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Lavishly designed with many full color illustrations, the Faris Diary offers a craftsman’s view of early America with daily entries from 1792 to 1804, matched with extensive notes, that bring to life the “golden age” of Annapolis.
The magnificent artistry and craftmanship of eighteenth and nineteenth century clockmakers in the South has been recorded in this lavishly illustrated volume. Entitled Dixie Clockmakers, the 192-page volume traces the development of clockmaking and horological history below the Mason-Dixon line and documents the works of those artisans who designed and constructed some of the world's finest timepieces. Author James W. Gibbs focuses primarily upon clockmaking in Delaware, Maryland, Virginia, North Carolina, South Carolina, and the District of Columbia, but attention also is given to eight other states. Included are some 60 photographs illustrating outstanding examples and details of Southern clockmaking. The first in-depth study of Southern clockmakers, the volume also lists every known clockmaker and watchmaker in the South during the two centuries, along with nomenclature common at the time, and advertisements used by individual craftsmen.
These thirteen original essays are provocative explorations in the construction and representation of self in America's colonial and early republican eras. Highlighting the increasing importance of interdisciplinary research for the field of early American history, these leading scholars in the field extend their reach to literary criticism, anthropology, psychology, and material culture. The collection is organized into three parts--Histories of Self, Texts of Self, and Reflections on Defining Self. Individual essays examine the significance of dreams, diaries, and carved chests, murder and suicide, Indian kinship, and the experiences of African American sailors. Gathered in celebration of the Institute of Early American History and Culture's fiftieth anniversary, these imaginative inquiries will stimulate critical thinking and open new avenues of investigation on the forging of self-identity in early America. The contributors are W. Jeffrey Bolster, T. H. Breen, Elaine Forman Crane, Greg Dening, Philip Greven, Rhys Isaac, Kenneth A. Lockridge, James H. Merrell, Donna Merwick, Mary Beth Norton, Mechal Sobel, Alan Taylor, Laurel Thatcher Ulrich, and Richard White.
12 Between Private and Public Spheres: Liberty as Cultural Property in Eighteenth-Century British America -- Notes -- List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W
The only book to delve deeply into Maryland’s rich musical performance history and the people who created it. In Musical Maryland, the first comprehensive survey of the music emanating from the Old Line State, David K. Hildebrand and Elizabeth M. Schaaf explore the myriad ways in which music has enriched the lives of Marylanders. From the drinking songs of colonial Annapolis, the liturgical music of the Zion Lutheran Church, and the work songs of the tobacco fields to the exuberant marches of late nineteenth-century Baltimore Orioles festivals, Chick Webb’s mastery on drums, and the triumphs of the Baltimore Opera Society, this richly illustrated volume explores more than 300 years of Maryland’s music history. Beginning with early compositions performed in private settings and in public concerts, this book touches on the development of music clubs like the Tuesday Club, the Florestan Society, and H. L. Mencken’s Saturday Night Club, as well as lasting institutions such as the Peabody Institute and the Baltimore Symphony Orchestra (BSO). Yet the soundscape also includes militia quicksteps, sea chanteys, and other work songs. The book describes the writing of “The Star-Spangled Banner"—perhaps Maryland's single greatest contribution to the nation's musical history. It chronicles the wide range of music created and performed by Maryland’s African American musicians along Pennsylvania Avenue in racially segregated Baltimore, from jazz to symphonic works. It also tells the true story of a deliberately integrated concert that the BSO staged at the end of World War II. The book is full of musical examples, engravings, paintings, drawings, and historic photographs that not only portray the composers and performers but also the places around the state in which music flourished. Illuminating sidebars by William Biehl focus on late nineteenth- and early twentieth-century song of the kind evoked by the USS Baltimore or inspired by the state's history, natural beauty, and romantic steamboats. The book also offers a sampling of the tunes that Maryland’s more remarkable composers and performers, including Billie Holiday, Eubie Blake, and Cab Calloway, contributed to American music before the homogenization that arrived in earnest after World War II. Bringing to life not only portraits of musicians, composers, and conductors whose stories and recollections are woven into the fabric of this book, but also musical scores and concert halls, Musical Maryland is an engaging, authoritative, and bold look at an endlessly compelling subject.
When Benjamin Franklin adopted John Bartram's 1739 idea of bringing together the "virtuosi" of the colonies to promote inquiries into "natural secrets, arts and syances," the result was, in 1743, the founding of the American Philosophical Society. Bell records the early years of the Society through sketches of its first members, those elected between 1743 and 1769. This volume includes biographies of some of the Society's best known members such as Franklin, David Rittenhouse, John Bartram, Benjamin Rush, John Dickinson, Thomas Hopkinson and many lesser known merchants, artisans, farmers, physicians, lawyers and clergymen with familiar surnames such as Biddle, Colden, and Morris. Illustrations.
Francis Scott Key was born during the Revolutionary War on his familys Maryland estate and died suddenly and unexpectedly in Baltimore at age sixty-three. History remembers him best as the composer of The Star-Spangled Banner and least of all as a noted poet and eminent lawyer. Time and again his career propelled him into the limelight, which explains how Key happened to find himself aboard a truce ship during the massive British bombardment of Fort McHenry in 1814. As he watched the assault all night long with the aid of a spyglass, the poet-lawyer was inspired to compose the ode that became the anthem of a nation. During his forty-plus years as a lawyer, Francis Scott Key argued well over one hundred appeals before the Supreme Court in Washington. As a devout evangelical Episcopalian and lay leader, he found himself steeped in the divisive issues sundering his church. His restless intellect and spirit sought an outlet in a mind-boggling array of philanthropic projects, which included the founding of the free African republic of Liberia. As a result of new and overlooked sources and materials, new facts about Francis Scott Key have emerged, and some age-old myths have been dispelled. What still remains true and enduring about the man are his genius, piety, and service to his country and fellow man.
Featuring more than 150 stunning full-color illustrations, this volume traces the history of Jefferson's unique vegetable garden, which has been painstakingly restored by the author, from the artichokes and asparagus first planted in 1770 through the horticultural experiments of Jefferson's retirement years.
Revolutionary Economies explores the roots of American capitalism through the archaeology and history of the Chesapeake Bay region. Thomas W. Cuddy looks at the archaeological evidence concerning revolutionary-period bakeries and bakers (some of whom had been students of Adam Smith in Scotland) in Annapolis, Maryland and Alexandria, Virginia to examine the development of local production systems that characterized these important early American urban centers. Revolutionary Economies charts the stages of production from household manufacturing to larger workshops to mechanized factories and opens a window on the country's economic history. The volume's blend of archaeology, history, and economics makes it a prototypical study in historical archaeology.