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Comprising The Diary of Samuel Marchbanks, The Table Talk of Samuel Marchbanks, Samuel Marchbanks’ Almanack, and The Papers of Samuel Marchbanks, this collection is available as an eBook for the first time.
Comprising The diary, The table talk and A garland of miscellanea by Samuel Marchbanks, but enlarged to include a biographical introduction and copious notes calculated to remove all difficulties caused by the passing of time, and to offer the wisdom, not to speak of the whimsicality, of this astonishing man to the modern public, by his long-suffering friend.
The Salterton Trilogy is comprised of the novels Tempest-Tost, Leaven of Malice, and A Mixture of Frailties, Robertson Davies’ first forays into fiction in the 1950s. The Trilogy is available in eBook format for the first time. In the small university town of Salterton, Ontario, dreams are quietly taking shape . . . or falling apart. In Tempest-Tost, Valentine Rich, professional director of the Salterton Little Theatre Company, is tormented by the amateurish efforts of his actors. The families Vambrace and Bridgetower almost go to war over a fake notice of engagement in the local paper in Leaven of Malice. And in A Mixture of Frailties, the fortune of the late Louisa Bridgetower is lavished on an aspiring singer because there is no male heir to claim it. Tracing the lives and incidents of a small community, The Salterton Trilogy peels off the public veneer of geniality and respectability to reveal the private passions simmering beneath. “Ingenious, erudite, entertaining . . . Davies displays all the qualities of a latter-day Trollope and shows us what modern Canada is like.” —Anthony Burgess in the Observer Books of the Year
Born in Thamesville, Ontario, a student at Queen’s University in Kingston in the 1930s, and editor and later publisher of the Peterborough Examiner from the 1940s to the mid-1960s, playwright, essayist, critic, professor, and novelist Robertson Davies (1913–1995) was one of Canada’s pre-eminent literary voices for more than a half-century. Davies, with his generous beard and donnish manner, was the very epitome of the “man of letters,” a term he abhorred. Best known for his Deptford Trilogy of novels (Fifth Business, The Manticore, World of Wonders), he also wrote two other trilogies (Salterton and Cornish) and was at work on the third volume of another trilogy (Toronto) when he died. With a life as rich in character and colour as that found in his fiction and essays, Davies had a great fondness for magic and myth, both of which are found in abundance in his work, along with a prodigious streak of wry humour.
Toronto Trailblazers explores the influence of seven key women who, despite pervasive gender bias, helped advance a modern literary culture for Canada. Publisher Irene Clarke, scholarly editors Eleanor Harman and Francess Halpenny, trade editors Sybil Hutchinson, Claire Pratt, and Anna Porter, and literary agent Bella Pomer made the most of their vocational prospects, first by securing their respective positions and then by refining their professional methods. Individually, each woman asserted her agency by adapting orthodox ways of working within Canadian publishing. Collectively, their overarching approach emerged as a feminist practice. Through their vision and method these trailblazing women disrupted the dominant masculine paradigm and helped transform publishing practice in Canada.
Deciding what to read next when you've just finished an unputdownable novel can be a daunting task. The Bloomsbury Good Reading Guide features hundreds of authors and thousands of titles, with navigation features to lead you on a rich journey through some the best literature to grace our shelves. This greatly expanded edition includes the latest contemporary authors and landmark novels, an expanded non-fiction section, a timeline setting historical events against literary milestones, prize-winner and book club lists. An accessible and easy-to-read guide that no serious book lover should be without. "The essential guide to the wild uncharted world of contemporary and 20th century writing." Robert McCrum, The Observer