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This is an adult ebook that has just published and it is primarily erotica romance, this is told from different perspectives and these poems have no rhyme. Each rendezvous has a such a unique story and the way each story is expressed and told as well as being able to visualize the passionate filled moments being shared.
E. E. Cummings’s erotic poems and drawings gathered in a single volume. Many years ago the prodigious and famously prolific E. E. Cummings sat in his study writing and thinking about sex. His private brooding gave way to poems and drawings of sexual and romantic love that delight and provoke. Here, collected for this first time in a single volume, are those erotic poems and sketches, culled from Cummings’s original manuscripts by the distinguished editor George James Firmage. from “16” may i feel said he (i’ll squeal said she just once said he) it’s fun said she (may i touch said he how much said she a lot said he) why not said she
WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.
Garden of Veil's is a resemblance of the aesthetic of the autobiography, new neologisms, new idioms, many day to day life incidents which have been captured into the veil of fiction. There is a progress of the artist as a writer to the Kunstlerroman. The fiction is highly post-modernized and it is a kaleidoscope, a salmagundi of fiction.
“The courtship between the high-class courtesan and the street cop is well drawn and nuanced” in this historical murder mystery (Publishers Weekly). Beauty and treachery abound in the infamous Pingkang Li, home of the celebrated Lotus Palace courtesans . . . As the most requested hostess at the Lotus Palace, Mingyu can charm any man who seeks her company—except Wu Kaifeng. Wu Kaifeng is a no-nonsense constable who maintains his level head even in the most desperate situations. Having crossed paths with each other in the past, the two have a strained history, but that doesn’t stop Mingyu from falling for the secretly sensitive officer. When a powerful official is found dead in a highly suspicious murder, Mingyu and Kaifeng become involved in the dangerous mystery. Amid the chaos, Kaifeng discovers his reluctant, yet fierce attraction to Mingyu, but the temptation to give in to her could destroy them both. After all, a forbidden affair is bound to have consequences . . .
A woman who was adopted as a newborn recounts her experience of meeting her birth parents, describing how adoption affected her sense of identity, her efforts to learn about her late birth mother's personal life, and her discouragement with her birth father's unwillingness to invite her into his family.
Michael Faudet’s whimsical and often erotic writing has captured the hearts and minds of literally thousands of readers from around the world. He paints vivid pictures with intricate words and explores the compelling themes of love, loss, relationships, and sex. All beautifully captured in poetry, prose, quotes, and little short stories.