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Chauncey de Leon Canfield (1843-1909) first published "The diary of a forty-niner" in 1906, and 1,200 of the 2,000 copies in that edition were burned. Joseph Gaer's Bibliography of California literature describes this book as written in the form of a diary, but fictional. The diary of a forty-niner (1920) reprints Canfield's 1906 publication. It purports to be the diary of Alfred T. Jackson, of Litchfield County, Connecticut, during his days as a gold prospector, 1850-1852. Jackson offers first-hand accounts of Nevada City and neighboring Rock Creek; descriptions of Grass Valley, North and South Yuba Valleys, and the Sierra Mountains; details of gold mining with accounts of pioneer overland crossings, and foreign mineworkers (including Chinese). Entries concerning Jackson's personal life include details of his courtship of a French woman in the camps.
An Albany, New York, physician, Daniel Knower (b. ca. 1818) sailed for California in 1849 with twelve prefabricated frame houses for the San Francisco market. The adventures of a forty-niner (1894) describes Knower's business and real estate speculations in San Francisco as well as an extended visit to a mining camp near Coloma and the life of prospectors there.
Chauncey de Leon Canfield (1843-1909) first published "The diary of a forty-niner" in 1906, and 1,200 of the 2,000 copies in that edition were burned. Joseph Gaer's Bibliography of California literature, 20 describes this book as written in the form of a diary, but fictional.' The diary of a forty-niner (1920) reprints Canfield's 1906 publication. It purports to be the diary of Alfred T. Jackson, of Litchfield County, Connecticut, during his days as a gold prospector, 1850-1852. Jackson offers firsthand accounts of Nevada City and neighboring Rock Creek; descriptions of Grass Valley, North and South Yuba Valleys, and the Sierra Mountains; details of gold mining with accounts of pioneer overland crossings, and foreign mineworkers (including Chinese). Entries concerning Jackson's personal life include details of his courtship of a French woman in the camps.
Ernest de Massey was the younger son of a well-to-do French family that sailed to America and the Gold Rush in the spring of 1849. He eventually settled in San Francisco, where he lived until his return to Europe in 1857. A Frenchman in the gold rush (1927) is a translation of de Massey's journal covering his voyage to California, gold mining on the Trinity River, 1850, and visits to San José, Santa Cruz, and San Juan Bautista; and his career as a San Francisco businessman and journalist, 1850-1851.
When The World Rushed In was first published in 1981, the Washington Post predicted, “It seems unlikely that anyone will write a more comprehensive book about the Gold Rush.” Twenty years later, no one has emerged to contradict that judgment, and the book has gained recognition as a classic. As the San Francisco Examiner noted, “It is not often that a work of history can be said to supplant every book on the same subject that has gone before it.” Through the diary and letters of William Swain--augmented by interpolations from more than five hundred other gold seekers and by letters sent to Swain from his wife and brother back home--the complete cycle of the gold rush is recreated: the overland migration of over thirty thousand men, the struggle to “strike it rich” in the mining camps of the Sierra Nevadas, and the return home through the jungles of the Isthmus of Panama. In a new preface, the author reappraises our continuing fascination with the “gold rush experience” as a defining epoch in western--indeed, American--history.
Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.
A journal of memories from the proposal to I Do! by Amy K. Rosenthal.
In the early 1870s, Hubert H. Bancroft and his assistants set out to record the memoirs of early Californios, one of them being eighty-three-year-old Don Jose Maria Amador, a former Forty-Niner during the California Gold Rush and soldado de cuera at the Presidio of San Francisco. Amador tells of reconnoitering expeditions into the interior of California, where he encountered local indigenous populations. He speaks of political events of Mexican California and the widespread confiscation of the Californios' goods, livestock, and properties when the United States took control. A friend from Mission Santa Cruz, Lorenzo Asisara, also describes the harsh life and mistreatment the Indians faced from the priests. Both the Amador and Asisara narratives were used as sources in Bancroft's writing but never published themselves. Gregorio Mora-Torres has now rescued them from obscurity and presents their voices in English translation (with annotations) and in the original Spanish on facing pages. This bilingual edition will be of great interest to historians of the West, California, and Mexican American studies.
This book illustrates how literature, history and geographical analysis complement and enrich each other’s disciplinary endeavors. The Hun-Lenox Globe, constructed in 1510, contains the Latin phrase 'Hic sunt dracones' ('Here be dragons'), warning sailors of the dangers of drifting into uncharted waters. Nearly half a millennium earlier, the practice of ‘earth-writing’ (geographia) emerged from the cloisters of the great library of Alexandria, as a discipline blending the twin pursuits of Strabo’s poetic impression of places, and Herodotus’ chronicles of events and cultures. Eratosthenes, a librarian at Alexandria, and the mathematician Ptolemy employed geometry as another language with which to pursue ‘earth-writing’. From this ancient, East Mediterranean fount, the streams of literary perception, historical record and geographical analysis (phenomenological and Euclidean) found confluence. The aim of this collection is to recover such means and seek the fount of such rich waters, by exploring relations between historical geography, geographic information science (GIS) / geoscience, and textual analysis. The book discusses and illustrates current case studies, trends and discourses in European, American and Asian spheres, where historical geography is practiced in concert with human and physical applications of GIS (and the broader geosciences) and the analysis of text - broadly conceived as archival, literary, historical, cultural, climatic, scientific, digital, cinematic and media. Time as a multi-scaled concept (again, broadly conceived) is the pivot around which the interdisciplinary contributions to this volume revolve. In The Landscape of Time (2002) the historian John Lewis Gaddis posits: “What if we were to think of history as a kind of mapping?” He links the ancient practice of mapmaking with the three-part conception of time (past, present, and future). Gaddis presents the practices of cartography and historical narrative as attempts to manage infinitely complex subjects by imposing abstract grids to frame the phenomena being examined— longitude and latitude to frame landscapes and, occidental and oriental temporal scales to frame timescapes. Gaddis contends that if the past is a landscape and history is the way we represent it, then it follows that pattern recognition constitutes a primary form of human perception, one that can be parsed empirically, statistically and phenomenologically. In turn, this volume reasons that literary, historical, cartographical, scientific, mathematical, and counterfactual narratives create their own spatio-temporal frames of reference. Confluences between the poetic and the positivistic; the empirical and the impressionistic; the epic and the episodic; and the chronologic and the chorologic, can be identified and studied by integrating practices in historical geography, GIScience / geoscience and textual analysis. As a result, new perceptions and insights, facilitating further avenues of scholarship into uncharted waters emerge. The various ways in which geographical, historical and textual perspectives are hermeneutically woven together in this volume illuminates the different methods with which to explore terrae incognitaes of knowledge beyond the shores of their own separate disciplinary islands.