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Until the end of the eighteenth century, missionaries to the New World agreed that diabolism lay at the heart of the Native American belief system and at the root of their own failure to establish a church purged of Satan and pagan superstition. The Devil mattered, and he occupied a central place in discussions of all non-Christian religious systems and in the bitter disputes over how to combat them. In this elegant and sensitive analysis, Fernando Cervantes gives the Devil his due, illuminating a neglected aspect of the European encounter with America and setting the full history of the "spiritual conquest" in a rich and original context. He reveals how Native Americans reinterpreted the view of Christianity presented to them, how they refused to see the world as the missionaries saw it. Drawing on archival sources, he brings into clear focus the complex, often bewildering, and sometimes tragic clash between a theology that posited the existence of competing forces and one that insisted that all deities were multiform beings within which good and evil coexisted. He deals in compelling and persuasive detail with the social history of the interaction between the two cultures, explaining not only the impact of European ideas upon the New World but the influence of diabolism on the ideology of the Old. And he provides a subtle account of the role of diabolism in the emerging baroque culture of the seventeenth and eighteenth centuries that strikingly challenges conventional explanations of the growth of skepticism in the period.
Exploring the relationship of heresy, dissent and society in the 12th and 13th Centuries,The Devil’s World shows how people made conscious choices between heresy and orthodoxy in the middle ages and were not afraid to exert their power as ‘consumers’ of religion. The book gives an account of all popular religious movements, looks at the threat that heresy presented to the Church and lay powers and considers the measures they took to deal with it. Ideal for students of medieval and religious history.
Written by the pioneering scientist, theorist and activist J. D. Bernal, this futuristic essay explores the radical changes to human bodies and intelligence that science may bring about, and suggests the impact of these developments on society. Bernal presents a far-reaching vision of the future that encompasses space research and colonization, material sciences, genetic engineering, and the technological hive mind. In his view, it will be possible for the conditions of civilization to reach a state of materialist utopia. For all three realms—the world, the flesh, and the devil—Bernal attempted to map out the utmost limit of technoscientific progress, and found that there are almost no limits. With a new introduction by McKenzie Wark.
Develop equity, excellence, and well-being across the whole system! The world is troubled! We need to combine a moral imperative and a system transformation to survive for the better. Education is crucial to our future but needs to play a more direct role in shaping our future. The Devil is in the Details shows how we can re-think the education system and its three levels of leadership—local, middle, and top—so that each level can contribute to dramatic turnaround for education and society. The focus is on examining details to ensure effective actions are taken, rather than assuming large pronouncements and policies will drive change. Readers will find: • Details and analysis about successful systems in California, Ontario, and Australia • Ideas for how leaders at all levels can take steps to begin • Vignettes, actions and strategies that illustrate how to address equity, excellence and well-being With the goal of transforming the culture of learning to develop greater equity, excellence, and student wellbeing, this book will help you liberate the system and maintain focus.
Ms. Donna Haskins is an African American woman who wrestles with structural inequity in the streets of Boston by inhabiting an alternate dimension she refers to as the “spirit realm.” In this other place, she is prepared by the Holy Spirit to challenge the restrictions placed upon Black female bodies in the United States. Growing into her spiritual gifts of astral flight and time travel, Donna meets the spirits of enslaved Africans, conducts spiritual warfare against sexual predators, and tends to the souls of murdered Black children whose ghosts haunt the inner city. Take Back What the Devil Stole centers Donna’s encounters with the supernatural to offer a powerful narrative of how one woman seeks to reclaim her power from a lifetime of social violence. Both ethnographic and personal, Onaje X. O. Woodbine’s portrait of her spiritual life sheds new light on the complexities of Black women’s religious participation and the lived religion of the dispossessed. Woodbine explores Donna’s religious creativity and her sense of multireligious belonging as she blends together Catholic, Afro-Caribbean, and Black Baptist traditions. Through the gripping story of one local prophet, this book offers a deeply original account of the religious experiences of Black women in contemporary America: their bodies, their haunted landscapes, and their spiritual worlds.
A bold retelling of the history of lying in medieval and early modern Europe Is it ever acceptable to lie? This question plays a surprisingly important role in the story of Europe's transition from medieval to modern society. According to many historians, Europe became modern when Europeans began to lie—that is, when they began to argue that it is sometimes acceptable to lie. This popular account offers a clear trajectory of historical progression from a medieval world of faith, in which every lie is sinful, to a more worldly early modern society in which lying becomes a permissible strategy for self-defense and self-advancement. Unfortunately, this story is wrong. For medieval and early modern Christians, the problem of the lie was the problem of human existence itself. To ask "Is it ever acceptable to lie?" was to ask how we, as sinners, should live in a fallen world. As it turns out, the answer to that question depended on who did the asking. The Devil Wins uncovers the complicated history of lying from the early days of the Catholic Church to the Enlightenment, revealing the diversity of attitudes about lying by considering the question from the perspectives of five representative voices—the Devil, God, theologians, courtiers, and women. Examining works by Augustine, Bonaventure, Martin Luther, Madeleine de Scudéry, Jean-Jacques Rousseau, and a host of others, Dallas G. Denery II shows how the lie, long thought to be the source of worldly corruption, eventually became the very basis of social cohesion and peace.
'An irresistible page-turner that reads like the most compelling, sleep defying fiction' TIME OUT One was an architect. The other a serial killer. This is the incredible story of these two men and their realization of the Chicago World's Fair of 1893, and its amazing 'White City'; one of the wonders of the world. The architect was Daniel H. Burnham, the driving force behind the White City, the massive, visionary landscape of white buildings set in a wonderland of canals and gardens. The killer was H. H. Holmes, a handsome doctor with striking blue eyes. He used the attraction of the great fair - and his own devilish charms - to lure scores of young women to their deaths. While Burnham overcame politics, infighting, personality clashes and Chicago's infamous weather to transform the swamps of Jackson Park into the greatest show on Earth, Holmes built his own edifice just west of the fairground. He called it the World's Fair Hotel. In reality it was a torture palace, a gas chamber, a crematorium. These two disparate but driven men are brought to life in this mesmerizing, murderous tale of the legendary Fair that transformed America and set it on course for the twentieth century . . .
When European notions about angels and demons were exported to the New World, they underwent remarkable adaptations. Angels and demons came to form an integral part of the Spanish American cosmology, leading to the emergence of colonial urban and rural landscapes set within a strikingly theological framework. Belief in celestial and demonic spirits soon regulated and affected the daily lives of Spanish, Indigenous and Mestizo peoples, while missionary networks circulated these practices to create a widespread and generally accepted system of belief that flourished in seventeenth-century Baroque culture and spirituality. This study of angels and demons opens a particularly illuminating window onto intellectual and cultural developments in the centuries that followed the European encounter with America. The volume will be of interest to scholars and students of religious studies, anthropology of religion, history of ideas, Latin American colonial history and church history.
Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.