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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable one-volume reference work on all aspects of the Christian Church. It contains over 6,000 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, including theology, churches and denominations, patristic scholarship, the bible, the church calendar and its organization, popes, archbishops, saints, and mystics. In this revision, innumerable small changes have been made to take into account shifts in scholarly opinion, recent developments, such as the Church of England's new prayer book (Common Worship), RC canonizations, ecumenical advances and mergers, and, where possible, statistics. A number of existing articles have been rewritten to reflect new evidence or understanding, for example the Holy Sepulchre entry, and there are a few new articles. Perhaps most significantly, a great number of the bibliographies have been updated. Established since its first appearance in 1957 as an essential resource for ordinands, clergy, and members of religious orders, ODCC is an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian McKellen, and Kenneth Branagh. Individual chapters tell the story of their subjects' careers, but together these overlapping tales combine to offer a succinct, actor-centred history of Shakespearian theatrical performance. Stanley Wells examines what it takes to be a great Shakespeare actor and then offers a concise sketch of each actor's career in Shakespeare, an assessment of their specific talents and claims to greatness, and an account, drawing on contemporary reviews, biographies, anecdotes, and, for some of the more recent actors, the author's personal memories of their most notable performances in Shakespeare roles.
Orchestrating Warfighting provides a detailed and wide-ranging examination of the employment of corps and divisions from the First World War through to the early twenty-first century. Division and corps formations have been at the forefront of the British Army’s prosecution of war since 1914. They constituted the major command and organisational elements that underpinned the conduct of large-scale warfighting on land. Divisions and corps were of central importance to the conduct of the First and Second World Wars, the maintenance of a conventional deterrence posture during the Cold War, and were also employed in major confrontations since 1945, including the Korean War and two Gulf Wars. The British Army of the early twenty-first century still retains two divisional formations alongside the British-led Allied Rapid Reaction Corps within NATO. Orchestrating Warfighting examines British, Dominion, and imperial corps and divisions, taking part in the total wars of the first half of the twentieth century and smaller scale conflicts since 1945. It throws new light on questions of command, generalship, and the management of battles and campaigns across a diverse range of theatres. Orchestrating Warfighting is of interest to historians of the British Army, operational military history, and modern war.
Sir Harold Nicolson (1886-1968) is well known as a diarist, man of letters, diplomatic historian, gardener, and broadcaster. Nicolson's bestselling diaries and letters, his many biographies, including the highly acclaimed official life of King George V, and his numerous essays and broadcasts have made him, in the words of his friend and fellow MP Robert Bernays, an international figure of the 'second degree'. Yet there was more to this urbane man than his finely observed diary, stylish writing, and Sissinghurst Castle Garden in Kent, the joint creation of Nicolson and his wife, the writer V. Sackville-West. He also produced a rich and ambitious corpus of writing on the theory and practice of international relations. Nicolson's aristocratic background and upbringing in a diplomatic household, followed by an Oxford classical education and twenty years in diplomacy, combined to forge his distinctive philosophy of international affairs. As a young attaché in Constantinople before the Great War, and in Whitehall during the conflict, at the Paris Peace Conference of 1919, and en poste in Persia and Germany throughout the 1920s, Nicolson was ideally placed to observe the maelstrom of international politics. As an anti-appeasement and wartime MP (1935-1945), he became a highly regarded authority on international relations. During and after World War II, he turned his mind to the issues of European integration, world government, and the ultimate possibility of global peace. Nicolson has been the subject of two fine biographies. This is the first study of his contribution to international thought. He emerges from it as an important international thinker, alongside theorists as diverse as E. H. Carr and Leonard Woolf. Nicolson's international thought contains elements of realism and idealism, while retaining a distinctive character and a breadth and consistency that render it unique.
Subjugated Knowledges is an absorbing account of the cultural formations of Victorian journalism. It will be of interest to all students of Victorian literature and history, and of media, cultural and gender studies.
From the Pulitzer Prize–winning bestselling author of Alexander Hamilton, the inspiration for the hit Broadway musical, comes this definitive biography of the Warburgs, one of the great German-Jewish banking families of the twentieth century. Bankers, philanthropists, scholars, socialites, artists, and politicians, the Warburgs stood at the pinnacle of German (and, later, of German-American) Jewry. They forged economic dynasties, built mansions and estates, assembled libraries, endowed charities, and advised a German kaiser and two American presidents. But their very success made the Warburgs lightning rods for anti-Semitism, and their sense of patriotism became increasingly dangerous in a Germany that had declared Jews the enemy. Ron Chernow's hugely fascinating history is a group portrait of a clan whose members were renowned for their brilliance, culture, and personal energy yet tragically vulnerable to the dark and irrational currents of the twentieth century.