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Strange things are going on in Black Dog Wood... A blindfolded skeleton has been unearthed, there have been sightings of some kind of monster, and rumours abound of naughty goings-on at night. And then the local MP, Sir Giles Luscott-Whorne, is accused of murder. Giles’s best chance to prove his innocence lies with retired police detective Frank Shunter. Can he discover whodunit? And what connects all of these curious events to a long-lost manuscript by crime author Agnes Crabbe? In this sequel to A Murder to Die For, Stevyn Colgan once again takes us back to South Herewardshire for a comedy of murderous proportions.
The most fatal virus known to science, rabies-a disease that spreads avidly from animals to humans-kills nearly one hundred percent of its victims once the infection takes root in the brain. In this critically acclaimed exploration, journalist Bill Wasik and veterinarian Monica Murphy chart four thousand years of the history, science, and cultural mythology of rabies. From Greek myths to zombie flicks, from the laboratory heroics of Louis Pasteur to the contemporary search for a lifesaving treatment, Rabid is a fresh and often wildly entertaining look at one of humankind's oldest and most fearsome foes. "A searing narrative." -The New York Times "In this keen and exceptionally well-written book, rife with surprises, narrative suspense and a steady flow of expansive insights, 'the world's most diabolical virus' conquers the unsuspecting reader's imaginative nervous system. . . . A smart, unsettling, and strangely stirring piece of work." -San Francisco Chronicle "Fascinating. . . . Wasik and Murphy chronicle more than two millennia of myths and discoveries about rabies and the animals that transmit it, including dogs, bats and raccoons." -The Wall Street Journal
Stylish, amusing, and deliciously wicked—a superb murder mystery from the acclaimed author of The Thin Woman Divorce can end a marriage. Murder can do it better. Meet Ellie Haskell, née Simons, thin woman, newlywed, potential murderess. Her life in charming Chitterton Fells promises nothing but endless bliss—until she meets two of the most cunning and unlikely private eyes ever to track down a diabolical killer. Misses Hyacinth and Primrose Tramwell of Flowers Detection Agency have been called in by a major insurance company to investigate the deplorably high incidence of sudden death among the married men of this picturesque municipality. The spinster sleuths soon discover that all the husbands had been unfaithful and their deaths neatly arranged by an enterprising social organization called The Widows Club. But to find the mastermind behind this insidious ring, the Tramwells need an unhappy and betrayed wife. Enter Ellie, who will endanger life and husband to join The Widows Club and arrange to have her dearly beloved . . . dead.
20 years ago four friends awoke an ancient evil, and only the Cemetery Club can stop it before the whole town ends up dead. Or worse. Rocky Point is a small town with a violent history – mass graves, illegal medical experiments and brutal murders dating back centuries. Of course, when Cory, Marisol, John, and Todd form the Cemetery Club, they know none of this. They've found the coolest place to party after school – an old crypt. But then things start to go bad. People get killed and the Cemetery Club knows the cause: malevolent creatures that turn people into zombies. When no one believes them, they descend into the infested tunnels below the town and somehow manage to stop the cannibalistic deaths. Now, twenty years later, the horror is beginning again. The Cemetery Club must reunite to defeat the menace once and for all. The problem is they can't remember how they did it the first time. It's a race against time to find the true source of evil infesting Rocky Point, as the Cemetery Club ventures into the cryptic maze, to face their demons in a final showdown.
Leading artists, theorists, and writers exhume the dystopian and utopian futures contained within the present “I am the supercommunity, and you are only starting to recognize me. I grew out of something that used to be humanity. Some have compared me to angry crowds in public squares; others compare me to wind and atmosphere, or to software.” Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice. In essays, poems, short stories, and plays, artists and theorists trace the negative collective that is the subject of contemporary life, in which art, the internet, and globalization have shed their utopian guises but persist as naked power, in the face of apocalyptic ecological disaster and against the claims of the social commons. “I convert care to cruelty, and cruelty back to care. I convert political desires to economic flows and data, and then I convert them back again. I convert revolutions to revelations. I don’t want security, I want to leave, and then disperse myself everywhere and all the time.”
This is the second annual edition of the Long List Anthology. Every year, supporting members of WorldCon nominate their favorite stories first published during the previous year to determine the top five in each category for the final Hugo Award ballot. Between the announcement of the ballot and the Hugo Award ceremony at WorldCon, these works often become the center of much attention (and contention) across fandom. But there are more stories loved by the Hugo voters, stories on the longer nomination list that WSFS publishes after the Hugo Award ceremony at WorldCon. The Long List Anthology Volume 2 collects 18 fiction stories from that nomination list, along with 2 essays from the book Letters to Tiptree that was also on the nomination list, totaling over 500 pages of fiction by writers from all corners of the world. Within these pages you will find a mix of science fiction and fantasy and horror, the dramatic and the lighthearted, from android caretakers to Lovecraftian romances, from adventures to quests and more. There is a wide variety of styles and types of stories here, and something for everyone. The stories included are: "Damage" by David D. Levine "Pockets" by Amal El-Mohtar "Today I Am Paul" by Martin L. Shoemaker "The Women You Didn't See" by Nicola Griffith (a letter from Letters to Tiptree) "Tuesdays With Molakesh the Destroyer" by Megan Grey "Wooden Feathers" by Ursula Vernon "Three Cups of Grief, By Starlight" by Aliette de Bodard "Madeleine" by Amal El-Mohtar "Neat Things" by Seanan McGuire (a letter from Letters To Tiptree) "Pocosin" by Ursula Vernon "Hungry Daughters of Starving Mothers" by Alyssa Wong "So Much Cooking" by Naomi Kritzer "The Deepwater Bride" by Tamsyn Muir "The Heart's Filthy Lesson" by Elizabeth Bear "Grandmother-nai-Leylit's Cloth of Winds" by Rose Lemberg "Another Word For World" by Ann Leckie "The Long Goodnight of Violet Wild" by Catherynne M. Valente "Our Lady of the Open Road" by Sarah Pinsker "The Pauper Prince and the Eucalyptus Jinn" by Usman T. Malik "The Sorcerer of the Wildeeps" by Kai Ashante Wilson
“Move over, Jane Austen, for the latest literary ladies who snoop in this... lively series debut.”—Kirkus Reviews on The Vanished Bride Haworth Parsonage, February 1846: The Brontë sisters— Anne, Emily, and Charlotte—are busy with their literary pursuits. As they query publishers for their poetry, each sister hopes to write a full-length novel that will thrill the reading public. They’re also hoping for a new case for their fledgling detecting enterprise, Bell Brothers and Company solicitors. On a bitterly cold February evening, their housekeeper Tabby tells them of a grim discovery at Scar Top House, an old farmhouse belonging to the Bradshaw family. A set of bones has been found bricked up in a chimney breast inside the ancient home. Tabby says it's bad doings, and dark omens for all of them. The rattled housekeeper gives them a warning, telling the sisters of a chilling rumour attached to the family. The villagers believe that, on the verge of bankruptcy, Clifton Bradshaw sold his soul to the devil in return for great riches. Does this have anything to do with the bones found in the Bradshaw house? The sisters are intrigued by the story and feel compelled to investigate. But Anne, Emily, and Charlotte soon learn that true evil has set a murderous trap and they've been lured right into it...
Berkeley Cockering wants to live the hedonistic life of a millionaire playboy. But his sister, Marcheline, is only interested in preserving the family name and refuses to sell off any of their large jointly-owned estate. He therefore embarks upon a drastic course of action to force her to sell, which will involve the owner of a cash-strapped geriatric circus, an alcoholic clown, an incontinent elephant and a sex toy with a mind of its own. Stevyn Colgan’s third – and funniest – South Herewardshire novel continues the series that began with A Murder To Die For and The Diabolical Club.