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"...for the last time the former rulers of their own home had gathered to fervently pray, tearfully, and on bended knee, imploring that the Lord help and intercede for them in all of their sorrows and misfortunes." Thus the Archpriest Afanasy Belyaev described the faith and piety of the Russian Imperial family, whom he served as priest and confessor, on the occasion of the Tsarevich's thirteenth birthday. These selected excerpts from the chaplain's diary open a window into the souls of the now sainted Royal Family and the struggles endured in their first five months of confinement following the abdication of Tsar Nicholas II in early 1917. Russian cultural historian Marilyn Pfeifer Swezey sets the diary in its historical context and offers an epilogue to complete the story of the Romanov's journey to martyrdom at the hands of a Bolshevik firing squad in a Siberian basement. Also included is a short life of Fr Afanasy and biographical information regarding the various persons appearing in the work. This anniversary edition has been copiously illustrated throughout with color and black and white photos (some rarely or never published before) as well as charts and maps.
Russia is dying from within. Oligarchs and oil barons may still dominate international news coverage, but their prosperity masks a deep-rooted demographic tragedy. Faced with staggering population decline—and near-certain economic collapse—driven by toxic levels of alcohol abuse, Russia is also battling a deeper sickness: a spiritual one, born out of the country’s long totalitarian experiment. In The Last Man in Russia, award-winning journalist Oliver Bullough uses the tale of a lone priest to give life to this national crisis. Father Dmitry Dudko, a dissident Orthodox Christian, was thrown into a Stalinist labor camp for writing poetry. Undaunted, on his release in the mid-1950s he began to preach to congregations across Russia with little concern for his own safety. At a time when the Soviet government denied its subjects the prospect of advancement, and turned friend against friend and brother against brother, Dudko urged his followers to cling to hope. He maintained a circle of sacred trust at the heart of one of history’s most deceitful systems. But as Bullough reveals, this courageous group of believers was eventually shattered by a terrible act of betrayal—one that exposes the full extent of the Communist tragedy. Still, Dudko’s dream endures. Although most Russians have forgotten the man himself, the embers of hope that survived the darkness are once more beginning to burn. Leading readers from a churchyard in Moscow to the snow-blanketed ghost towns of rural Russia, and from the forgotten graves of Stalin’s victims to a rock festival in an old gulag camp, The Last Man in Russia is at once a travelogue, a sociological study, a biography, and a cri de coeur for a dying nation—one that, Bullough shows, might yet be saved.
Russia has long exercised a special fascination for people in the West, which has been increased recently by the publicity given to the dissent of its leading intellectuals. Western Christians, tortured by self-doubt and an agonizing revaluation of all their values, are now hearing new and strange voices from Russia that bear testimony to the strength of the Christian faith there. More than ever before it is necessary to explore the hidden strengths of the religion of the Russian people.
Diary of a physician who was a member of the American Red Cross Mission to Russia in 1917.
Relationships are a wonderful, mysterious, often elusive, sometimes painful part of the human experience. The most intimate of all human relationships, according to the Bible, is that between a husband and a wife. It is no surprise, therefore, that there is a book of the Bible, the Song of Songs, that focuses on this relationship. What is surprising is how little attention is given to the Song of Songs by scholars, by the church, and by readers of the Bible. With this volume Tremper Longman III unpacks for modern people what this ancient love poem says about the male-female relationship -- and, by analogy, about God's love for his people. Longman's superb study begins with a thorough introduction to the Song of Songs and its background. Longman discusses the book's title, authorship, date, literary style, language, structure, cultural milieu, and theological content. He also canvasses the long history of interpretation of the Song of Songs, a history too often characterized by repression of the text. In the commentary itself, Longman structures the Song of Songs according to its twenty-three poetic units and explains its message verse by verse. The exposition is made clearer by Longman's adoption of an anthropological approach to the text and by his frequent comparisons of the Song of Songs with other ancient Near Eastern literature. Learned yet highly accessible, innovative yet fully informed by past scholarship, this commentary shows the beautiful Song of Songs to be a timeless celebration of human love and sexuality.