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While moral perfectionists rank conscious beings according to their cognitive abilities, Paola Cavalieri launches a more inclusive defense of all forms of subjectivity. In concert with Peter Singer, J. M. Coetzee, Harlan B. Miller, and other leading animal studies scholars, she expands our understanding of the nonhuman in such a way that the derogatory category of "the animal" becomes meaningless. In so doing, she presents a nonhierachical approach to ethics that better respects the value of the conscious self. Cavalieri opens with a dialogue between two imagined philosophers, laying out her challenge to moral perfectionism and tracing its influence on our attitudes toward the "unworthy." She then follows with a roundtable "multilogue" which takes on the role of reason in ethics and the boundaries of moral status. Coetzee, Nobel Prize winner for Literature and author of The Lives of Animals, emphasizes the animality of human beings; Miller, a prominent analytic philosopher at Virginia Polytechnic Institute, dismantles the rationalizations of human bias; Cary Wolfe, professor of English at Rice University, advocates an active exposure to other worlds and beings; and Matthew Calarco, author of Zoographies: The Question of the Animal from Heidegger to Derrida, extends ethical consideration to entities that traditionally have little or no moral status, such as plants and ecosystems. As Peter Singer writes in his foreword, the implications of this conversation extend far beyond the issue of the moral status of animals. They "get to the heart of some important differences about how we should do philosophy, and how philosophy can relate to our everyday life." From the divergences between analytical and continental approaches to the relevance of posthumanist thinking in contemporary ethics, the psychology of speciesism, and the practical consequences of an antiperfectionist stance, The Death of the Animal confronts issues that will concern anyone interested in a serious study of morality.
G. K. Chesterton wrote, "Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead." This book pays homage to major theologians of the Christian tradition that tell the history of theology. Matt Jenson engages in charitable yet critical exposition and dialogue with eleven select thinkers, offering a lucid, synthetic account of their theology with a view to ongoing systematic theological issues. He engages directly with core primary texts and treats individual theologians in greater depth and nuance than most overview textbooks.
"The Dead is one of the twentieth century's most beautiful pieces of short literature. Taking his inspiration from a family gathering held every year on the Feast of the Epiphany, Joyce pens a story about a married couple attending a Christmas-season party at the house of the husband's two elderly aunts. A shocking confession made by the husband's wife toward the end of the story showcases the power of Joyce's greatest innovation: the epiphany, that moment when everything, for character and reader alike, is suddenly clear.
A read-along picture book explaining death to young children with an extensive guide for parents. Includes lists of pertinent organizations, books, tapes, and films.
With over 40 million books sold, bestselling author Josh McDowell is no stranger to creatively presenting biblical truth. Now, partnering with fellow apologist Dave Sterrett, Josh introduces a new series targeted at the intersection of story and truth. The Coffee House Chronicles are short, easily devoured novellas aimed at answering prevalent spiritual questions. Each book in the series tackles a long-contested question of the faith, and then answer these questions with truth through relationships and dialogue in each story. In Did the Resurrection Happen, Really?: A Dialogue on Life, Death, and Hope, the college campus is rocked by a shooting spree that leaves nine students dead. Their up-close experience with mortality allies the coffee house discussion group together to really wrestle with the spiritual and eternal ramifications of whether or not Jesus rose from the dead. The other two books in the series: Is the Bible True, Really? and Who is Jesus, Really? continue the unfolding story at the college campus and the coffee house down the road.
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
In The Ethics of Death, the authors, one a philosopher and one a religious studies scholar, undertake an examination of the deaths that we experience as members of a larger moral community. Their respectful and engaging dialogue highlights the complex and challenging issues that surround many deaths in our modern world and helps readers frame thoughtful responses. Unafraid of difficult topics, Steffen and Cooley fully engage suicide, physician assisted suicide, euthanasia, capital punishment, abortion, and war as areas of life where death poses moral challenges.
Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses—the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk—have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics—and how it can breathe new life into old bones.