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Italy’s economic expansion after World War Two triggered significant social and cultural change. Secularization accompanied this development and triggered alarm bells across the nation’s immense Catholic community. The Devil and the Dolce Vita is the story of that community – the church of Popes Pius XII, John XXIII and Paul VI, the lay Catholic Action association, and the Christian Democratic Party – and their efforts in a series of culture wars to preserve a traditional way of life and to engage and tame the challenges of a rapidly modernizing society. Roy Domenico begins this study during the heady days of the April 1948 Christian Democratic electoral triumph and ends when pro-divorce forces dealt the Catholics a defeat in the referendum of May 1974 where their hopes crashed and probably ended. Between those two dates Catholics engaged secularists in a number of battles – many over film and television censorship, encountering such figures as Roberto Rossellini, Luchino Visconti, Federico Fellini, and Pier Paolo Pasolini. The Venice Film Festival became a locus in the fight as did places like Pozzonovo, near Padua, where the Catholics directed their energies against a Communist youth organization; and Prato in Tuscany where the bishop led a fight to preserve church weddings. Concern with proper decorum led to more skirmishes on beaches and at resorts over modest attire and beauty pageants. By the 1960s and 1970s other issues, such as feminism, a new frankness about sexual relations, and the youth rebellion emerged to contribute to a perfect storm that led to the divorce referendum and widespread despair in the Catholic camp.
"This lush guide, featuring more than 350 glorious photographs from National Geographic, showcases the best Italy has to offer from the perspective of two women who have spent their lives reveling in its unique joys."--Publisher's description.
Starting with tales of her grandmother's exploits in Switzerland and Florence, Isabel's animated account progresses through Europe and the Second World War right through to the present day, with the author and her young family's recent relocation to Australia. Illustrated with b/w photographs of the people, and hand-drawn sketches of the places, that provided inspiration for the original recipes, this is a charming book that will sell well in both the cookery and gift sections. Each of the mouth-watering recipes featured throughout the text is unique, either because of its unusual blend of ingredients, its historical, personal or geographical interest, or its outstanding quality.
Fellini's La dolce vita has been a phenomenon since before it was made, a scandal in the making and on release in 1960 and a reference point ever since. Much of what made it notorious was its incorporation of real people, events and lifestyles, making it a documentation of its time. It uses performance, camera movement, editing and music to produce a striking aesthetic mix of energy and listlessness, of exuberance and despair. Richard Dyer's study considers each of these aspects of the film – phenomenon, document, aesthetic – and argues that they are connected. Beginning with the inspirations and ideas that were subsequently turned into La dolce vita, Dyer then explores the making of the film, the film itself and finally its critical reception, providing engaging new insights into this mesmerising piece of cinema.
There are many types of political scandals: sex, corruption, and election scandals are but a few. Political scandals are public events that have tremendous consequence on citizenry and can undermine democratic institutions-when we pay attention to scandal, we risk ignoring weightier matters. This volume brings together an array of academics to explore the impact of political scandals. What makes this book different from others is the wide spectrum of perspectives brought together to help analyze a single subject.
In The Devil's Guide to Hollywood, bestselling author and legendary bad-boy screenwriter Joe Eszterhas tells everything he knows about the industry, its players and screenwriting itself—from the first blank sheet of paper in the Olivetti to the size of the credit on the one-sheet. "There's just one hunk of funny anecdote after another, quotes from everyone who ever mattered in the movie biz, and the thing is jam-packed with screenwriterly advice. Plus it's hilariously funny, ribald, sexy and brilliant."—Liz Smith Often practical and always entertaining, The Devil's Guide to Hollywood distills everything one of Hollywood's most accomplished screenwriters knows about the business, from writing advice to negotiation tricks, from the wisdom of past players to the feuds of current ones. Eszterhas has selected his personal pantheon of the most loved and loathed players in the business and treats the reader to a treasure trove of stories, quotes and wisdom from those luminaries, who include William Goldman (loathes) and Zsa Zsa Gabor (loves). The Devil's Guide to Hollywood could only have been written by someone who loves the business as much as Eszterhas does—but who also has its number. "Eszterhas delivers a dishy, catty mix of reminiscences and Hollywood trivia...his forte is skewering sycophants and phonies in this opinionated showcase of the underside of Hollywood life."—Publishers Weekly
"La Dolce Vita" describes my life's journey from a lower middle-class family to the ranks of a Fortune 500 executive while enduring the challenges of a lifetime of poor health. The learning is that a good life is possible if one looks upon adversity as a source of advantage while focusing on what’s important and managing the urgent appropriately.
Readers will fall for a side of Italy rarely seen with the just-turned-forty Peter Moore rattling around the country on the back of an ageing Vespa scooter — like himself, a little rough around the edges, and a bit slow in the mornings perhaps, but basically still OK.
This is the riveting true story of Paul Martelli, a fifteen-year-old German-Italian, who fought in Pomerania, on the Eastern Front, in 1945 as a member of the 33. Waffen-Grenadier-Division der SS "Charlemagne" and, later, as a soldier with French forces during three years (1951-1954) in the Tonkin area, Vietnam. Paul recounts his time at the Sennheim military training base, where he was introduced to the rigorous discipline of body and mind: he then goes back to 1940, during the German invasion of France, when he was still a boy in Lorraine, hinting at his motivations for enlisting with the Waffen SS. He reveals his and many young soldiers' exciting and often humorous escapades at Greifenberg, his first love with a German girl helping refugees, his experiences and feelings during the combats at Kšrlin, during the strenuous defense of Kolberg, while regrouping at Neustrelitz and at the German defeat. With a companion he ends up at a castle delivering a group of women camp prisoners to a Russian officer, living in disguise among enemy soldiers until he escapes and surrender to the Americans. After his sentence, imprisonment, evasions and military service in Morocco, Paul is sent to fight in defense of bases north of Hanoi, Vietnam. He survives three years of fierce combats, assaults, ambushes, night patrols, fatal traps and mortal risks but, deep down, he compares his service with the Waffen SS during the last year of war with the inefficiency of the French Expeditionary Force in the Far East and comes out deeply frustrated. At almost 26, he has fought and lost in two wars, both against the communists, be they Soviet or Viet-Minh. Unemployed, and with the ideals of a 'Nouvelle Europe' in pieces, he briefly joins the French Foreign Legion, his last hope, but in the end choses another path. This is a unique memoir, packed with incident and recounting the story of one individual caught up in a series of life-changing events.