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Exceptionally comprehensive, easy-to-use guide surveys the evolution of historic ornament in architecture and the applied arts-from primitive ornaments of Oceania, Egypt, and Assyria to a Gothic doorway in Amiens, the tomb of Lorenzo de Medici, and a classic early-nineteenth-century sofa by Thomas Hope. Hundreds of the author's line illustrations depict designs typical of many periods of style. Unabridged reprint of the 6th edition (1948) of A Manual of Historic Ornament, originally published in 1899 by B. T. Batsford, Ltd., London. Over 700 b/w illustrations. 16 plates of photographs.
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.
A reinvestigation of brass inlaid furniture made between 1730-1760, usually attributed to the Channon workshop. Research indicates that there were five London cabinet makers specializing in this furniture. This is the catalogue for an exhibition in Leeds on 22nd September 1993 and later in London.
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
The 16th and 17th centuries in Europe witnessed a significant paradigm shift. Rooted in medieval beliefs and preoccupations, the exploration so characteristic of the period stemmed from religious motives but came to be propelled by commerce and curiosity as Europeans increasingly engaged with the rest of the world. Interiors in both public and private spaces changed to reflect these cultural encounters and, with them, the furniture with which they were populated. Visually, furniture of this period displayed new designs, forms and materials. In its uses, it also mirrored developments in science, technology, government and social relationships as prints became more widely distributed, the Wunderkammer developed and there was religious strife and resistance to absolute monarchical rule. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.