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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1889 edition. Excerpt: ...in manner and deportment, but a regular, well-trained Democrat, with abilities not above the average of the Livingstons. November 4.--This demagogue, who has reigned so lon over "s discontented countrymen, and has made himself the rallying-point of sedition in Ireland, has been stopped in his career by an arrest for treasonable practices with several of his associates, on the eve of a great meeting which was to be held in Dublin. In the mean time O'Connell has left his favourite theme of repeal, and amuses his countrymen by abusing the United States. He opens his battery upon our most vulnerable point, slavery, and advises his disciples here to come out from among us. I wish they would take his advice. There is nothing "we would more willingly part withal." But what say Mr. Robert Tyler and his ridiculous father; Richard M. Johnson, who harangues the repealers in a red jacket which he ostentatiously wears as a trophy of his victory in the pretended killing of Tecumseh; and John McKeon and other patriots, who have lauded this O'Connell at the expense of all honest American feeling? Let them hurrah in the Park and harangue in the Tabernacle for Ireland and O'Connell. But they should, to be consistent, renounce their allegiance to this country of slaveholders and tyrants, and stand ready, if needs be, to join O'Connell, if he should come over to mend our manners. This Mr. Tyler hopes to be reflected President, and Colonel Johnson is also an aspirant for the same office. November 10.--This eminent statesman, who, with Mr. Adams, all his simple habits and unostentatious manners, is as fond of distinction as other people, was so much pleased with the honours which were showered upon him wherever he went last summer, that he is...
The second set of volumes in the eighteen-volume series Great Shakespeareans, covering the work of nineteen key figures who influenced the global understanding of Shakespeare
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
A timely, “solidly researched [and] gracefully written” (The Wall Street Journal) biography of President Andrew Jackson that offers a fresh reexamination of this charismatic figure in the context of American populism—connecting the complex man and the politician to a longer history of division, dissent, and partisanship that has come to define our current times. Andrew Jackson rose from rural poverty in the Carolinas to become the dominant figure in American politics between Jefferson and Lincoln. His reputation, however, defies easy description. Some regard him as the symbol of a powerful democratic movement that saw early 19th-century voting rights expanded for propertyless white men. Others stress Jackson’s prominent role in removing Native American peoples from their ancestral lands, which then became the center of a thriving southern cotton kingdom worked by more than a million enslaved people. A combative, self-defined champion of “farmers, mechanics, and laborers,” Jackson railed against East Coast elites and Virginia aristocracy, fostering a brand of democracy that struck a chord with the common man and helped catapult him into the presidency. “The General,” as he was known, was the first president to be born of humble origins, first orphan, and thus far the only former prisoner of war to occupy the office. Drawing on a wide range of sources, The First Populist takes a fresh look at Jackson’s public career, including the pivotal Battle of New Orleans (1815) and the bitterly fought Bank War; it reveals his marriage to an already married woman and a deadly duel with a Nashville dandy, and analyzes his magnetic hold on the public imagination of the country in the decades between the War of 1812 and the Civil War. “By assessing the frequent comparisons between Jackson and Donald Trump…the hope is that a fresh understanding of the divisive times of ‘the country’s original anti-establishment president’ might shed light on our own” (The Christian Science Monitor).
The Europeans who first explored and settled North America were endlessly intrigued by the indigenous people they found there; even before the newly arrived colonials began to record the landscape, they drew and painted Indians. This study focuses on that practice, offering a new visual perspective on westward expansion, mainly through a survey of the major Indian images painted by Euro-American artists before and after the American Revolution. William H. Truettner finds that these images were never simply the historical record they were purported to be; instead they were conceived--either directly or indirectly--to accompany attempts to expand white hegemony across North America, first by the British, then by the Americans. Truettner's incisive, accessible readings of paintings by artists such as Benjamin West, Gilbert Stuart, Charles Bird King, and George Catlin relate these images to social and political events of the time, and tell us much about how North American tribes would fare as they fought to survive during the second half of the nineteenth century.
An interdisciplinary account of the environmental history and changing landscape of New York City. In this innovative account of the urbanization of nature in New York City, Matthew Gandy explores how the raw materials of nature have been reworked to produce a "metropolitan nature" distinct from the forms of nature experienced by early settlers. The book traces five broad developments: the expansion and redefinition of public space, the construction of landscaped highways, the creation of a modern water supply system, the radical environmental politics of the barrio in the late 1960s and early 1970s, and the contemporary politics of the environmental justice movement. Drawing on political economy, environmental studies, social theory, cultural theory, and architecture, Gandy shows how New York's environmental history is bound up not only with the upstate landscapes that stretch beyond the city's political boundaries but also with more distant places that reflect the nation's colonial and imperial legacies. Using the shifting meaning of nature under urbanization as a framework, he looks at how modern nature has been produced through interrelated transformations ranging from new water technologies to changing fashions in landscape design. Throughout, he considers the economic and ideological forces that underlie phenomena as diverse as the location of parks and the social stigma of dirty neighborhoods.
This brief history acts as an introduction to the inter-related themes of race, ethnicity and immigration in American history. It spans the years 1600 to 2000, exploring the historical roots of contemporary identity politics.
In Scientific Americans, Susan Branson explores the place of science and technology in American efforts to achieve cultural independence from Europe and America's nation building in the early republic and antebellum eras. This engaging tour of scientific education and practices among ordinary citizens charts the development of nationalism and national identity alongside roads, rails, and machines. Scientific Americans shows how informal scientific education provided by almanacs, public lectures, and demonstrations, along with the financial encouragement of early scientific societies, generated an enthusiasm for the application of science and technology to civic, commercial, and domestic improvements. Not only that: Americans were excited, awed, and intrigued with the practicality of inventions. Bringing together scientific research and popular wonder, Branson charts how everything from mechanical clocks to steam engines informed the creation and expansion of the American nation. From the Exhibition of the Industry of All Nations to the fate of the Amistad captives, Scientific Americans shows how the promotion and celebration of discoveries, inventions, and technologies articulated Americans' earliest ambitions, as well as prejudices, throughout the first American century.