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A radio host’s rise is the fodder for this “funny, melancholy, frightening . . . absolutely American” National Book Award finalist (The New York Times Book Review). Since childhood, Dick Gibson has longed for a successful radio career to make him a household name. Seeking to hone his craft, Dick travels from stations in Nebraska and New Jersey to the Armed Forces Radio in the Pacific Theater during the Second World War, interviewing crooks, con artists, and hypnotists along the way. His show ignites the imaginations of all who listen to it—until one fateful night when a studio guest’s irresistible influence on Dick and all those listening to him will change their lives forever. Spirited and compelling, The Dick Gibson Show is a laugh-out-loud journey through the world of talk radio and a compulsively readable account of one man’s descent into the dark echo chamber of American media. This ebook features rare photos and never-before-seen documents from the author’s estate and from the Stanley Elkin archives at Washington University in St. Louis.
An age-old family curse fuels this National Book Critics Circle Award winner: “Elkin’s imagination should be declared a national landmark” (Paul Auster). Since the time of the First Crusade, every generation of the Mills family has been consigned by fate to an unfulfilling, servile existence. And each successive Mills has had a son, George, to perpetuate the family plight through history. Whether a stable hand in feudal Europe or a prisoner in an Ottoman harem, each George Mills falls prey to his hereditary misfortune—until the modern George Mills threatens to reverse this fate once and for all. Written with penetrating insight and wit, George Mills is an engrossing story of one man’s salvation, and an unforgettable defense of free will in even the most overwhelming of circumstances. This ebook features rare photos and never-before-seen documents from the author’s estate and from the Stanley Elkin archives at Washington University in St. Louis.
The first and only complete, fully authorized "biography" of one of TV's most beloved sitcoms, including the first complete viewer's guide to all 158 episodes, as well as special behind-the-scenes trivia and a full chapter concordance. 50 black and white photos.
Talk show host Matthew Miller has made his fame by shining a spotlight on the most unlikely and bizarre secrets of society, exposing them on live television in front of millions of gawking viewers. However, the man behind The Mattie M Show remains a mystery--both to his enormous audience and to those who work alongside him every day. But when the high school students responsible for a mass shooting are found to be devoted fans, Mattie is thrust into the glare of public scrutiny, seen as the wry, detached herald of a culture going downhill and going way too far. Soon, the secrets of Mattie's past as a brilliant young politician in a crime-ridden New York City begin to push their way to the surface. In her most daring and multidimensional novel yet, Jennifer duBois vividly portrays the heyday of gay liberation in the seventies and the grip of the AIDS crisis in the eighties, alongside a backstage view of nineties television in an age of moral panic. DuBois explores an enigmatic man's downfall through the perspectives of two spectators--Cel, Mattie's skeptical publicist, and Semi, the disillusioned lover from his past. With wit, heart, and crackling intelligence, The Spectators examines the human capacity for reinvention--and forces us to ask ourselves what we choose to look at, and why.
In a house near a beautiful forest, a new prince is born, living close to the mansion of his grandfather, the King. The prince moves to the city as a very young child, and there he learns how to use magic and how to play many different games. When he returned to the mansion that he had visited as a baby, he soon realizes something wonderful: his crayons have magically become rainbows! Using magic, he sets out to make the world a perfect place. In this children’s book, a young prince discovers that the reward of magic can make him as great as he wants to be and allows him to work to make the world a perfect place.
As he's chauffeured about in his official limousine, aging City commissioner of Streets Bobbo Druff comes to a frightening realization: he's lost force, the world has started to condescend to him. His once fear-inspiring figure has become everyone's "little old lady." In retaliation, Druff constructs a paranoid plot, his "MacGuffin" within which)he believes) everyone is out to get him. with unabashed enthusiasm Druff starts an illicit affair (in order to incriminate himself), instigates fights with his employees, invents lies for his family- in short, everythingything in his power to create a world in which he is placed safely and firmly at the scandalous center.
Major Characters in American Fiction is the perfect companion for everyone who loves literature--students, book-group members, and serious readers at every level. Developed at Columbia University's Center for American Culture Studies, Major Characters in American Fiction offers in-depth essays on the "lives" of more than 1,500 characters, figures as varied in ethnicity, class, sexual orientation, age, and experience as we are. Inhabiting fictional works written from 1790 to 1991, the characters are presented in biographical essays that tell each one's life story. They are drawn from novels and short stories that represent ever era, genre, and style of American fiction writing--Natty Bumppo of The Leatherstocking Tales, Celie of The Color Purple, and everyone in between.
The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. "Wit and mockery," he notes, "by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. " (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction.
The “cool and scary”(San Francisco Chronicle) New York Times bestseller from the author of Pattern Recognition and Neuromancer. • spook (spo͞ok) n.: A specter; a ghost. Slang for “intelligence agent.” • country (ˈkən-trē) n.: In the mind or in reality. The World. The United States of America, New Improved Edition. What lies before you. What lies behind. • spook country (spo͞ok ˈkən-trē) n.: The place where we all have landed, few by choice. The place we are learning to live. Hollis Henry is a journalist, on investigative assignment for a magazine called Node, which doesn’t exist yet. Bobby Chombo apparently does exist, as a producer. But in his day job, Bobby is a troubleshooter for military navigation equipment. He refuses to sleep in the same place twice. He meets no one. And Hollis Henry has been told to find him... “A devastatingly precise reflection of the American zeitgeist.”—The Washington Post Book World