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What if you really, really wanted to die... but couldn’t? Welcome to the life of Owen, a suicidal man who can’t seem to die, no matter how many times he’s tried. Owen’s monotonous, bleak life is interrupted by a chance encounter with Dinah Borst, an ambitious but troubled police captain. The officer offers him the chance to find a purpose in life: leverage his ability to avoid death and intervene clandestinely in cases where the police is hampered by red-tape. Together, Owen and Dinah will attempt to make their city a better place by saving lives, fighting a psychopathic unkillable killer, and battling police corruption. But can they manage to overcome their personal challenges and become heroes, or will they sink into a pit of darkness and despair in the process?
Lev Grossman’s new novel THE BRIGHT SWORD will be on sale July 2024 The stunning #1 New York Times bestselling conclusion to the Magicians trilogy A NEW YORK TIMES NOTABLE BOOK OF THE YEAR ONE OF THE YEAR’S BEST BOOKS • The San Francisco Chronicle • Salon • The Christian Science Monitor • AV Club • Buzzfeed • Kirkus • NY 1 • Bustle • The Globe and Mail Quentin Coldwater has been cast out of Fillory, the secret magical land of his childhood dreams. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can’t hide from his past, and it’s not long before it comes looking for him. Along with Plum, a brilliant young undergraduate with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of gray magic and desperate characters. But all roads lead back to Fillory, and his new life takes him to old haunts, like Antarctica, and to buried secrets and old friends he thought were lost forever. He uncovers the key to a sorcery masterwork, a spell that could create magical utopia, a new Fillory—but casting it will set in motion a chain of events that will bring Earth and Fillory crashing together. To save them he will have to risk sacrificing everything. The Magician’s Land is an intricate thriller, a fantastical epic, and an epic of love and redemption that brings the Magicians trilogy to a magnificent conclusion, confirming it as one of the great achievements in modern fantasy. It’s the story of a boy becoming a man, an apprentice becoming a master, and a broken land finally becoming whole.
Funny, sad, full of wonderful characters and the word-perfect dialogue of which he is the master, McMurtry brings the Thalia saga to an end with Duane confronting depression in the midst of plenty. Surrounded by his children, who all seem to be going through life crises involving sex, drugs, and violence; his wife, Karla, who is wrestling with her own demons; and friends like Sonny, who seem to be dying, Duane can't seem to make sense of his life anymore. He gradually makes his way through a protracted end-of-life crisis of which he is finally cured by reading Proust's Remembrance of Things Past, a combination of penance, and prescription from Dr. Carmichael that somehow works. Duane's Depressed is the work of a powerful, mature artist, with a deep understanding of the human condition, a profound ability to write about small-town life, and perhaps the surest touch of any American novelist for the tangled feelings that bind and separate men and women.
The celebrated Danish poet Tove Ditlevsen begins the Copenhagen Trilogy ("A masterpiece" —The Guardian) with Childhood, her coming-of-age memoir about pursuing a life and a passion beyond the confines of her upbringing—and into the difficult years described in Youth and Dependency Tove knows she is a misfit whose childhood is made for a completely different girl. In her working-class neighborhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For "long, mysterious words begin to crawl across" her soul, and she comes to realize that she has a vocation, something unknowable within her—and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind. Childhood, the first volume in the Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.
Book Two of the Funny Papers Trilogy, De Haven’s dazzling tour of twentieth-century America. New York City, circa 1936: a legendary cartoonist is taken ill with a mysterious ailment. Though Walter Geebus is stricken, possibly forever, his popular comic strip about an orphan boy and his smart-aleck talking dog must go on. But who can "ghost" the Great Geebus and satisfy millions of avid "Derby Dugan" fans? At once a rollicking and bittersweet tale of ambition, temptation, and jealousy, De Haven's novel is a tribute to the redemptive powers of love, imagination, and the well-chosen wisecrack.
The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).
The death of high school basketball star Rob Washington in an automobile accident affects the lives of his close friend Andy, who was driving the car, and many others in the school.
All three books in W.L. Liberman's 'The Goldman Trilogy', now available in one volume! The Global View: Ephraim Goldman is a celebrated author. An academic lion, he hobnobs with Einstein, Berenson and other movers and shakers of his era. Meanwhile, his son Bernard - also a writer - is desperate to make his own reputation in the literary world. After a publisher hires Bernie to write his father’s biography, he stumbles across a startling photograph, and the mystery surrounding his father begins to unfold. Can he repair their relationship and begin to understand his father, or will long-kept secrets destroy their family? A Loafer's Guide To Living: A story of disrupted lives during a search for the rarest of conditions: equilibrium. Bernard Goldman is living in the shadow of his famous father. His life is in shambles, and he gets grief from everyone and everything around him. Can he weather the storm, or is his life ruptured beyond repair? River for the Unrequited: Sometimes, the greatest challenges are those closest to home. After Bernard gets roped into an eco-rafting trip down the pristine Jennings River in Yukon, he tries to bond with his son, Sergeant Sean Goldman, who suffers from extreme PTSD after a tour in Afghanistan. But can the wilderness adventure heal the hidden cracks in Bernie’s marriage, help Sean find his way, and give Bernie a path forward with his famous father, Ephraim?
In book one, Slingshot, three scientist/engineers reach for the stars as they blend their skills with a host of skilled colleagues to create the world’s first Space Launch-Loop. A team of young eco-terrorists will go to any length to halt the project. One woman is determined to scoop the story, reporting events to a watching world. Slingshot ranges from Seattle’s financial district, to the ocean bottom off Baker Island, to the edge of space, and across the vast panorama of an Equatorial Pacific. It’s a love story, a gender-bender, and a mystery about a missing aviatrix, a conspiracy, and a true-believer. It’s about high finance, intrigue, heroism, fanaticism, betrayal…and humanity’s surge into outer space. In book two, The Starchild Compact, an international team ventures to Saturn’s moon Iapetus to verify it really is a derelict starship. They discover the Founders, descendants of the starship’s builders who arrived in our Solar System 150,000 years ago. Together with the Founders, the explorers advance Founder science with momentous implications for the entire Solar System, paving the way for a joint push to the distant reaches of the Galaxy. But, a Persian Caliphate stowaway sabotages the mission, hoping to destroy science that he believes violates Islam. The Starchild Compact blends tomorrow’s science with human foibles, fears, beliefs, and political intrigue, speculating on how civilization might develop while traveling on a generational starship, and how modern humans might interact with remnants of that civilization. In book three, The Iapetus Federation, besieged Israelis on Earth make their way to Mars as the Federation expands throughout the Solar System. While global Jihad rages on Earth, putting millions to the sword, the Starchild Institute develops wormhole transportation. But will this new technology be ready in time to rescue all that is left of the United States, the beleaguered Lone Star Conservancy, and remnants of other cultures around the globe? From hand-to-hand combat in the oceans, to battles on Earth’s surface, to struggles in interplanetary space, our heroes fight to survive and expand to the far reaches of the universe.
Even before the Depression, unemployment, low wages, substandard housing, and poor health plagued many women in what was then one of America's poorest cities--San Antonio. Divided by tradition, prejudice, or law into three distinct communities of Mexican Americans, Anglos, and African Americans, San Antonio women faced hardships based on their personal economic circumstances as well as their identification with a particular racial or ethnic group. Women of the Depression, first published in 1984, presents a unique study of life in a city whose society more nearly reflected divisions by the concept of caste rather than class. Caste was conferred by identification with a particular ethnic or racial group, and it defined nearly every aspect of women's lives. Historian Julia Kirk Blackwelder shows that Depression-era San Antonio, with its majority Mexican American population, its heavy dependence on tourism and light industry, and its domination by an Anglo elite, suffered differently as a whole than other American cities. Loss of migrant agricultural work drove thousands of Mexican Americans into the barrios on the west side of San Antonio, and with the intense repatriation fervor of the 1930s, the fear of deportation inhibited many Mexican Americans from seeking public or private aid. The author combines excerpts from personal letters, diaries, and interviews with government statistics to present a collective view of discrimination and culture and the strength of both in the face of crisis.