintains a carefully controlled continuity between the analysis of philosophic positions and what they reveal about culture. In the conclusion, he moves toward a recreation of culture in non-subjectivist naturalism. Insights are drawn from Freud, Fairbairne, Winnicott, Kohut, Sennett, Lasch, Horkheimer, Adorno, Dewey, Cassirer, Kundera, and Buchler.
Katerberg (history, Calvin College, Michigan) describes the life and work of five leaders of the Anglican Church in Canada and the Episcopal Church in the U.S. from the late-19th to the mid-20th century. He explores the ways in which these leaders used a shared religious language and theology to create a cultural framework offering a clear identity and purpose for the members of their communities. Coverage includes the relationship between evangelicalism, liberalism, and anglo-catholicism; the impact of modernity on Anglican traditions of spirituality; a comparison of Canadian and U.S. perspectives; and a critique of the secularization model in favor of a view of religion within the realms of modernity and competing cultural identities. c. Book News Inc.
Dilemmas of Modernity provides an innovative approach to the study of contemporary Bolivia, moving telescopically between social, political, legal, and discursive analyses, and drawing from a range of disciplinary traditions. Based on a decade of research, it offers an account of local encounters with law and liberalism. Mark Goodale presents, through a series of finely grained readings, a window into the lives of people in rural areas of Latin America who are playing a crucial role in the emergence of postcolonial states. The book contends that the contemporary Bolivian experience is best understood by examining historical patterns of intention as they emerge from everyday practices. It provides a compelling case study of the appropriation and reconstruction of transnational law at the local level, and gives key insights into this important South American country.
At this stalled and disillusioned juncture in postcolonial history—when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism—David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance—as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future does not appear as an uninterrupted movement forward, but instead as a slow and sometimes reversible series of ups and downs. Scott explores the political and epistemological implications of how the past is conceived in relation to the present and future through a reconsideration of C. L. R. James’s masterpiece of anticolonial history, The Black Jacobins, first published in 1938. In that book, James told the story of Toussaint L’Ouverture and the making of the Haitian Revolution as one of romantic vindication. In the second edition, published in the United States in 1963, James inserted new material suggesting that that story might usefully be told as tragedy. Scott uses James’s recasting of The Black Jacobins to compare the relative yields of romance and tragedy. In an epilogue, he juxtaposes James’s thinking about tragedy, history, and revolution with Hannah Arendt’s in On Revolution. He contrasts their uses of tragedy as a means of situating the past in relation to the present in order to derive a politics for a possible future.
This book offers a series of reflections on the state of Christianity, and especially Catholicism, in the world today. The centerpiece of the volume is a lecture by the renowned philosopher Charles Taylor, from which the title of the book is taken. The lecture, delivered at Dayton University in January of 1996, offered Taylor the opportunity to speak about the religious dimensions of his intellectual commitment--dimensions left implicity in his philosophical writing. In fact, this is the only place where Taylor, a Roman Catholic, spells out his theological views and his sense of the cultural placement of Catholicism, its history and trajectory. He uses the occasion to argue against the common claim that obstacles to religious belief in modern culture are epistemic--that they have to do with the triumph of the scientific worldview. The real obstacles, says Taylor, are moral and spiritual, having to do with the historic failures of religious institutions. Four well-known commentators on religion and society, two Protestant, two Catholic, were invited to respond to Taylor's lecture: William M. Shea, George Marsden, Jean Bethke Elshtain, and Rosemary Luling-Haughton. Their chapters offer a variety of astute reflections on the tensions between religion and modernity, and in particular on the role that Catholicism can and should play in contemporary society. The volume concludes with Taylor's perceptive and thoughtful response to his interlocutors. A Catholic Modernity provides one of the most thoughtful conversations to date about the place of the Catholic Church in the modern world, and more generally, about the role of religion in democratic liberal societies.
This volume is the first to to take a systematic look at the position of women in the post-Soviet states of the former USSR.
This vigorous and incisive critique of modernity lights the path to recovering the revitalizing heritage of classical Christianity.