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A warm and highly entertaining account of Dietmar Hamman's personal story, The Didi Man was a Sunday Times bestseller on hardback publication. Dietmar 'Didi' Hamann is a complete one-off. The foreigner with a Scouse accent. The German who now plays cricket for his local village team. The overseas footballer turned anglophile who fell deeply in love with the city of Liverpool, its people and its eponymous football club. The classy midfielder had a long and distinguished playing career, but it was his seven seasons at Anfield that marked him out forever as a true Liverpool legend. His cult status was secured when he came off the bench at half-time during the 2005 Champions League final in Istanbul to inspire his team to a dramatic come-back and spectacular European glory. The Didi Man is Hamann's story of his time on Merseyside at a football club which will always have a very special place in his heart.
Sita by Bhanumathi-ji is deeply stirring and weaves an intricate tapestry of sensitivity with strength and wisdom as the story unfolds
Motown and Didi, two teenage loners in Harlem, become allies in a fight against Touchy, the drug dealer whose dope is destroying Didi's brother, and find themselves falling in love with each other.
A PREGNANT WOMAN. A DERANGED PSYCHOPATH. A DESPERATE RACE AGAINST TIME. Didi Wood, eight-and-a-half months pregnant with her third child, heads to a mall to get out of the oppressive Dallas hear and get some shopping done. She is supposed to meet her husband for lunch at one o' clock. By 1:45, she still isn't there--she's riding down the highway at breakneck speed, with a madman at the wheel. His name is Lyle, and he has abducted her from a department store parking lot. But why he's done this, and what he wants, are anyone's guess. Now the police and the FBI have to somehow track him down. And a very pregnant Didi must keep herself and her unborn child alive at any price--even as they ride closer and closer in the darkest chamber of a psychopath's mind.
IF YOU TELL A LIE Twenty years ago, ex-beauty queen Didi Storm worked the Vegas strip as a celebrity impersonator. Now, in death, she’s finally getting the publicity she always craved. To the police, it looks like suicide, or a stunt gone wrong. Her estranged daughter, Remmi, knows the answer isn’t so simple. Though dressed in Didi’s clothes and wig, the broken body on the sidewalk isn’t Didi . . . THERE’S NO DOUBT Remmi was fifteen when she last saw her mother. En route to meet her crush, Noah Scott, Remmi secretly witnessed Didi handing over one of her newborn twins to a strange man. Then Didi disappeared, as did Remmi’s other half-sibling. Remmi pleaded with the authorities to find them, with no success. Yet she’s always sensed that someone is watching her . . . YOU WILL DIE Noah, now running his own PI firm, resurfaces in Remmi’s life, determined to find out what happened that long-ago night. As they dig deeper, the truth about Remmi’s family begins to emerge—a story of greed and twisted lies that someone will kill again and again to keep hidden . . .
Meet Didi Dodo. She's a dodo and a spy. Or she will be, once she's hired! Meet Koko Dodo. He's a dodo and a baker. He gives Didi Dodo her first case! Someone has stolen Koko Dodo's Super Secret Fudge Sauce for the Royal Cookie Contest! But don't worry. Didi Dodo has a daring plan to catch the culprit.
"Thousands of representations of the gesture to say "NO," to shout "STOP," or to raise the banner "THEY SHALL NOT PASS" exist. They are known by women, men, and children, by workers, artists, and poets, by those who cry out and those who are silent, by those who weep, who mourn and those who make them. 'Uprisings' is a montage of these words, gestures, and actions, which defy submission to absolute power"--Page 8.
According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Without doubt, the Munich-based star photographer Did Zill is one of the essential visual chroniclers of 80s music. From 1982 to 1987, he met up with Depeche Mode for twelve photo sessions, creating a unique fund of pictures. For the first time, Didi Zill has opened his archives to furnish this luxurious volume with some of the best Depeche Mode photography around. This is by far the largest illustrated book available on Depeche Mode! Few bands have influenced electronic pop as strongly as have Depeche Mode - a band who have experienced all the highs and lows of the music business. The young band soared to comet-like heights in the eighties. They were the most important pioneers of synthesizer music. Dave Gahan, Martin Gore, Andy Fletcher, and Alan Wilder had an enormous impact on the sound of the decade. They released great albums which are still influential in terms of style today. Session 1 - March 1982, studio in Munich / Session 2 - December 1982, studio and live in Munich / Session 3 - 1983, TV show / Session 4 - April 1984, TV show in Munich / Session 5 - November 1984, Deutsches Museum / Session 6 - November 1984, live in Essen / Session 7 May 1985, festival in Montreux / Session 8 - September 1985, radio show in Berlin / Session 9 - November 1985, TV show Dortmund / Session 10 - May 1986, live in Munich / Session 11 - October 1986 live in Vienna / Session 12 - November 1987, concert in Frankfurt.
For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d'Oro of San Marco's Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell's cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell's artistic practice becomes the equivalent of walking along endless pathways in the desert, in "minuscule cathedrals where man discovers himself walking in color."