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Soldiers and sailors, geographers and geologists, submariners and balloonists all flocked to Antarctica during the 'Heroic Age' of Polar exploration. No one better represented this eclectic band than Frank Bickerton, engineer on Douglas Mawson's Australasian Antarctic Expedition (AAE) of 1911–14. A true pioneer of Antarctic exploration, he piloted the expedition's 'air-tractor', established the first crucial wireless link between Antarctica and the rest of the world, and discovered one of the first meteorites ever to be found on the continent. Treasure-hunter, explorer, fighter pilot, entrepreneur, big-game hunter and movie-maker, Bickerton not only made a major contribution to the success of the AAE, but was also recruited by Ernest Shackleton for his ill-fated Endurance Expedition, dug for pirate gold on Robert Louis Stevenson's Treasure Island, survived bloody dogfights over the Western Front during the First World War, and flirted with the glittering world of 1920s Hollywood. In Born Adventurer, historian Stephen Haddelsey draws on unique access to family papers, journals and letters to provide a thrilling account of Bickerton's rich and colourful life.
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates.
Samuel Koteliansky (1880-1955) fled the pogroms of Russia in 1911 and established himself as a friend of many of Britain's literati and intellectuals, who were fascinated by his homeland's more civilized side: the Ballets Russes, Tolstoy, Dostoevsky, and Chekhov. Kot, as he was known, soon became an indispensable guide to Russian culture for England's leading writers, artists, and intellectuals, who in turn helped introduce English audiences to Russian works. A Russian Jew of Bloomsbury looks at the remarkable life and influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf - for whose Hogarth Press he translated many Russian classics - Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence, with whom he had copious correspondence, that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never shake off the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society and could be found in many of his famous literary friends. A stirring account of the early-twentieth century, Jewish émigré life, and English and Russian letters, A Russian Jew of Bloomsbury casts new light - and shadows - on the giants of English modernism.
Ever since Captain Cook first sailed into the Great Southern Ocean in 1773, mankind has sought to push back the boundaries of Antarctic exploration. The first expeditions tried simply to chart Antarctica's coastline, but then the Sixth International Geographical Congress of 1895 posed a greater challenge: the conquest of the continent itself. Though the loss of Captain Scott's Polar Party remains the most famous, many of the resulting expeditions suffered fatalities. Some men drowned; others fell into bottomless crevasses; many died in catastrophic fires; a few went mad; and yet more froze to death. Modern technology increased the pace of exploration, but aircraft and motor vehicles introduced entirely new dangers. For the first time, Icy Graves uses the tragic tales not only of famous explorers like Robert Falcon Scott and Aeneas Mackintosh but also of many lesser-known figures, both British and international, to plot the forward progress of Antarctic exploration. It tells, often in their own words, the compelling stories of the brave men and women who have fallen in what Sir Ernest Shackleton called the 'White Warfare of the South'.
Giving a comprehensive critique of Cholmondeley's writings, Oulton analyzes the inspiration and influences behind some of her greatest work and provides an appealing biography on a writer whose work is of increasing interest to modern scholars.
Charles Ritchie’s first volume of diaries, The Siren Years, created a sensation when it was published in 1974. Besides winning the Governor General’s Award for Non-fiction, it was hailed by reviewers on both sides of the Atlantic. An Appetite for Life, his second volume, first published in 1977, deals with his youth in Halifax and his career at Oxford—the years when Charles Ritchie turned from a callow, blundering youth into a callow, blundering young man. As these diaries show, Charles Ritchie had a sharp eye, a keen ear, a highly developed sense of the absurd, and—despite his unhappy knack of landing flat on his face —a thorough “appetite for life.” This is not only a hilariously funny book, but it presents a vivid picture of two worlds—Halifax and Oxford in the mid-twenties—that are now long gone. It also introduces us to an astonishing range of characters, but the most astonishing of all is the young Charles Ritchie himself.
Paperback publication of a biography of Grace Cossington Smith and Stella Bowen, two women artists born in Australia in the 1890s. First published 1999. Compares their very different lives and how their lifestyles affected their work. Discusses the people who influenced them and the ways in which their art developed. Copiously illustrated, including colour plates. Includes references and index. Author's other publications include 'Poppy', 'The Orchard' and 'Exiles at Home: Australian women writers 1924-1945'.
Provides almost 2700 articles on twentieth-century authors from all over the world who wrote in English or whose works are available in English translation.