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INSTANT NEW YORK TIMES BESTSELLER • “The definitive account of the Murdaugh murders. Forget the podcasts, the TV specials, and the documentaries—this is the version of the story you’ll want to read. And once you pick it up, you won’t be able to put it down.”—John Carreyrou, Pulitzer Prize winner and bestselling author of Bad Blood Power, privilege, and blood—this is the true story of Alex Murdaugh’s violent downfall, from a veteran Wall Street Journal reporter who has become an authority on the case. Alex Murdaugh was a benevolent dictator—the president of the South Carolina trial lawyers’ association, a political boss, a part-time prosecutor, and a partner in his family’s law firm. He was always ready with a favor, a drink, and an invitation to Moselle, his family’s 1,700-acre hunting estate. The Murdaugh name ignited respect—and fear—for a hundred miles. When he murdered his wife, Maggie, and son Paul at Moselle on a dark summer night, the fragile façade of Alex’s world could no longer hold. His forefathers had covered up a midnight suicide at a remote railroad crossing, a bootlegging ring run from a courthouse, and the attempted murder of a pregnant lover. Alex, too, almost walked away from his unspeakable crimes with his reputation intact, but his downfall was secured by a twist of fate, some stray mistakes, and a fateful decision by an old friend who’d finally seen enough. Why would a man who had everything kill his wife and grown son? To unwind the roots of Alex’s ruin, award-winning journalist Valerie Bauerlein reported not just from the courthouse every day but also along the backroads and through the tidal marshes of South Carolina’s Lowcountry. When the jurors made their pilgrimage to the crime scene, trying to envision Maggie and Paul’s last moments, she walked right behind them, sensing the ghosts that haunt the Murdaughs’ now-shattered legacy. Through masterful research and cinematic writing, The Devil at His Elbow is a transporting journey through Alex’s life, the night of the murders, and the investigation that culminated in a trial that held tens of millions spellbound. With her stunning insights and fearless instinct for the truth, Bauerlein uncovers layers of the Murdaugh murder case that have not been told.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
You’ll want to spend every minute of your time with the O’Daniel Family, experiencing their simple adventures in a way that only this oldest daughter can weave them. Written with a sense of hope and an amazing capture of mid-twentieth century detail, you will enjoy the opportunity to: Revisit big department stores again, when Louisville’s only place to shop was downtown Spend a delightful day at Fontaine Ferry, Louisville’s famous amusement park Be part of the quarrels, love and joy – feeling the bonds of this close knit era, when dependence on family members and neighbors was essential. Experience farm life in the suburbs. Deanna’s classmates jumped rope in subdivisions while the O’Daniels slopped hogs, killed chickens, and hoped they went to school without smelling like the animals they tended. Only a few can tell their story coherently like Deanna does with this touching memoir. First born in a large rural family, she relates her passage through childhood with charming and accurate descriptions of life in Kentuckiana. A chronicle of many customs and places that are fast slipping away from our collective memories, such as her description of the country store in Nelson County, Kentucky. A book you will tell others, “I’m so fond of this one.” John Allen Boyd, Emerson Avery, That Latin Teacher Deanna’s story is of dedicated parents and (eventually) 11 children. They migrated near Louisville, Kentucky when Deanna was five. Her stories about those formative years paint a portrait in glowing colors, depicting struggles and love that molds and endures. You will love Deanna and her story. Terry Cummins, Feed My Sheep O’Daniel, a gifted writer who tightly weaves her life’s journey through stories that makes growing up on a farm sound like sunshine. She shares the daily toil, angst and rivalry associated with a large family in a humorous, but realistic way – tugging at your heart for a piece of those bygone days. Corrider Jones, A Backward Glance
This book provides a sophisticated introduction to the life and work of Cormac McCarthy appropriate for scholars, teachers and general readers.
In a literary voice that is both original and powerfully unsettling, William Gay tells the story of Nathan Winer, a young and headstrong Tennessee carpenter who lost his father years ago to a human evil that is greater and closer at hand than any the boy can imagine - until he learns of it first-hand. Gay's remarkable debut novel, 'The Long Home', is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it. Set in rural Tennessee in the 1940s, 'The Long Home' will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.
During the Napoleonic Wars, Harry and James Ludlow are aboard the Magnanime, a gunship under the command of Oliver Carter. Oliver and Harry are old rivals and when James is found near the dead body of the First Lieutenant, Carter assumes James is the murderer. Harry has to prove otherwise.
When the Devil needs a rogue demon killed, who does he call? The Player: Necromance-for-hire Dante Valentine is choosy about her jobs. Hot tempered and with nerves of steel, she can raise the dead like nobody's business. But one rainy Monday morning, everything goes straight to hell. The Score: The Devil hires Dante to eliminate a rogue demon: Vardimal Santino. In return, he will let her live. It's an offer she can't refuse. The Catch: How do you kill something that can't die?
***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** Named one of Time Magazine’s 100 Best Mystery and Thriller Books of All Time “An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People). When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential rabbit hole where she must confront the dualities of motherhood: the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence as the book hurtles toward a mind-bending conclusion. In The Need, Helen Phillips has created a subversive, speculative thriller that comes to life through blazing, arresting prose and gorgeous, haunting imagery. “Brilliant” (Entertainment Weekly), “grotesque and lovely” (The New York Times Book Review, Editor’s Choice), and “wildly captivating” (O, The Oprah Magazine), The Need is a glorious celebration of the bizarre and beautiful nature of our everyday lives and “showcases an extraordinary writer at her electrifying best” (Publishers Weekly, starred review).
Alice Guy BlachT (1873-1968), the world's first woman filmmaker, was one of the key figures in the development of narrative film. From 1896 to 1920 she directed 400 films (including over 100 synchronized sound films), produced hundreds more, and was the first--and so far the only--woman to own and run her own studio plant (The Solax Studio in Fort Lee, NJ, 1910-1914). However, her role in film history was completely forgotten until her own memoirs were published in 1976. This new book tells her life story and fills in many gaps left by the memoirs. Guy BlachT's life and career mirrored momentous changes in the film industry, and the long time-span and sheer volume of her output makes her films a fertile territory for the application of new theories of cinema history, the development of film narrative, and feminist film theory. The book provides a close analysis of the one hundred Guy BlachT films that survive, and in the process rewrites early cinema history.