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Full of relevant information, this book covers the whole field of picture postcard production in Britain. It is an indispensable reference to a vast amount of collectable pictorial material.
The Postcard’s Radical Openness offers a groundbreaking exploration of what this multifaceted, double-sided open card entails and how it has affected our being in the world. With a holistic approach, it focuses on studying the postcard’s specific way of being and performing, a particular ontology that opens up what is constitutively implicated in such an apparently trivial artifact. The book, organized into four parts, meticulously unveils the postcard’s political, technological, aesthetic, and ethical dimensions, ending with a coda correlating the postcard’s radical openness to G. Klimt’s painting, Nuda Veritas (1899) in reference to the scope of truth. By examining the postcard’s complex worldwide history, its socio-cultural significance, and its global effect, the book reveals hidden stories shedding light on its impact on photography, printing, marketing, trade, and business practices and exposes the aesthetic, communicative, and ethical qualities that lie behind the enormous success of postcards at the turn of the 20th century. This comprehensive study is positioned as a thought-provoking invitation to scholars and students interested in material culture, media studies, and human interactions, as well as to history enthusiasts, art lovers, and postcard collectors. Offering a distinctive contribution, the book not only fills a void in the literature but also encourages readers to question and reflect on the transformative power inherent in the postcard's 'radical openness,' presenting a novel and unparalleled analysis of this seemingly trivial yet culturally significant object.
From around 1880, for almost a hundred years, shipowners commissioned a wealth of paintings that depicted their magnificent liners as well as the routes they travelled, their exotic destinations, and life onboard. These paintings, rich in imagination and atmosphere, appeared on postcards and posters of the day and were used to advertise the companies and their ships; and so was born a whole genre that produced tens of thousands of paintings which formed a wonderful record of the great era of the passenger liner. In 1900, there were over thirty shipping companies operating passenger liners across the North Atlantic. Other oceans were similarly served. But now, with just a few exceptions, the companies and their liners have disappeared along with the art they once inspired. Little remains to recall this aspect of our maritime past except the postcards; and they tell an evocative story of the vanished world of elegant ships and leisurely travel, of social and political times much changed by the history of the past century. Here, brought vividly to life in more than 500 colourful postcards, are the ships on which so many of our predecessors sailed—as emigrants, soldiers, administrators, or simply as tourists—in days long past. These cards, which are now highly collectable, show how steamships developed over the years, but they are also a fine tribute to the artists who painted them. This volume also includes a glossary of some 170 illustrators, which forms an important reference section, and advice on collecting.
Classification is a crucial skill for all information workers involved in organizing collections. This new edition offers fully revised and updated guidance on how to go about classifying a document from scratch. Essential Classification leads the novice classifier step by step through the basics of subject cataloguing, with an emphasis on practical document analysis and classification. It deals with fundamental questions of the purpose of classification in different situations, and the needs and expectations of end users. The reader is introduced to the ways in which document content can be assessed, and how this can best be expressed for translation into the language of specific indexing and classification systems. Fully updated to reflect changes to the major general schemes (Library of Congress, LCSH, Dewey and UDC) since the first edition, and with new chapters on working with informal classification, from folksonomies to tagging and social media, this new edition will set cataloguers on the right path. Key areas covered are: - The need for classification - The variety of classification - The structure of classification - Working with informal classification - Management aspects of classification - Classification in digital space. This guide is essential reading for library school students, novice cataloguers and all information workers who need to classify but have not formally been taught how. It also offers practical guidance to computer scientists, internet and intranet managers, and all others concerned with the design and maintenance of subject tools.
Artist-drawn humorous postcards were growing considerably in popularity at the start of the 20th century. When war broke out in 1914 trade in them soared as the government utilised them as a widespread means of communication, to bolster morale, stiffen resolve and lift up the spirits in the field, at sea and on the home front from 1914 to 1919. They were also an excellent tool for recording and commenting on military and civilian events as they unfolded. Although the conflict was no laughing matter, humour helped to bring people together and feel stronger during a time of suffering; these postcards helped achieved this and they are therefore considered as significant historical documents. Pack Up Your Troubles is the first book of this kind to focus exclusively on the impact of British humour in the art of the picture postcards of World War One, both in the field and on the home front. The book is divided into themed chapters of the era, from Camp Life and Training to The Western Front through to Women at War and many more in between. Each section shows approximately 20 postcards within that theme, each with an explanatory caption. This book would be an ideal gift for anyone with an interest in war and military history, art and design, cartoons, and anyone who enjoys humour and laughing.
Uses Worthing as a case study and looks at the introduction and development of picture postcard collecting
This book is a collection of cutting-edge essays by leading exponents of consumer research from Europe and America. Topics covered include: marketing in cyberspace, poststructuralism in marketing, semiotics and marketing and much more.
During the fin-de-siècle and early revolutionary eras, picture postcards were an important medium of communication for Russians of all backgrounds. In Open Letters, the most comprehensive study of Russian picture postcards to date, Alison Rowley uses this medium to explore a variety of aspects of Russian popular culture. The book is lavishly illustrated with more than 130 images, most of which have never been published before. Through her examinations of postcards, Rowley addresses a diverse range of topics: how landscape postcards conveyed notions of imperialism; the role of postcards in the rise of celebrity culture; depictions of the body on erotic and pornographic postcards; how postcards were employed to promote differing interpretations of the First World War; and the use of postcards by revolutionary groups seeking to overthrow the Tsarist government. Rowley determines the extent to which Russia was embedded in Europe-wide cultural trends by situating the Russian case within a larger European context.
A refreshing insight into a previously neglected area of popular British cinema – the holiday film - including historical information about the British holiday and analyses of key films from the 1900s to the recent past.
This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth—one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing—such as photographs, postcards, books, and collectibles—that in turn remade the public’s understanding of Romantic writers. Shedding new light on how Romantic authors were posthumously recruited to address later cultural concerns, What the Victorians Made of Romanticism reveals new histories of appropriation, remediation, and renewal that resonate in our own moment of media change, when once again the cultural products of the past seem in danger of being forgotten if they are not reimagined for new audiences.