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"The law codes of ancient India"--Cover.
The Dharmasutras are the four surviving works of the ancient Indian expert tradition on the subject of dharma, or the rules of behaviour a community recognizes as binding on its members. Written in a pithy and aphoristic style and representing the culmination of a long tradition of scholarship, the Dharmasutras record intense disputes and divergent views on such subjects as the education of the young and their rites of passage, ritual procedures and religious ceremonies, marriage and marital rights and obligations, dietary restrictions, the right professions for and the proper interaction between different social groups, sins and their expiations, institutions for the pursuit of holiness, king and the administration of justice, crimes and punishments, death and ancestral rites. In short, these unique documents give us a glimpse of how people, especially Brahmin males, were ideally expected to live their lives within an ordered and hierarchically arranged society. In this first English translation of the Dharmasutras for over a century, Patrick Olivelle uses the same lucid and elegant style as in his award-winning translation of the Upanisads and incorporates the most recent scholarship on ancient Indian law, society, and religion. Complex material is helpfully organized, making this the ideal edition for the non-specialist as well as for students of Indian society and religion.
The Dharmasutra Parallels present in a synoptic layout of the passages in the four Dharmasutras of Apastamba. Gautama, Baudhayana, and Vasistha deal with identical topics. The Dharmasutras represent the oldest extant codification of Law in ancient India. A close study of these early legal treatises is essential if we are to understand not only the legal but also the cultural and religious history of the three or four centuries prior to the common era, a period that saw the beginnings of many of the features that we commonly associate with Indian civilization.
Whether defined by family, lineage, caste, professional or religious association, village, or region, India's diverse groups did settle on a concept of law in classical times. How did they reach this consensus? Was it based on religious grounds or a transcendent source of knowledge? Did it depend on time and place? And what apparatus did communities develop to ensure justice was done, verdicts were fair, and the guilty were punished? Addressing these questions and more, A Dharma Reader traces the definition, epistemology, procedure, and process of Indian law from the third century B.C.E. to the middle ages. Its breadth captures the centuries-long struggle by Indian thinkers to theorize law in a multiethnic and pluralist society. The volume includes new and accessible translations of key texts, notes that explain the significance and chronology of selections, and a comprehensive introduction that summarizes the development of various disciplines in intellectual-historical terms. It reconstructs the principal disputes of a given discipline, which not only clarifies the arguments but also relays the dynamism of the fight. For those seeking a richer understanding of the political and intellectual origins of a major twenty-first-century power, along with unique insight into the legal interactions among its many groups, this book offers exceptional detail, historical precision, and expository illumination.
Manu's Code of Law is one of the most important texts in the Sanskrit canon, indeed one of the most important surviving texts from any classical civilization. It paints an astoundingly detailed picture of ancient Indian life-covering everything from the constitution of the king's cabinet to the price of a ferry trip for a pregnant woman-and its doctrines have been central to Indian thought and practice for 2000 years. Despite its importance, however, until now no one has produced a critical edition of this text. As a result, for centuries scholars have been forced to accept clearly inferior editions of Sanskrit texts and to use those unreliable editions as the basis for constructing the history of classical India. In this volume, Patrick Olivelle has assembled the critical text of Manu, including a critical apparatus containing all the significant manuscript variants, along with a reliable and readable translation, copious explanatory notes, and a comprehensive introduction on the structure, content, and socio-political context of the treatise. The result is an outstanding scholarly achievement that will be an essential tool for any serious student of India.
This is the first scholarly book devoted to the study of the term dharma with in the broad scope of Indian cultural and religious history. Most generalizations about Indian culture and religion upon close scrutiny turn out to be inaccurate. An exception undoubtedly is the term dharma. This term and the notions underlying it clearly constitute the most central feature of Indian civilization down the centuries, irrespective of linguistic, sectarian, or regional differences. The nineteen papers included in this collection deal with many significant historical manifestations of the term dharma. These studies by some of the leading scholars in the respective fields will both present a more nuanced picture of the semantic history of dharma by putting contours onto the flat landscape we have inherited and spur further studies of this concept so central for understanding the cultural history of the Indian subcontinent.
The Āpaddharmaparvan, 'the book on conduct in times of distress', is an important section of the great Sanskrit epic the Mahābhārata which, despite its significance for Mahābhārata studies and for the history of Indian social and political thought, has received little attention in scholarly literature. This book places the Āpaddharmaparvan within its literary and ideological contexts. In so doing it explores the development of a conception of brahmanic kingship morally justifiable within the terms of a debate largely set by various alternative social movements of the period. This book further explores the implications for our understanding of the Mahābhārata that follow from the Āpaddharmaparvan's presentation as a poetically cohesive unit within itself and within the wider parameters of the Mahābhārata.
Between 300 BCE and 200 CE, concepts and practices of dharma attained literary prominence throughout India. Both Buddhist and Brahmanical authors sought to clarify and classify their central concerns, and dharma proved a means of thinking through and articulating those concerns. Alf Hiltebeitel shows the different ways in which dharma was interpreted during that formative period: from the grand cosmic chronometries of kalpas and yugas to narratives about divine plans, gendered nuances of genealogical time, royal biography (even autobiography, in the case of the emperor Asoka), and guidelines for daily life, including meditation. He reveals the vital role dharma has played across political, religious, legal, literary, ethical, and philosophical domains and discourses about what holds life together. Through dharma, these traditions have articulated their distinct visions of the good and well-rewarded life. This insightful study explores the diverse and changing significance of dharma in classical India in nine major dharma texts, as well some shorter ones. Dharma proves to be a term by which to make a fresh cut through these texts, and to reconsider their own chronology, their import, and their relation to each other.
This elegantly written book introduces a new perspective on Indic religious history by rethinking the role of mantra in Vedic ritual. In Bringing the Gods to Mind, Laurie Patton takes a new look at mantra as "performed poetry" and in five case studies draws a portrait of early Indian sacrifice that moves beyond the well-worn categories of "magic" and "magico-religious" thought in Vedic sacrifice. Treating Vedic mantra as a sophisticated form of artistic composition, she develops the idea of metonymy, or associational thought, as a major motivator for the use of mantra in sacrificial performance. Filling a long-standing gap in our understanding, her book provides a history of the Indian interpretive imagination and a study of the mental creativity and hermeneutic sophistication of Vedic religion.