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Tuesday, 23rd 'Late nights do not suit me. Try to think I look interestingly haggard but have to admit that Unkempt Blowsiness is fitter description' Way before that city slicker, Bridget Jones, there was the Provincial Daughter -- an intelligent woman juggling too little money with too many kids in rural obscurity. In between taking deliveries of coal and attending ghastly provincial parties, our heroine makes tentative forays into the bright lights of London, seeking literary fame and fortune.
"She could never, looking backwards, remember a time when she had not known that a woman's failure or success in life depended entirely upon whether or not she succeeded in getting a husband" When in the company of a young man a dutiful daughter should immediately assume an air of fresh, sparkling enjoyment. She should not speak of "being friends" with him-a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?
Reproduction of the original: Consequences by E.M Delafield
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers—as well as their gender—affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as "middlebrow," despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.
'Diary of a Provincial Lesbian' juggles funny encounters with next-door neighbours, Dierdre and Martin, work colleagues like Tom, who's thinking of coming out, and Miriam a 'semi-retired' lesbian.
The complete collection of the diaries of Nella Last 'I can never understand how the scribbles of such an ordinary person ... can possibly have value...' So wrote Nella Last in her diary on 2 September 1949. More than sixty years on, tens of thousands of people have read and enjoyed three volumes of her vivid and moving diaries, written during the Second World War and its aftermath as part of the Mass Observation project - and the basis for BAFTA-winning drama Housewife 49 starring Victoria Wood. The Diaries of Nella Last, brings together into a single volume the best of Nella's prolific outpourings, including a great deal of new, unpublished material from the war years. Capturing the everyday trials and horrors of wartime Britain and the nation's transition into peacetime and beyond, Nella's touching and often humorous narrative provides an invaluable historical portrait of what daily life was like for ordinary people in the 1940s and 1950s. Outwardly Nella's life was commonplace; but behind this mask were a penetrating mind and a lively pen. As David Kynaston said on Radio 4, Nella Last 'will come to be seen as one of the major twentieth century English diarists.'
A Miss Pauline Marchrose applies for the position of "Lady Superintendent" at the Commercial and Technical College for South West England, where Sir Julian Rossiter is the college director. He is greatly impressed by her and soon this admiration turns to adoration. But his wife, Lady Edna Rossiter, discovers that Marchrose was the very same woman who jilted her cousin Clarence after he was paralysed in an accident. She starts a whispering campaign against her, without even trying to find out more about Marchrose’s motives and the peace of the local community is shattered by the ensuing tension. E. M. Delafield was the pen name of Edmée Elizabeth Monica Dashwood, née de la Pasture (1890-1943). She was a British author from Sussex and the daughter of a count and a novelist. Delafield was raised following Late Victorian upper class morals, and when at age 21 she found herself still single, she joined a French covenant in Belgium. But she soon tired of being a nun and left monastery life behind. During WWI, she volunteered as a nurse in Exeter. In 1919, she married civil engineer turned land agent Paul Dashwood, with whom she spent three years in Malaysia. She remains most famous today for her semi-autobiographical "Diary of a Provincial Lady," which had started as a column in the weekly woman’s magazine "Time and Tide."
This story is set in England during World War I and revolves around Miss Vivian, a 29-year-old woman. In this novel, Miss Vivian is the Director of the Midland Supply Depôt. She lives with her parents at their rural estate 'Plessings'. It is to be admired that Vivian, who has never done a day's work in her life, has a tenacious spirit that propels her in organizing, supervising and directing the Midlands Supply Depot with great efficiency. Meanwhile across the street the 'war girls' live in a very overcrowded hostel, here they share rooms with hardly any hot water and pretty much unpalatable food.
This carefully crafted ebook: "The Diary of a Provincial Lady (Unabridged Edition With Original Illustrations)" is formatted for your eReader with a functional and detailed table of contents. When the editor of Time and Tide wanted some light "middles", preferably in serial form, E. M. Delafield promised to think of something to submit'. It was thus, in 1930, that her most popular and enduring work Diary of a Provincial Lady was written. This largely autobiographical novel which took the form of a journal of the life of an upper-middle class Englishwoman living mostly in a Devon village of the 1930s is a humorous account of a house-wife and a mother who juggles her life at home and yet goes on to successfully publish her first book. Excerpt: "November 7th.—Plant the indoor bulbs. Just as I am in the middle of them, Lady Boxe calls. I say, untruthfully, how nice to see her, and beg her to sit down while I just finish the bulbs. Lady B. makes determined attempt to sit down in armchair where I have already placed two bulb-bowls and the bag of charcoal, is headed off just in time, and takes the sofa." (The Diary of a Provincial Lady) E. M. Delafield (1890-1943) was a prolific English author who is best known for her autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.