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It was thus in 1930 that Delafield's most popular and enduring work _The Diary of a Provincial Lady_ was born. This largely autobiographical novel substituted the names of "Robin" and "Vicky" for her own children, Lionel and Rosamund.
It was thus in 1930 that Delafield's most popular and enduring work _The Diary of a Provincial Lady_ was born. This largely autobiographical novel substituted the names of "Robin" and "Vicky" for her own children, Lionel and Rosamund.Edmée Elizabeth Monica Dashwood, née de la Pasture (9 June 1890 - 2 December 1943), commonly known as E. M. Delafield, was a prolific English author. She is best known for her largely autobiographical Diary of a Provincial Lady, which took the form of a journal of the life of an upper-middle class Englishwoman living mostly in a Devon village of the 1930s. In sequels, the Provincial Lady buys a flat in London, travels to America, attempts to find war-work during the Phoney War, and tours the Soviet Union.
'Diary of a Provincial Lesbian' juggles funny encounters with next-door neighbours, Dierdre and Martin, work colleagues like Tom, who's thinking of coming out, and Miriam a 'semi-retired' lesbian.
It was thus in 1930 that Delafield's most popular and enduring work _The Diary of a Provincial Lady_ was born. This largely autobiographical novel substituted the names of "Robin" and "Vicky" for her own children, Lionel and Rosamund.
Im at a bit of an impasse here. I dont have spare copies of the books, so I cant be specific (ie delete pages xi, xii etc)! I simply cant do that. With regards to the prelim pages, thats rather similar. I sent two prelim pages for each title, which I can set out again if needed. One is a title page, and one is a copyright page. All I want is for premedia to delete the scored out pages, and insert my two in title page, copyright page order at the start of the book. Can you advise on how I can set this out so that they will accept this?
Riders of the Purple Sage tells the story of Jane Withersteen and her battle to overcome persecution by members of her polygamous Mormon fundamentalist church. A leader of the church, Elder Tull, wants to marry her. Withersteen gets help from a number of friends, including Bern Venters and Lassiter, a notorious gunman and killer of Mormons. She struggles with her "blindness" to the evil nature of her church and its leaders, and tries to keep Venters and Lassiter from killing the adversaries who are slowly ruining her.
"She could never, looking backwards, remember a time when she had not known that a woman's failure or success in life depended entirely upon whether or not she succeeded in getting a husband" When in the company of a young man a dutiful daughter should immediately assume an air of fresh, sparkling enjoyment. She should not speak of "being friends" with him-a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?
Do I know, she asks, how very late it is for indoor bulbs? September, really, or even October, is the time. Do I know that the only really reliable firm for hyacinths is Somebody of Haarlem? Cannot catch the name of the firm, which is Dutch, but reply Yes, I do know, but think it my duty to buy Empire products. Feel at the time, and still think, that this is an excellent reply. Unfortunately Vicky comes into the drawing-room later and says: "O Mummie, are those the bulbs we got at Woolworths?"
When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . . Maria, Niall, and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.