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This book focuses on Christina and Dante Gabriel Rossetti, it demonstrates the interconnectedness of their friendships and creativity, giving information about literary composition and artistic output, publication and exhibition, and details literary and artistic influences. It draws on many unpublished sources, including letters and diaries.
The marriage of William Michael Rossetti (1829-1919) and Lucy Madox Brown (1843-1894) united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship - described here for the first time - provides a fresh perspective on nineteenth-century marriage and on the private lives of eminent Victorians. Sibling of Dante Gabriel and Christina Rossetti, William was one of the original Pre-Raphaelite 'Brothers,' a Bohemian, radical author, poet, critic, artist, connoisseur, biographer, historian, and taxman. Lucy, the intense, intellectual daughter of Ford Madox Brown, was an ambitious artist and biographer of Mary Shelley in spite of struggling with tuberculosis for nearly a decade. Drawing on hundreds of previously unpublished sources and a wealth of new visual material (including art by William, Lucy, and others of their circle and striking contemporary photographs), the book follows William and Lucy through their separate professional careers, marriage, continental travels, and Lucy’s illness and death. At the crossover between art history, literary criticism, social history, and biography, the book rewrites Pre-Raphaelite history and brings to life two fascinating people who were both of their time and ahead of it.
Represents the collection of extant Rossetti correspondence, a primary witness to the range of ideas and opinions that shaped Gabriel Rossetti's art and poetry. This work features known surviving letters, a total of almost 5,800 to over 330 recipients, and includes 2,000 letters by Rossetti and selected letters to him.
Madox Brown, who grew up in France and Belgium before he came to England and won fame with paintings like 'The Last of England', was always an outsider, and the women he loved also burst out of stereotypes. His two wives, Elisabeth Bromley and Emma Hill, and his secret passions, the artist Marie Spartali and the author Mathilde Blind, were all remarkable personalities, from very different backgrounds. Their striving for self-expression, in an age that sought to suppress them, tells us much more about women's journey towards modern roles. Their lives - full of passion, sexual longing, tragedy and determination - take us from the English countryside and the artist's studio to a Europe in turmoil and revolution. These are not silent muses hidden in the shadow of a 'Master'. They step out of the shadows and into the picture, speaking with voices we can hear and understand.
it is a multidisciplinary collection of essays, it is the first book-length engagement with the subject of queer Wales, it covers period from the 18th century to the present, it considers literature, art history, film, television, drama, crime, motherhood, education, and a range of other questions across these categories.
Unknown beyond the avant-garde at the time of his death, Arthur Rimbaud (1854-1891) has been one of the most destructive and liberating influences on early 20th-century culture. This new work by the biographer of Balzac and Victor Hugo now brings the "haunting and haunted poet" ("New York Times Book Review") vividly to life. of illustrations.