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The Diary of a Professional Experiencer is the sixth in a series of books written by Eric Morris. Unlike his other books, this is a very personal account of his frustrations and struggles as he strives to discover how the actor creates reality on the stage or in film. Though the style is autobiographical, this is, nevertheless, a book about acting. It details the specific discoveries and breakthroughs in the evolution of what Morris believes is the most complete acting system to date. The old adage, Necessity is the mother of invention, truly describes his drive to discover, explore, and experiment with incredible techniques for liberating the actor so that acting goes beyond the conventional into the experiential. The book also chronicles Morris' encounters with many famous teachers, actors, directors, producers, and writers, as well as not-so-famous people, who influenced, challenged, and inspired him on his journey. It starts with Morris' early childhood and growing-up years in Chicago and goes on to describe the trials and tribulations of pursuing a career in Hollywood, as well as the fulfillment that comes from creating a truly life-changing approach to living and acting.
Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.
Hajin Lee, professional go player of the Korea Baduk Association, shares her diary from her years as a competitive player to her transition to international go organizer. Includes 7 commented games.
This book explains and demonstrates how creative writing can be used successfully in the context of professional education where traditionally a more distanced approach to reporting on professional experience has been favoured. It is based on many practical examples, drawn from several years' experience of running courses for social workers, nurses, teachers, managers and higher education staff, in which participants explore their professional practice through imaginative forms of writing. The participants experience of the work is presented through a discussion of interviews and evaluative documents. The book includes a set of distance-learning materials for those wishing to undertake such work for themselves or to establish similar courses, as well as a full analysis of the link between professional reflection and the artistic imagination. The book makes available a new and more broadly-based approach to the process of professional reflection, and the concept of the patchwork text has general relevance for debates about increasing access to higher education qualifications.
Freeing the Actor is the seventh in a series of books by Eric Morris which explain and describe his unique system of acting. His previous books are among the most popular texts used by students and professional actors alike. In this book, which is totally aimed at the instrument, Eric has implemented a complete approach to eliminating the obstacles, dependencies, traps and habits that plague and block actors from functioning from an authentic, organic place. Historically most acting coaches and teachers have failed to adequately address the instrumental problems that cripple actors. By teaching them how not to act, Eric has influenced scores of people to become experiential actors. His teaching has led them to understand that they must experience in reality what the character is experiencing in the material. In order to accomplish that, they must be instrumentally free to connect with and express their authentic emotional realities. Liberating the instrument allows them to access all the colors of their emotional rainbow.
Observing the User Experience: A Practitioner's Guide to User Research aims to bridge the gap between what digital companies think they know about their users and the actual user experience. Individuals engaged in digital product and service development often fail to conduct user research. The book presents concepts and techniques to provide an understanding of how people experience products and services. The techniques are drawn from the worlds of human-computer interaction, marketing, and social sciences. The book is organized into three parts. Part I discusses the benefits of end-user research and the ways it fits into the development of useful, desirable, and successful products. Part II presents techniques for understanding people's needs, desires, and abilities. Part III explains the communication and application of research results. It suggests ways to sell companies and explains how user-centered design can make companies more efficient and profitable. This book is meant for people involved with their products' user experience, including program managers, designers, marketing managers, information architects, programmers, consultants, and investors. - Explains how to create usable products that are still original, creative, and unique - A valuable resource for designers, developers, project managers - anyone in a position where their work comes in direct contact with the end user - Provides a real-world perspective on research and provides advice about how user research can be done cheaply, quickly and how results can be presented persuasively - Gives readers the tools and confidence to perform user research on their own designs and tune their software user experience to the unique needs of their product and its users
My Hollywood Stories is a collection of informative, historical, educational, funny, exciting, entertaining, sexy, shocking, and tragic stories and anecdotes about famous and not-so-famous Hollywood people--actors, directors, producers, writers, and studio moguls. While it is not a book about acting, it is written by an actor with contributions from various actors, all of whom are writing about other actors. Older readers will take a trip down memory lane, remembering many of the celebrities mentioned, while younger readers will discover Hollywood history from its earlier years to the present. They will learn about the people who were part of the building blocks of the film industry: the highs, the lows, the successes, the failures, and the tragedies.
texts that document the Eric Morris system of “experiential acting.” This book is about SUBPERSONALITIES—what subpersonalities are, how they impact our lives and how we use them. It is exclusively written for actors. The journey of exploration starts with the origins and beginnings. Excerpts from books by Carl G. Jung, a Swiss psychologist who explored archetypes, are followed by the use and description of behavioral examples of personalities. The theory is then examined: who are the selves, how were they created and how do they function? The exploration continues with a technique that I created many years ago: THE ELEVENTH LEVEL OF CONSCIOUSNESS, which is totally explained. Then comes EXPERIENCE HUNTING—CHOICE HUNTING, detailing the various approaches used to find experiences and choices that can be used in one’s acting. In the next section of the book, which is a very large section, I detail specifically the approach techniques for accessing subpersonalities, which are: VOICE DIALOGUE (a complete example of the process is given), WRITING IN JOURNAL FORM OR USING A TAPE RECORDER, USING MOVEMENT AND DANCE, USING ART AND DRAWING, USING CHOICES, USING MUSIC, AND ROLEPLAYING. All of those techniques and the approaches to them are explained in specific detail. In EXTERNALS I describe what that approach is and how to use it to access various subpersonalities. Externals is a "megapproach” and an important part of my work. A megapproach is such a powerful technique that it could be used as a total acting system. Externals is a process that includes getting a sense of animals, people, insects and inanimate objects and then translating that energy into human behavior. This technique is very impacting on eliciting various subpersonalities. The last of this group is IMAGING, also a megapproach. The next section explains HOW YOU KNOW WHEN YOU ARE INHABITED BY A SUBPERSONALITY. The actor must be able to distinguish between really inhabiting the energy of a subpart and faking it! The DAILY SUBPERSONALITY INVENTORY is an exercise the actor should do on a daily basis to be able to identify the difference between a mood swing and a subpersonality. The section on RESEARCHING THE CHARACTER explains how to identify the different character elements and find a subpersonality to fulfill those components. All of that is followed by a section about going back to historical events, such as the Second World War or the post-war years and exploring characters in plays and films o
This is Eric Morris’s ninth book. However, unlike the others, this one is not about acting or just for actors. This book is for everyone. Eric’s other books are based on a system that he expanded and modified, as he innovated techniques and approaches to free people from obstacles and emotional blocks that cripple their ability to experience and express their emotions freely. An actor himself and a teacher of acting for almost sixty years, Eric Morris has created hundreds of exercises and techniques that eliminate the years of damage that we in our society have become victims of. Because of his unique approach to the teaching of actors, his process has evolved into an incredible set of tools that miraculously work to free all people from the damaging experiences that have accumulated in their lives. The focus in this book is on finding those damaging experiences and, by using the specific approaches that Eric has created, repairing the damage so as to enjoy a life of happiness and success.
From The Diary Of A Psychologist gives the reader a glimpse into the mind of a psychotherapist while she is closely interacting with her clients. The book also gives various perspectives as she subtly travels through their experiences and feelings. Dr. Asha Dinesh gives scientific psychological techniques which could be used to resolve issues. In this book, she explores holistic psychological principles to become aware of the self-inflicted issues in life. This book is an eye-opener that helps develop a wider perspectiveon personal and interpersonal issues.