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The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively community of sculptors of mixed origins has not been awarded similar attention. Rome, Travel and the Sculpture Capital, c.1770?1825 is the first study to piece together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies. The collection offers ideal introductory reading on sculpture and Rome around 1800, but its combination of provocative perspectives is sure to appeal to a readership interested in understanding a modernized Europe's overwhelmingly transnational desire for Neo-classical, Roman sculpture.
A vibrant, diverse history of Vesuvius and the Bay of Naples in the age of Romanticism Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavour and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature. John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travellers to their sublime confrontation with nature. The pyrotechnics of revolution and global warfare made volcanic activity the perfect political metaphor, fuelling revolutionary enthusiasm and conservative trepidation. From Swiss mercenaries to English entrepreneurs, French geologists to local Neapolitan guides, German painters to Scottish doctors, Vesuvius bubbled and seethed not just with lava, but with people whose passions, interests, and aims were as disparate as their origins.
Enhanced Edition of the bestselling Mrs Robinson's Disgrace, including author videos and podcasts On a mild winter's evening in 1850, Isabella Robinson set out for a party. Her carriage bumped across the wide cobbled streets of Edinburgh's Georgian New Town and drew up at 8 Royal Circus, a grand sandstone house lit by gas lamps. This was the home of the rich widow Lady Drysdale, a vivacious hostess whose soirees were the centre of an energetic intellectual scene. Lady Drysdale's guests were gathered in the high, airy drawing rooms on the first floor, the ladies in dresses of glinting silk and satin, bodices pulled tight over boned corsets; the gentlemen in tailcoats, waistcoats, neckties and pleated shirt fronts, dark narrow trousers and shining shoes. When Mrs Robinson joined the throng she was introduced to Lady Drysdale's daughter and son-in-law, Mary and Edward Lane. She was at once enchanted by the handsome Mr Lane, a medical student ten years her junior. He was 'fascinating', she told her diary, before chastising herself for being so susceptible to a man's charms. But a wish had taken hold of her, which she was to find hard to shake... A compelling story of romance and fidelity, insanity, fantasy, and the boundaries of privacy in a society clinging to rigid ideas about marriage and female sexuality, Mrs Robinson's Disgrace brings vividly to life a complex, frustrated Victorian wife, longing for passion and learning, companionship and love.