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The modem Brazilian short story begins with the mature work of Joaquim Maria Machado de Assis (1839-1908), acclaimed almost unanimously as Brazil's greatest writer. Collectively, these nineteen stories are representative of Machado's unique style and world view, and this translation doubles the number of his stories previously available in English. The stories in this volume reflect Machado's post-1880 emphasis on social satire and experimentation in psychological realism. If he had continued to produce the moralistic love stories and parlor intrigues of his earlier fiction, Machado's legacy would have been an entertaining but inconsequent body of work. However, by 1880 he had begun a devastating satirical assault on society through his fiction. In spite of his ruthlessness, Machado does at times reveal an ironic sympathy for his characters. He is not indifferent to human conflict but uses humor and irony to stress the absurdity of these conflicts, acted out against the backdrop of an indifferent universe. Such a spectacle creates a sense of helplessness that can only inspire wistful amusement. In his technical mastery of the short story. Machado was decades ahead of his contemporaries and can still be considered more modern than most of the modernists themselves. That his stories elicit such strong and diverse reactions today is a tribute to their richness, complexity, and significance.
What shapes the message of the church? The Bible and Spirit? Or society and culture? Os Guinness points out perils of compromise in the church growth movement.
In "The Devil's Church", by Machado de Assis, the Devil, tired of his usual role as tempter, decides to create his own church to lead mankind astray. He promises men power and pleasure, but without the fear of eternal hell, offering a religion of debauchery and hedonism. The satire deals with the corruption and hypocrisy of religious institutions, revealing human nature and its contradictions.
In a dilapidated and isolated old house, something peculiar seems to happen whenever the town’s bestial exterminator visits. On a seemingly bucolic country estate, the head of the household is a living corpse obsessed with other corpses. An adolescent boy who passes his days in private dream worlds experiences a sexual awakening spurred by his family’s scandalous tenant. In these and other stories, the modernist writer Alexei Remizov offers a panorama of Russian mythology, the supernatural, rural grotesques, and profound religious faith in fiery revolutionary settings. Alexei Remizov was one of the greatest writers of the Russian symbolist movement of the early twentieth century. In the thirteen stories collected in this volume, his exceptional stylistic achievements are on full display. Equally drawing on rural colloquial speech, the language of Russian fairy tales, and the customs of the Old Believers and Russian Orthodoxy, they transport the reader into a mysterious world in between uncanny folktales and encroaching modernity. The Little Devil and Other Stories includes works from across Remizov’s career, encompassing his thematic preoccupations and stylistic experimentation. Antonina W. Bouis’s translation captures Remizov’s many registers to offer English-language readers a sampling of a remarkable Russian writer.
Four Novlettes:The Devil Repents: The devil wanted to be a believer and went to the USA president who asked representatives of religions to decide. Could they decide easily?Nefert:The sould of an old Egyptian princess returns to find her lover after the temple's men killed them. Is it true?The Intelligence Comedy;An Iraqi professor fled from Saddam regime to reach the USA to be accused of being a terrorist acting to spread Anthrax after 9/11. He came with a forged passport and a faked identity. Could he prove his real identity while being in a conflict between CIA and FBI?Secrets of Nora:When mothers have sexual problems what is the effect upon kids?
So back he went to Mulifanua. The boat voyage from Apia down the coast inside the reef is not a long one, but the Samoan crew were frightened to have such a man free; so they tied him hand and foot and then lashed him down tightly under the midship thwart with strips of green fau bark. Not that they did so with unnecessary cruelty, but ex-Lieutenant Schwartzkoff, the foreman, was looking on, and then, besides that, this big-boned, light-skinned man was a foreigner, and a Samoan hates a foreigner of his own colour if he is poor and friendless. And then he was an aitu a devil, and could speak neither Samoan, nor Fijian, nor Tokelau, nor yet any English or German....FROM THE BOOKS.