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Soldiers and sailors, geographers and geologists, submariners and balloonists all flocked to Antarctica during the 'Heroic Age' of Polar exploration. No one better represented this eclectic band than Frank Bickerton, engineer on Douglas Mawson's Australasian Antarctic Expedition (AAE) of 1911–14. A true pioneer of Antarctic exploration, he piloted the expedition's 'air-tractor', established the first crucial wireless link between Antarctica and the rest of the world, and discovered one of the first meteorites ever to be found on the continent. Treasure-hunter, explorer, fighter pilot, entrepreneur, big-game hunter and movie-maker, Bickerton not only made a major contribution to the success of the AAE, but was also recruited by Ernest Shackleton for his ill-fated Endurance Expedition, dug for pirate gold on Robert Louis Stevenson's Treasure Island, survived bloody dogfights over the Western Front during the First World War, and flirted with the glittering world of 1920s Hollywood. In Born Adventurer, historian Stephen Haddelsey draws on unique access to family papers, journals and letters to provide a thrilling account of Bickerton's rich and colourful life.
The oddest book you may ever read, both fantastic autobiography and ground-breaking autofiction Count Nicolas de Toulouse Lautrec de Savine was a hero in battle and a legendary lover in bed. A daring adventurer and a shameless swindler. A gambler ready to place the riskiest bets and a coward apt to flee his creditors in the middle of the night. Tsar of Bulgaria and a Chicago streetcar conductor. A racist, a chauvinist, and an Antisemite. Was he all of these--or none of them? This is the question Stella Benson struggled with as she tried to shape the Count's wild recollections into a coherent story. Which mattered more: the factual truth or the fictional truth? Her answer anticipates today's field of creative nonfiction ñ while telling a wild, funny, and unique tale.
The focus of Spectrum is the range of contemporary ideas that runs from conservative to liberal to radical conceptions of state and society, rarely considered in the same optic. It looks at the theories of major minds of the twentieth-century Right, including Carl Schmitt, Leo Strauss and Friedrich von Hayek; liberal philosophers such as John Rawls, Jurgen Habermas and Norberto Bobbio; and significant figures in the culture of the Left: the historians Edward Thompson, Robert Brenner and Eric Hobsbawm; the classicist Sebastiano Timpanaro; the sociologist Goran Therborn; the novelist Gabriel Garcia Marquez. The book concludes with some comparative observations on the two leading intellectual periodicals of the UK and USA, the London Review of Books and New York Review of Books; and a piece of family history.
Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.
Catherine Clay's persuasively argued and rigorously documented study examines women's friendships during the period between the two world wars. Building on extensive new archival research, the book's organizing principle is a series of literary-historical case-studies that explore the practices, meanings and effects of friendship within a network of British women writers, who were all loosely connected to the feminist weekly periodical Time and Tide. Clay considers the letters and diaries, as well as fiction, poetry, autobiographies and journalistic writings, of authors such as Vera Brittain, Winifred Holtby, Storm Jameson, Naomi Mitchison, and Stella Benson, to examine women's friendships in relation to two key contexts: the rise of the professional woman writer under the shadow of literary modernism and historic shifts in the cultural recognition of lesbianism crystallized by The Well of Loneliness trial in 1928. While Clay's study presents substantial evidence to support the crucial role close and enduring friendships played in women's professional achievements, it also boldly addresses the limitations and denials of these relationships. Producing 'biographies of friendship' untold in existing author studies, her book also challenges dominant accounts of women's friendships and advances new ways for thinking about women's friendship in contemporary debates.
Colonial administrator, writer, explorer, Buddhist, and friend to China's last emperor, Sir Reginald Johnston (1874–1938) was a distinguished sinologist with a tangled love and family life that he kept secret even from his closest friends. Born and educated in Edinburgh, he began his career in the colony of Hong Kong and eventually became Commissioner of the remote British leased territory of Weihai in northern China. He travelled widely and, during a break from colonial service, served as tutor and advisor to Puyi, the deposed emperor. As the only foreigner allowed to work in the Forbidden City, he wrote the classic account of the last days of the Qing Dynasty—Twilight in the Forbidden City. Granted unique access to Johnston's extensive personal papers, once thought to be lost, Shiona Airlie tells the life of a complex and sensitive character whose career made a deep impression on 20th-century China.
Living Alone (1919) is a novel by Stella Benson. Considered a pioneering work of fantasy fiction, Living Alone is a story of magic set in London during the First World War. Benson’s meditative, diaristic prose guides the reader alongside her protagonist, a young woman introduced to a world of witchcraft and wizardry at “the House of Living Alone.” “Nothing else happened in that room. At least nothing more important than the ordinary manifestations attendant upon magic. The lamp had tremulously gone out. Coloured flames danced about the Stranger's head. One felt the thrill of a purring cat against one's ankles, one saw its green eyes glare. But these things hardly counted.” Guided by her political commitments, Sarah Brown dedicates herself to charity work during the First World War. When a witch invites her to stay in a mysterious home, Sarah embarks on the adventure of a lifetime with her loyal dog David. Described by its author in playfully mysterious terms—“This is not a real book.”—Living Alone is a unique and haunting masterpiece that looks upon a tumultuous historical period with fresh perspective, presenting a story of growth and identity in an intoxicating world of magic and mystery. With a beautifully designed cover and professionally typeset manuscript, this edition of Stella Benson’s Living Alone is a classic work of British literature reimagined for modern readers.
Essays on authors of the short story that had its origins in the mid-nineteenth century and reached its maturity in England in the twentieth century. The modern British short story grew slowly following by nearly fifty years the origins of this form in the United States, France and Russia. Discusses why several features of nineteenth-century English life may have delayed the development of this literary form.