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Between 1548 and 1551, controversies over adiaphora, or indifferent matters, erupted in both Germany and England. Matthias Flacius Illyricus in Germany and John Hooper in England both refused to accept, among other things, the same liturgical vestment: the surplice. While Flacius' objections to the imperial liturgical requirements were largely contextual, because the vestments and rites were forced on the church and were part of a recatholicizing agenda, Hooper protested because he was convinced that disputed vestments and rites lacked a biblical basis. The Devil behind the Surplice demonstrates that, while Flacius fought to protect the reformation principle of justification by grace alone through faith alone, Hooper strove to defend the reformation principle that Scripture alone was the source and norm of Christian doctrine and practice. Ultimately, Flacius wanted more Elijahs, prophets to guide a faithful remnant, and Hooper wanted a new Josiah, a young reform king to purify the kingdom and strip it of idolatry.
Martin Luther with preached and written word unleashed the unconditional and uncompromising gospel of God's love for sinners in Jesus Christ, crucified and risen. He exposed both man's lost condition and Christ's unfathomable love with unrelenting persistence and unmistakable clarity. Bound in sin, only Christ could set the sinner free, and Luther held Christ before his students, hearers, and readers. That message marked and formed his students and coworkers, and yet after his death bitter disputes broke out about some of the most central aspects of his theology. Debates cut to the very heart of the Reformation, and this while its future hung precariously in the balance. An Uncompromising Gospel highlights Luther's key theological teachings, details the controversies that broke out over them after his death, and provides important lessons for our own day, as Christians still struggle to grasp and hold forth the love of Christ for sinners dead in trespasses and sins. As Lutheranism in specific and Christianity as a whole struggle to find and articulate their identity in challenging times yet once again, An Uncompromising Gospel provides helpful reminders about what the chief task and message of the church are and ought to be as it presses forward in God's grace and with the good news of Christ Jesus.
James Ussher (1581-1656), one of the most important religious scholars and Protestant leaders of the seventeenth century, helped shape the Church of Ireland and solidify its national identity. In Catholicity and the Covenant of Works, Harrison Perkins addresses the development of Christian doctrine in the Reformed tradition, paying particular attention to the ways in which Ussher adopted various ideas from the broad Christian tradition to shape his doctrine of the covenant of works, which he utilized to explain how God related to humanity both before and after the fall into sin. Perkins highlights the ecumenical premises that underscored Reformed doctrine and the major role that Ussher played in codifying this doctrine, while also shedding light on the differing perspectives of the established churches of Ireland and England. Catholicity and the Covenant of Works considers how Ussher developed the doctrine of a covenant between God and Adam that was based on law, and illustrates how he related the covenant of works to the doctrines of predestination, Christology, and salvation.
"The Devil's Disciple" by George Bernard Shaw is a compelling play set during the American Revolutionary War. It tells the story of Richard Dudgeon, a young man living in a small New England town, who is mistakenly identified as a rebel leader and sentenced to be hanged by British soldiers. However, when the real rebel leader, Anthony Anderson, is captured, Dudgeon unexpectedly takes his place on the gallows, sacrificing himself to save Anderson. As the story unfolds, Dudgeon's actions challenge the beliefs and expectations of those around him, leading to unexpected consequences for all involved. Shaw's play explores themes of sacrifice, honor, and the nature of heroism, while also offering sharp commentary on social and political issues of the time. With its witty dialogue, complex characters, and thought-provoking themes, "The Devil's Disciple" remains a timeless work that continues to resonate with audiences today.
"New York Times"-bestselling author Saul is at his diabolical best, in this thrilling new novel of an exorcist who has learned how to reverse the mysterious art--to summon evil instead of driving it out.
Nuggets in the Devil's Punch Bowl is an absorbing collection of four fictional Australian tales by Andrew Robertson that are interesting and easy to read. The stories include: Nuggets in the Devil's Punch Bowl; Lanky Tim; Lost in the Bush; Thunder-and-lightning. Excerpt from Nuggets in the Devil's Punch Bowl: "Bill Marlock had been shearing all the morning, with long slashing cuts before which the fleece fell, fold upon fold. He was the "ringer" of the shed, and his reputation was at stake, for Norman Campbell was running him close. To-day was Saturday, and it was known from the tally that Bill was only one sheep ahead, and that Norman was making every effort to finish the week "one better" than the record shearer of Yantala woolshed."
Bill Marlock had been shearing all the morning, with long slashing cuts before which the fleece fell, fold upon fold. He was the "ringer" of the shed, and his reputation was at stake, for Norman Campbell was running him close. To-day was Saturday, and it was known from the tally that Bill was only one sheep ahead, and that Norman was making every effort to finish the week "one better" than the record shearer of Yantala woolshed. The two men were working side by side, and eyeing each other from time to time with furtive glances. Norman suddenly straightened himself, and, quick as a frightened snake, thrust his long body across the "board," with the sheep he had shorn in his sinewy hands, and shot it into the tally pen among the white, shivering sheep. Then he dashed into the catching pen, and seized the smaller of two sheep that remained. At almost the same moment Bill had his hands upon the same sheep, but took them off when he saw the other man was before him, and was obliged to content himself, much to his chagrin, with the "cobbler," a grizzled, wiry-haired old patriarch that every one had shunned.