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During the seventeenth century, Dutch ministers built libraries and wrote books to fulfill their divine calling to guard the faith as it was entrusted to them and to encourage others in sound doctrine.
Written in the nineteenth century, rediscovered in the twenty-first, timeless in its wisdom and beauty, Hours of Devotion by Fanny Neuda, (the daughter of a Moravian rabbi), was the first full-length book of Jewish prayers written by a woman for women. In her moving introduction to this volume--the first edition of Neuda’s prayer book to appear in English for more than a century--editor Dinah Berland describes her serendipitous discovery of Hours of Devotion in a Los Angeles used bookstore. She had been estranged from her son for eleven years, and the prayers she found in the book provided immediate comfort, giving her the feeling that someone understood both her pain and her hope. Eventually, these prayers would also lead her back to Jewish study and toward a deeper practice of her Judaism. Originally published in German, Fanny Neuda’s popular prayer book was reprinted more than two dozen times in German and appeared in Yiddish and English editions between 1855 and 1918. Working with a translator, Berland has carefully brought the prayers into modern English and set them into verse to fully realize their poetry. Many of these eighty-eight prayers, as well as Neuda’s own preface and afterword, appear here in English for the first time, opening a window to a Jewish woman’s life in Central Europe during the Enlightenment. Reading “A Daughter’s Prayer for Her Parents,” “On the Approach of Childbirth,” “For a Mother Whose Child Is Abroad,” and the other prayers for both daily and momentous occasions, one cannot help but feel connected to the women who’ve come before. For Berland, Hours of Devotion served as a guide and a testament to the mystery and power of prayer. Fanny Neuda’s remarkable spirit and faith in God, displayed throughout these heartfelt prayers, now offer the same hope of guidance to others.
The Collected Works of Witness Lee, 1959, volume 5, contains messages given by Brother Witness Lee in November 1959 through January 1960. Historical information concerning Brother Lee's travels and the content of his ministry in 1959 can be found in the general preface that appears at the beginning of volume 1 in this set. The contents of this volume are divided into two sections, as follows: 1. Nine messages given in Taipei, Taiwan, in the fourth part of a training that began on October 5, 1959, and concluded on January 22, 1960. The messages in this section were given in November and December 1959 and are included in this volume under the title Synopsis of Exodus. 2. Thirty-seven messages given in Taipei, Taiwan, in the fifth part of a training that began on October 5, 1959, and concluded on January 22, 1960. The messages in this section were given from the end of December 1959 through January 21, 1960, and are included in this volume under the title Synopsis of Leviticus.
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
Poetry. Jewish Studies. Philip Terman's latest poetry collection, THIS CRAZY DEVOTION, begins appropriately enough with "Tormented Meshuggenehs," "the crazy sages... / who dervished across the hayfields / and paused to yawp a parable to the cows about the seven beggars..." This passage announces much about the poetry that follows: that its craziness indeed is of the order of devotion in the spiritual sense, rooted in Judaism; and also that it often takes place in bucolic surroundings, rooted in the land. And why is this a little surprising, this conjunction of Jewish life and rural setting? For Terman they are seamless and sacred, and by portraying his Jewishness as woven through a life and landscape familiar to many (non-Jewish) readers, he dispels stereotypes and creates a community of mutual recognition and understanding. That would be virtue enough to applaud this collection, but it offers many other pleasures. "I am talking about this world, there is no other," he declares in the long and lovely meditative "Garden Chronicle" that forms the final section of the book. Such a world it is, full of all of the things to which he is crazily devoted, all of the things he writes about with such acuity and tenderness in these poems: heritage and faith, social justice, poetry, and even (in the title poem) almost meeting Bob Dylan--but foremost, his family and nature, both of which sustain him. He communes with ancestors, a grandfather he was too young to remember, who must have sung to him in Yiddish (and who, he supposes, just might have posed for Chagall). He imagines the radio interview his father might have given, replete with Borscht Belt humor, and recalls going for bagels with "the schlemiel... / who dated your sister-in-law / after your brother died." He devotes the second section, "Of Longing and Chutzpah," to memories of his mother, and in one of the most humorous and poignant moments recalls how in childhood his mother cut his hair to save money, an act Terman likens to "sculpting" him into all the things she might have wished him to be, "the boy she wants to be a mensch." (Based on the accounting he gives here, she succeeded. She also carved out a considerable poet.) Most of all, he writes of "The love of the long married," of children "at the kitchen table / doing homework," waiting on a school bus which arrives bearing all the hopes and happiness in the world. He gives the last word to the daughter whose question "After Later?" signifies "no set time, farther than the horizon, / on top of the sky, around the bend, outside this moment we're in" when, perhaps "all those things they said would happen / must surely have occurred." Such a lovely description of faith, so worthy of devotion.
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.