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In this second installment of the funny and stylish new graphic novel series Pup Detectives, the puppy PIs sniff out a statue thief! Fresh off of their victory in nabbing the lunchtime bandit of Pawston Elementary, Rider Woofson and the rest of the pup detectives are on the lookout for their next case. They don’t have to wait long because before you can say “Bow-Wowza!” a crime occurs—the theft of a precious statue known as the Tiger’s Eye that was on display for Show and Tell. The suspects are a-plenty, but the key to catching this crook will come from uncovering who had a motive. The PI Pack is up for the challenge...as long as the investigation doesn’t interfere with lunch!
This wonderfully illustrated children’s biography of the great nineteenth-century detective “evokes a mysterious and exciting old-fashioned tale of espionage” (School Library Journal). Everyone knows the story of Abraham Lincoln, but few know anything about the spy who saved his life on the way to his 1861 inauguration! In The Eye That Never Sleeps, award-winning author and illustrator Marissa Moss reveals the true story of Allen Pinkerton. A poor Scottish immigrant, Pinkerton became the first police detective in Chicago before opening the country’s most successful detective agency. He solved more than 300 murders and recover millions of dollars in stolen money. However, his greatest contribution was foiling an assassination plot against Abraham Lincoln. The Eye That Never Sleeps is illustrated with a contemporary cartoon style, mixing art and text in a way that appeals to readers of all ages. The book also includes a bibliography and a timeline.
From Philip Marlowe and Sam Spade to Jake Gittes, private eyes have made for some of the most memorable characters in cinema. We often view these detectives as lone wolves who confront and try to make sense of a violent and chaotic modern world. Bran Nicol challenges this stereotype in The Private Eye and offers a fresh take on this iconic character and the film noir genre. Nicol traces the history of private eye movies from the influential film noirs of the 1940s to 1970s neonoir cinema, whose slow and brilliant decline gave way to the fading of detectives into movie mythology today. Analyzing a number of classic films—including The Maltese Falcon, The Big Sleep, Chinatown, and The Long Goodbye—he reveals that while these movies are ostensibly thrillers, they are actually occupied by issues of work and love. The private eye is not a romantic hero, Nicol argues, but a figure who investigates the concealments of others at the expense of his own private life. Combining a lucid introduction to an underexplored tradition in movie history with a new approach to the detective in film, this book casts new light on the private worlds of the private eye.
A Bath antiques dealer has disappeared, and detective Peter Diamond has been saddled with the "help" of a hardboiled Philip Marlowe wannabe private investigator in cracking the case. MWA Grand Master Peter Lovesey's 20th installment in the award-winning series will have readers laughing from the first page. If there's one thing detective Bath Peter Diamond has no patience for, it's a dumb git trying to get involved in one of his investigations—for example, a Philip Marlowe-wannabee private investigator like the self-styled Johnny Getz (his card claims he Getz results). But fate has saddled Diamond with this trial. A Bath antiques dealer, Septimus "Seppy" Hubbard, has disappeared without a trace, and his daughter, Ruby, has hired Johnny Getz to find him. When a dead body is discovered in Seppy's locked-up store, the missing persons case becomes a murder investigation, and now Diamond has to collaborate with the insufferable private eye.
The book examines radio and mystery drama from about 1932 to the genre's final appearance in the late 1950's. While its focus is on women detectives, French provides minute and fascinating details about dozens of mystery programs and includes a comprehensive listing of source material ranging from magazine articles, to dime detective novels, to film noir. Each lady detective appearing under one of eight cleverly conceived categories gets handsome, multi-page treatment. The author traces the chronological appearance of the subject's show, examines the program's history and origins, and details with substantial documentation the manner of the show's presentation and production. He intersperses the text with actual dialogue taken directly from the program scripts.
“I’m in a business where people come to me with troubles. Big troubles, little troubles, but always troubles they don’t want to take to the cops.” That’s Raymond Chandler’s Philip Marlowe, succinctly setting out our image of the private eye. A no-nonsense loner, working on the margins of society, working in the darkness to shine a little light. The reality is a little different—but no less fascinating. In The Legendary Detective, John Walton offers a sweeping history of the American private detective in reality and myth, from the earliest agencies to the hard-boiled heights of the 1930s and ’40s. Drawing on previously untapped archival accounts of actual detective work, Walton traces both the growth of major private detective agencies like Pinkerton, which became powerful bulwarks against social and labor unrest, and the motley, unglamorous work of small-time operatives. He then goes on to show us how writers like Dashiell Hammett and editors of sensational pulp magazines like Black Mask embellished on actual experiences and fashioned an image of the PI as a compelling, even admirable, necessary evil, doing society’s dirty work while adhering to a self-imposed moral code. Scandals, public investigations, and regulations brought the boom years of private agencies to an end in the late 1930s, Walton explains, in the process fully cementing the shift from reality to fantasy. Today, as the private detective has long since given way to security services and armed guards, the myth of the lone PI remains as potent as ever. No fan of crime fiction or American history will want to miss The Legendary Detective.
Embark on a journey through the Old and New Testament with Sherlock Holmes and Dr. John Watson as they explore exotic and spice-laden places in search of clues. The detective and the doctor travel back in time with the help of a Moriarty-designed time machine to investigate ten Bible destinations, unlocking clues to ten Bible mysteries. The most fascinating crime cases are those that are already solved, those that have been investigated by the police and brought to a swift, satisfying, and almost inevitable conclusion. So it is with Bible stories which the reader may consider familiar and unremarkable. But under close scrutiny these stories give up their hidden clues, their long kept secrets. Like a jewel newly polished, they sparkle and shine with a fresh, introspective light. While traveling back in time to witness certain scenes, Holmes and Watson unravel ten different Biblical mysteries, including the following: · The Hanging Tree: Why did Ahithophel hang himself? · Righteous Blood is Red: Is Zechariah the son of Berekiah or Jehoiada in Matthew 23? · You Miss, You Die: Why did David take five stones against Goliath? · Dead Man Walking: Why did Jesus delay in coming to Lazarus in John 11?
Turn a Blind Eye is the third installment in the gripping story of Detective Inspector William Warwick, by the master storyteller and #1 New York Times bestselling author of the Clifton Chronicles. Newly promoted to Detective Inspector, William Warwick is tasked with a dangerous new line of work, to go undercover and expose crime of another kind: corruption at the heart of the Metropolitan Police Force. Along with detectives Rebecca Pankhurst and Nicky Bailey, his team is focused on following Detective Jerry Summers, a young officer whose lifestyle exceeds his income. But the investigation risks being compromised when Nicky falls for Summers. Meanwhile, notorious drug baron Assem Rashidi goes on trial, defended by Booth Watson QC, while William’s father Sir Julian and sister Grace lead the prosecution case. And William’s wife Beth, now a new mother to twins, makes a surprising new friend in Christina Faulkner—the ex-wife of William’s former rival, criminal financier Miles - who has not only turned over a new leaf, but also has a new-found source of income when Faulkner dies suddenly of a heart attack and she stands to be sole inheritor of his estate. As the undercover officers start to draw the threads together, William realizes that the corruption may go deeper still, and more of his colleagues than he first thought might be willing to turn a blind eye.